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Art Déco Guinea Pig Bronze Paperweight by E.M. Sandoz for Susse Frères, France
$2,700
£2,048.70
€2,342.50
CA$3,771.17
A$4,193.03
CHF 2,189.37
MX$51,039.33
NOK 27,935.36
SEK 26,174.10
DKK 17,482.53
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About the Item
1920s Art Déco small guinea pig bronze paperweight/sculpture by Édouard-Marcel Sandoz manufactured by Susse Frères, France
By: Édouard-Marcel Sandoz, Susse Frères
Material: bronze, copper, metal
Technique: cast, molded, metalwork, polished
Dimensions: 3.5 in x 2 in x 2 in
Date: early 20th century, circa 1925
Style: Art Déco
Place of origin: France
This Art Déco bronze paperweight, crafted circa 1925, showcases a whimsical guinea pig designed by Swiss-born sculptor Édouard-Marcel Sandoz in 1919. The piece, manufactured by the renowned Parisian foundry Susse Frères, exemplifies Sandoz's mastery of animal sculpture and his contribution to the Art Déco movement. The paperweight's hollow form and polished bronze surface highlight the animal's rounded contours and expressive features. The base of the sculpture bears both Sandoz's and Susse Frères' maker's marks, attesting to its authenticity and artistic pedigree.
Known for his precise yet playful animal representations, Sandoz (1881-1971) was a founding member of the Animaliers group and a pioneer in modernist sculpture. On their part, Susse Frères, established in 1758, was instrumental in producing high-quality bronze sculptures during the Art Déco period. Their collaboration resulted in this charming, functional art object.
- Creator:Susse Freres (Manufacturer),Edouard-Marcel Sandoz (Author)
- Dimensions:Height: 2 in (5.08 cm)Width: 2 in (5.08 cm)Depth: 3.5 in (8.89 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Circa 1925
- Condition:Wear consistent with age and use.
- Seller Location:North Miami, FL
- Reference Number:1stDibs: LU8678241464552
Edouard-Marcel Sandoz
Born in Basle, educated in Switzerland, Edouard Marcel Sandoz worked mainly in Paris, where he settled in 1908. A sculptor of men and of animals, he expressed himself in bronze, in ceramic, and through the direct cutting of stone. A painter of flowers and of landscapes, he was also an unflagging producer of sketches and water-colours. His motto : “ In art, one has to love everything : nature, science, one's fellow man… ” His defining characteristics : intellectual curiosity and technical discipline. His freedom of expression was grounded in mastery of classical and traditional techniques, his knowledge of materials, the constant search for new tools, the opening up of new artistic territories, and the study and profound understanding of his subject-matter. His very personal style, developed in the course of a long career, bears the imprint of the Art Nouveau period, in which he was a forceful presence.The predominance of animalism in his sculptural work incited him to found the French Society of Animalists in 1933. His commitment to the service of his fellow artists led him to preside over the Baron Taylor Association for more than thirty years, to found the Charitable Society for Children of Artists, and to contribute to the creation of the Cité des Arts in Paris. In recognition of his talents and achievements, France elected him a Member of the Academy of Fine Arts, and appointed him to the rank of Commander both of the Legion of Honour and of the Order of Arts and Letters.
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