Cermaic Horse Sculpture

19th century Chinese antique stoneware Jar. Hand-painted. Having strong wear and patina. Hunan Province, circa 1850.

Stone carved symbol for money. Chinese ancient symbol for money. A solid carved block of stone 3.5 inches thick. Possibly used as a window grate. This stone carving can be used with ...

Antique Rustic Chofa Sculpture. Solid woodblock Folk Art carving of Thai or Lao Chofa sculpture. Carved from a sold piece of wood having a very weathered patina. Heavy wear to the...

19th century cog from a sugarcane press mounted as utilitarian art. Massive Cog hand carved of Redwood used to press sugarcane from the early 1800s, Thail...

Ceramic sculpture in Scandinavian Style, 1960’s Additional Information: Material: Ceramic Style: Mid century, Scandinavian Dimensions: (W x D x H): 10.5 x 17.5 x 12 cm Condition: G...

3-726 vintage Japanese hand painted ceramic cat sculpture

Tremella sculpture by HS Studio Surreal real collection Dimensions: 35 x 27 x 12cm Materials: Ceramic Hannah Simpson is a ceramic artist, based in Ke...

"Purple Dawn", a ceramic sculpture piece by Japanese potter Kiyoharu Ichino (1957-). Purchased from Touching Stone, Santa Fe, New Mexico in 2003. Tradition meets renovation, this sculptural piece with its slab like minimal shape draws the viewer into its mysterious shape that is reminiscent of a monument. Its surface, with the typical Tanba clay fired at very high temperature and completely free of glaze, radiates a subtle metallic sheen that is nearly in a shade of purple. This piece was purchased from Touching Stone, Santa Fe, New Mexico in 2003. Artist's bio from the gallery and the exhibition: "Kiyoharu Ichino was born in 1957 in Tachikui into an extended family steeped in pottery-making tradition. He learned all aspects of Tanba pottery since childhood. When he was twenty, he moved to Seto to study pottery under a master of Akatsu-yaki. Upon returning to Tachikui, he launched his career with the Tanba Group Kiln. In 1983, he established his own kiln and began showing in galleries all over Japan. His works have been selected repeatedly for the prestigious juried Japan Traditional Crafts Exhibition sponsored by the Japan Crafts Association. In 1995, he was nominated to be a permanent member of The Japan Crafts Association, an honor bestowed to the most experienced and talented artists. Traditional Tanba pottery is fired unglazed at very high temperature in large wood-fueled kilns. Ichino uses both an anagama (hole kiln) and a noborigama (climbing kiln), burning almost a thousand bundles of wood over several days to bring out the unique personalities of Tanba clay, which is renowned for its rich texture and deep purplish brown colors. Many of his pieces show silvery fire-marks like swirling mists left by the wood fire. His pieces appear to be integral parts of the clay rather than separate objects made from it. To show the unique clay texture, he often includes seemingly unfinished edges in his designs, exposing the rough clay body. Despite the high level of sophistication and innovation, Ichino's works maintain a strong connection with the ancient Tanba pottery tradition. Ichino should be no stranger to many Santa Fe residents. His work has been exhibited both in Touching Stone Gallery and as part of a major exhibition in the New Mexico Museum of International Folk Art in 2006. About Tanba ware...