
Animalier Bronze of an Ostrich by Alfred Barye
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Animalier Bronze of an Ostrich by Alfred Barye
About the Item
- Creator:Alfred Barye (Sculptor)
- Dimensions:Height: 8.27 in (21 cm)Width: 0 in (0.01 mm)Depth: 0 in (0.01 mm)
- Style:Other (Of the Period)
- Materials and Techniques:Bronze,Cast
- Place of Origin:
- Period:
- Date of Manufacture:1860
- Condition:Excellent. Excellent Please note that our items are genuine antiques with considerable age. It is therefore normal that they will show some signs of wear and handling to the surface. This change to the surface is known as patina and confirms the age.
- Seller Location:London, GB
- Reference Number:Seller: SKU 78181stDibs: LU3216310512081
Alfred Barye
Alfred Barye was a French sculptor, of the Belle Époque, pupil of his father the artist Antoine-Louis Barye. He learned his craft of animalier sculpture under the watchful eye of his father who was one of the original pioneers of animal sculpture in the mid-to-late 19th century. The younger Barye didn't always get along with his father, there were times when the two of them were not on speaking terms because until instructed not to do so, Barye was signing some of his bronzes as "A. Barye" which the senior Barye objected to because it created confusion as to which Barye, father or son, created the sculpture.
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ADDITIONAL INFORMATION
Height: 11 cm
Condition: Excellent Original Condition
Circa: 1880
Materials: Bronze
Book reference: Animals in Bronze by Christopher Payne
SKU: 9206
ABOUT
Dubucand Terrier
Alfred Dubucand (25 November 1828 – 1894) Dubucand was born in Paris and was a French animalier sculptor of the 19th century. His works were often entered into the annual Salon art exhibition in Paris where he contributed works over the course of his career. He was one of the prize pupils of Antoine-Louis Barye. Dubucand made his debut at the 1867 Salon with a wax model of a dead pheasant, a rather inauspicious start when considering the higher quality sculptures he would submit later in his career. He modelled mainly animal groups, producing a number of deer, dog, and horse sculptures. His better casts feature a warm, mid-brown patination, sometimes coming in even lighter shades bordering on a very light yellow, being nearly the colour of the bronze metal itself. He frequently experimented with chemical patinas, learning the patination process from his teacher and mentor Barye who stretched the boundary with his now famous dark green patinas. Dubucand paid strict attention to the anatomical detail of his subjects, often being so concise that he actually showed the veins in the legs of his deer and elk...
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