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Art Déco French Glazed Porcelain Fish Sculpture 'Poisson de Chine' by Sandoz
About the Item
1910s Art Déco glazed porcelain fish sculpture 'Poisson de Chine' by Édouard-Marcel Sandoz for Theodore Haviland
By: Edouard-Marcel Sandoz, Theodore Haviland
Material: porcelain, ceramic, paint, enamel
Technique: cast, pressed, painted, glazed, enameled
Dimensions: 6.5 in x 5 in x 7.5 in
Date: early 20th century, circa 1916
Style: Art Déco
Place of origin: France
Crafted in France circa 1916, this glazed porcelain sculpture by Édouard-Marcel Sandoz for Theodore Haviland captures the fluidity and tension of movement through a stylized depiction of a fish, its mouth agape as if emerging from a cresting wave. The form, both sculptural and functional, reflects Sandoz’s signature synthesis of naturalism and abstraction, with a refined sense of anatomical distortion that typified his approach to animal representation. The surface treatment is painted in raspberry pink—reminiscent of Chinese famille rose enamels—applied with controlled gradient transitions and set against a milky white ground that enhances the dynamism of the composition.
Known for his close collaborations with porcelain manufacturers, Sandoz brought artistic vigor to Haviland’s technical expertise, merging sculptural intent with precision ceramic craftsmanship.
- Creator:Theodore Haviland (Manufacturer),Edouard-Marcel Sandoz (Author)
- Dimensions:Height: 7.5 in (19.05 cm)Width: 5 in (12.7 cm)Depth: 6.5 in (16.51 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1910-1919
- Date of Manufacture:Circa 1916
- Condition:Wear consistent with age and use.
- Seller Location:North Miami, FL
- Reference Number:1stDibs: LU8678244813102
Edouard-Marcel Sandoz
Born in Basle, educated in Switzerland, Edouard Marcel Sandoz worked mainly in Paris, where he settled in 1908. A sculptor of men and of animals, he expressed himself in bronze, in ceramic, and through the direct cutting of stone. A painter of flowers and of landscapes, he was also an unflagging producer of sketches and water-colours. His motto : “ In art, one has to love everything : nature, science, one's fellow man… ” His defining characteristics : intellectual curiosity and technical discipline. His freedom of expression was grounded in mastery of classical and traditional techniques, his knowledge of materials, the constant search for new tools, the opening up of new artistic territories, and the study and profound understanding of his subject-matter. His very personal style, developed in the course of a long career, bears the imprint of the Art Nouveau period, in which he was a forceful presence.The predominance of animalism in his sculptural work incited him to found the French Society of Animalists in 1933. His commitment to the service of his fellow artists led him to preside over the Baron Taylor Association for more than thirty years, to found the Charitable Society for Children of Artists, and to contribute to the creation of the Cité des Arts in Paris. In recognition of his talents and achievements, France elected him a Member of the Academy of Fine Arts, and appointed him to the rank of Commander both of the Legion of Honour and of the Order of Arts and Letters.
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