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Antique French Bronze Pheasant and Weasel by Jules Moigniez
About the Item
Pheasant and Weasel
From our Sculpture collection, we are delighted to offer this French Bronze Pheasant by Jules Moigniez. The French Bronze of good scale cast with a large male Pheasant clambering upon a rocky outcrop startled by a Weasel hiding within the foliage. The Pheasant naturalistically cast with individual feathers visible, sharp claws and spurs above the foot. The Weasel sits hidden in the foliage visible from viewing the French Bronze from the side as it shocks the Pheasant. The French Bronze signed to the front left on a rock face J. Moigniez (Jules Moigniez). The bronze sculpture dates to the late 19th century belle époque period Circa 1870.
Jules Moigniez (1835-1894) was born at Senlis, Oise, just north of Paris, France on the 28 May 1835 the son of a metal gilder. Moigniez studied under Paul Comoléra (1813-1890) a specialist Animalia sculptor. It is clear that Moigniez’s career in Animalia was passed down from his tutors specialism in Animalia and in particular birds. Moigniez father bought a foundry specifically to cast his son’s sculptures. This gave Moigniez a huge advantage compared to other artist as it greatly reduced his costs during manufacturing and increased productivity keeping the process in-house. Moigniez throughout his career became known for this Animalia sculptures and was regarded as the best of his time in Bird sculptures due to their fine detail that was immaculately chased and patinated. He exhibited thirty works at the Salon from 1855 until 1892 in both plaster and bronze with various gildings and silver patinas. Over his career it is believed that more than fifty percent of his output was sold within the United Kingdom as the subjects were particularly favoured by British countryside living.
Bronze is an alloy consisting primarily of copper with approximately 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon depending on the age of the bronze and its origin. The additions of other metals produce a range of alloys that are usually harder than copper alone and carry useful properties such as strength. The earliest known use of bronze dates to the 5th millennium BCE from Iranian plateau, the bronze mix consists of arsenical copper and copper-arsenide. The earliest tin-copper-alloy recovered is dated to circa 4650 BCE and was found in Plocnik, Serbia. It is believed to have been smelted from a natural tin-copper ore.
Belle Epoque is a period of French, Belgian and European history. It began in the early 1870’s and to ended with the outbreak of World War I in 1914.
- Creator:Jules Moigniez (Manufacturer)
- Dimensions:Height: 21.66 in (55 cm)Width: 20.87 in (53 cm)Depth: 10.04 in (25.5 cm)
- Style:Belle Époque (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Circa 1870
- Condition:Wear consistent with age and use. Minor rubbing to the bottom front of the base.
- Seller Location:Newark, GB
- Reference Number:Seller: SEDD1stDibs: LU6971240496592
Jules Moigniez
Jules Moigniez was born in Senlis sur L'Oise, France in 1835 and died in Saint-Martin-du-Teire, France on May 29, 1894. The son of a metal gilder, Moigniez was a student of Paul Comolera. Moigniez debuted at the Exposition Universelle in 1855 with Pointer, Pheasant, Falcon and Weasel each in plaster. Moigniez contributed regularly to the Paris Salon from 1859–92 during which he exhibited over 30 sculptures including Pointer, Pheasant, Falcon and Weasel in bronze. Moigniez was awarded an honorable mention at the Salon and received a medal in London at the Great Exposition in 1862. Moigniez lived most of his life in Paris. During his career, Moigniez was widely popular in France, England and America. His bronzes were most decorative, particularly those of game birds. Moigniez also sculpted dogs, farm animals and equestrian groups. Moigniez's dogs reflected the "naturalism" style of Pierre Jules Mene. Moigniez’s bird sculptures were reminiscent of paintings by deHondecoeter, Casteels and Snyders. Moigniez’s sculptures of birds reflect dynamic movement as if captured through a high-speed photographic portrait. Moigniez bronzes were edited, cast, by the foundry his father opened in 1857. A wide variety of patinations, including silver plate, golden bronze and gilding were unique to these lifetime casts. After Moigniez’s death, most of his bronzes were cast by A. Gouge, who also edited most of Comolera's sculptures.
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