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Art Déco Bronze Monkey Sculpture by E.M. Sandoz for the Robecchi Foundry, France
About the Item
Early 20th century Art Déco bronze monkey sculpture by Édouard-Marcel Sandoz for the Robecchi Foundry, France
By: Édouard-Marcel Sandoz, Robecchi Foundry
Material: bronze, copper, metal
Technique: cast, molded, metalwork, polished
Dimensions: 9 in x 10.5 in
Date: early 20th century
Style: Art Déco
Place of origin: France
This is an early 20th-century patinated bronze sculpture by Édouard-Marcel Sandoz, cast at the Robecchi Foundry in France. The Art Déco piece depicts a seated monkey with elegantly stylized, geometric features. Its contemplative yet compact posture, with its limbs tucked close, hands resting over its feet, and a calm, observant expression. The precision of the casting highlights the smooth planes and subtle curves of the form, emphasizing the refined interplay of light across the dark, polished patina. Both the artist’s signature and the foundry mark can be found on the base of the piece.
Édouard-Marcel Sandoz, a celebrated sculptor and designer, was known for merging natural subject matter with modernist sensibilities, capturing both the essence and simplicity of his subjects. This sculpture displays his mastery, offering a balance of artistry and craftsmanship ideal for collectors and connoisseurs of Art Déco design.
- Creator:Edouard-Marcel Sandoz (Designer)
- Dimensions:Height: 10.5 in (26.67 cm)Diameter: 9 in (22.86 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Period:
- Date of Manufacture:Early 20th Century
- Condition:Wear consistent with age and use.
- Seller Location:North Miami, FL
- Reference Number:1stDibs: LU8678242780292
Edouard-Marcel Sandoz
Born in Basle, educated in Switzerland, Edouard Marcel Sandoz worked mainly in Paris, where he settled in 1908. A sculptor of men and of animals, he expressed himself in bronze, in ceramic, and through the direct cutting of stone. A painter of flowers and of landscapes, he was also an unflagging producer of sketches and water-colours. His motto : “ In art, one has to love everything : nature, science, one's fellow man… ” His defining characteristics : intellectual curiosity and technical discipline. His freedom of expression was grounded in mastery of classical and traditional techniques, his knowledge of materials, the constant search for new tools, the opening up of new artistic territories, and the study and profound understanding of his subject-matter. His very personal style, developed in the course of a long career, bears the imprint of the Art Nouveau period, in which he was a forceful presence.The predominance of animalism in his sculptural work incited him to found the French Society of Animalists in 1933. His commitment to the service of his fellow artists led him to preside over the Baron Taylor Association for more than thirty years, to found the Charitable Society for Children of Artists, and to contribute to the creation of the Cité des Arts in Paris. In recognition of his talents and achievements, France elected him a Member of the Academy of Fine Arts, and appointed him to the rank of Commander both of the Legion of Honour and of the Order of Arts and Letters.
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