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Gilded Bronze Box with Poem by French Art Jeweler Line Vautrin

$12,800

About

A gilt bronze poudrier box with cast poem on surface by Parisian art jeweler Line Vautrin (1913-1997) circa 1940s. The poem "Les 4 ages de la Femme" was an old French lyrical poem that humorously outline the four stages of a woman's life. Historically, the authorship appears unclear but was attributed to several figures including Jean-Baptiste de Grécourt (1683-1743). Signed LINE VAUTRIN on the base. "LES 4 ÂGES DES FEMMES Philis plus avare que tendre, Ne gagnant rien à refuser, Un jour exigea de Lisandre Trente moutons pour un baiser. Le lendemain, nouvelle affaire, Pour le berger le troc fut bon, Il exigea de la bergère Trente baisers pour un mouton. Un autre jour, Philis plus tendre, Craignant de déplaire au berger, Fut trop heureuse de lui rendre Trente moutons pour un baiser. Le lendemain, Philis peu sage, Aurait donné moutons et chien, Pour un baiser que ce volage À Lisette donnait pour rien." For a variant on the same theme: Line Vautrin, 100 years of magnitude, exhibition catalogue, Maison Gérard, New York, 16 May-21 June 2013, n. p., n. 40.

Details

  • Creator
    Line Vautrin (Jeweler)
  • Dimensions
    Height: 0.375 in. (9.53 mm)Width: 3.5 in. (8.89 cm)Depth: 3.5 in. (8.89 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1940s
  • Condition
    Wear consistent with age and use. Minor overall surface wear and small indentation on the base, slight unevenness on one internal wall, all as shown in detail photos.
  • Seller Location
    Atlanta, GA
  • Reference Number
    1stDibs: LU945027946822

Shipping & Returns

  • Shipping

    Ships From: Atlanta, GA
  • Return Policy

    A return for this item may be initiated within 2 days of delivery.

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About the Jeweler

Line Vautrin

Celebrated as the “poetess of metal” by Vogue magazine, designer Line Vautrin’s provocative works, which span furniture and jewelry, are characterized by fanciful forms and technical excellence. An audacious decorative artist and intellectual during a time when women were expected to fall into traditional roles, her inspirational designs show her passion for literature, wordplay and mythological allegory.

Born in 1914, Vautrin possessed a sense of curiosity and keen observational skills that led her to start creating at an early age. A talented autodidact, she taught herself to work with metal while spending time in her family’s bronze foundry. Vautrin had already mastered the skills of casting, carving, gilding and polishing bronze by the time she was in her early teens, and introduced her first line of jewelry when she was only twenty years old, offering her unique brooches, belt clasps and buttons to a select group of customers. In 1937, Vautrin helmed a small booth at the Paris International Exposition, where she gained some notoriety for her handcrafted accessories. Around the same time, Vautrin worked briefly for Elsa Schiaparelli, a like-minded fashion designer whose achievements propelled her onto the cover of Time magazine in 1934.

Vautrin opened a modest boutique near the Champs-Élysées in the late 1930s. During World War II, she created playful and sophisticated necklaces, powder boxes, earrings and other items that gave her clientele a welcome respite from wartime hardships. There was great demand for Vautrin’s work, and she opened a larger shop on rue du Faubourg Saint-Honoré in 1946. Shortly thereafter, she opened her own atelier in Paris’s then run-down Marais district with her husband, interior decorator Jacques Armand Bonnaud. The neighborhood would later become world-famous for its boutiques and designer shops.

Vautrin’s boundless curiosity led her to constantly experiment with new materials and processes. In 1955, she perfected her technique with a new form of cellulose acetate resin, which she patented under the name Talosel. Vautrin used this material extensively to create complicated mirrored inlays, which became one of her signature motifs.

Throughout her life, Vautrin played with literary and religious iconography in her designs, drawing inspiration from common aphorisms, ancient world mythologies and alchemical principles. Her passion for symbology and the written word is reflected in her work, which often features intricate lettering and carefully rendered shapes and figures. Vautrin's pieces were imbued with her own sense of humor and love of fantasy.

In 1969, Vautrin closed her shop, and, alongside her daughter, Marie-Laure Bonnaud-Vautrin, opened a craft school to teach her innovative techniques to aspiring artists. Vautrin retired in 1980 but continued to create art from her apartment up until her death in 1997. Her individualism earned her a place among the most iconic creators of mid-century jewelry and decorative objects. Actress Brigitte Bardot and fashion designer Yves Saint Laurent became notable collectors of her work.

In 1992, Vautrin was recognized for her work in developing new decorative techniques by the Société d'Encouragement aux Métiers d’Art (later the Institut National des Métiers d’Art). Her designs were also celebrated by the Musée des Arts Décoratifs, which held a retrospective of her works in 1999.

Find vintage Line Vautrin mirrors, decorative objects and collectibles on 1stDibs.

About the Seller
4.9
Located in Atlanta, GA
Platinum Seller
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Established in 2006
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371 sales on 1stDibs
Typical response time: <1 hour
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