Karla Wyss Tye Untitled Kitten Bronze Table Sculpture

For your consideration is a marvelous, bronze table sculpture, on a wood base, signed Edward Chesney, and dated 1972. In excellent condition. The dimens...

For your consideration is a marvelous, bronze table sculpture, on an acrylic lucite base, depicting a nude woman, "Duchess," signed by Jerry Soble, dated 1999. In excellent condition...

For your consideration is a compelling contemporary pyramid lucite sculpture signed Nani (13 x 22). James Nani (1926-2016) was a Detroit artist for over 50 ...

A Curtis Jere pair of bronze cranes on stone table sculpture. This wonderful vintage mid century table sculpture features a very dynamic composition of cranes stand on a stone. Each ...

Handcarved, endearing and remarkable work of art. If you are a collector of rare and good quality antiques then this wonderful alabaster sculpture table lamp could be perfect for yo...

Eccentric and rare bronze sculpture by Italian master Nado Canuti from the 1950s. The sculpture is called: Untitled. Made entirely of bronze with a glass base. The sculpture is a per...

Yongjin Han was born in Seoul, South Korea in 1934. After the Korean War—in which he fought, lying about his age in order to enlist—he was one of six students admitted to the sculpture program at the Seoul National University. At the time of his enrollment little of his native city remained intact; nonetheless, he had never felt more responsible to his work, firm in the conviction that artistic expression is every bit as essential to life and human nature as eating, drinking, or breathing. One of Han’s teachers was Kim Chong Yung, a pioneer of Korean abstract sculpture, and by the time of his graduation he had adopted the abstraction that had seized both Europe and the United States several years before. . In 1967 he relocated to the USA, where he studied at Dartmouth and Columbia. Over the course of his long career the artist returned to Korea with frequency and made extended stays in Japan and Europe. Trips to Korea signified something more than mere homesickness: Han’s work, though made largely in America, remained grounded in his rich cultural heritage. Korea rests on a bedrock of granite, and freestanding sculpture produced of the stone has for centuries demarcated sites of historical and religious significance. Han’s sculpture bridges this past with modernity. Richard A. Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-objective abstraction.” For his part, Han put very little stock in designations; his focus, instead, was on the stone itself. His pieces explore a certain harmonization with nature. Han, when describing his work, said, "As stone has been around since the beginning of time, it has much to teach us if we care to slow down and listen." He believed that each stone has its own history, character, and energy and that his task was to draw out these inherently spiritual qualities. He described his process as a “dialogue” with his material: "The stone tells me it has an itch in a certain spot, so I scratch it—and we both feel better!" Han worked alone and with manual tools, and the process is arduous. Carving stone this way takes time, and, what’s more, required great force—yet Han’s sculptures, even the monumental ones, are, as friend and fellow artist David Parker says, “all gentle grace and warmth” … [the sculptor] “engages with the stone as an equal—like wayfarers meeting on a path, Han and a stone spend time together and when they part, both are marked and changed forever.” Yongjin Han's career spanned decades and continents, and included several prestigious large-scale public commissions. In Seoul his work can be found at the National Museum of Contemporary Art, the IE Young Museum of Contemporary Art, the Whanki Museum, the Ewha Woman’s University Museum, Posong High School, and the 88 Olympics...

A small bronze knot made by Belgian artist Mart de Houwer. Throughout her artistic career De Houwer explored one topic: the line. In the end of the 1980s she created a series of knot...