Italian Animal Sculptures

A lovely vintage decorative frog figurine with blue accents attributed Antonio da Ros for Cenedese.

Sterling silver sea lion by Gianmaria Buccellati Italian work circa 1970 Silver hallmark 925 Signed Height: 9 cm Length: 14.5 cm Width: 9.5 cm Weight: 167 grams

Ceramic sculpture by Umberto Ghersi, 1960. Signed. Biography: Son of the ceramist Angelo and descendant of a family of Albisola majolica makers Umberto Ghersi, born in 1913 in Albis...

This is an original piece by Raffaello Romanelli executed in 2011 after being commissioned by a private collector to the Galleria. The rhinoceros was modeled with clay looking at different pictures and the clay mold...

The terrier dog sculpture is made of blown and stapled Murano glass mixed with gold dust, then colored red and white on the eyes, tongue, and nose. The object is attributed to Ercol...

Art Deco Charging Ram Silvered Bronze Sculpture - Italian 1930´s. Figure signed on the base C. Rossi and Grigio. Perfect desk paperweight. We have specialized...

Cute hand blown Murano glass Puppy Dog Figurine Sculpture in Black and White Murrine, Italy, 1950s. This nice doggy stands up on a small clear glass base. It has white spots on a bla...

Bunny Pumpkin Orange Decorative Object by Aki Kuroda Dimensions: D 22 x W 29 x H 60 cm. Materials: Polyethylene. Weight: 2 kg. Available in ...

This is a vintage terracotta from Italy representing a seated Cat. You can see realism in the mouth the eyes and the teeth. The colors are Brown white and blue. This sculpture has b...

Mario Buccellati Italian 925 sterling silver St Bernard's dog sculpture. Made in Italy, circa 1950s Fully hallmarked. The silver sculpture of a St. Bernard dog with a barrel ar...

It is a small sculpture, made by Piero Augusto Donati in bronze between the 1980s and 1990s. Thirty castings were made, and this one in question is No. 5/30. This is a running horse ...

This pair of ornately cast fighting roosters are completely unsigned, but presumed to have originated from Italy and date to approximately 1920 and done in a Victorian style. The wel...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

Very large and finely sculpted and cast patinated bronze figure of the Capitoline Wolf (Lupa Capitolina) suckling the mythical twin founders of Rome, Romulus and Remus, mounted on ma...

Add a touch of charm to your home with this exquisite ceramic Terracotta Pug or French Bulldog sculpture. This piece captures the playful spirit of the beloved breed with intricate d...

Sculpture, anonymous, Italy 1950s. Glazed clay. Representing a bloodhound. Measurements: H: 86 cm/ 2' 7/8" W: 50 cm/ 1' 7 3/4" D: 40 cm/ 1' 3 7/8"

This is a large scale majestic white Italian horse head bust. It is unmarked and in very good condition. It most likely dates to the later part of the 20th century.

Ceramic sculpture model Fox designed by Nathalie Du Pasquier and produced by Alessio Sarri in 1993. Engraved in the pottery, signature of the artist and manufacturer. The fox is par...

Modern Italian Murano attributed hollow blown glass turtle dating from the latter 20th century. The turtle has an amber glass body with a molded scale pat...

Beautiful mid-century Murano Shell sculpture or dish. This shell is beautifully designed with scrolls of toffee, honey and ivory cased in red glass. The impressive size of the shell ...

Italian Brutalist Travertine Rhinoceros Sculptures by Fratelli Mannelli, Italy, 1970s.

Decorative object medium in brass "The rabbit is the latest iconic object I have designed. For Ghidini it has turned into a family of precious metal objects: salt and pepper, paper...

Very unique 19th century Italian fish sculpture made from antique elements. Includes a tortoise shell, a sea shell and a sharks jaw. Creates a f...

Hand-formed wire sculpture of a shimmering dragonfly, finished in bright green blue and gold enamel paint.

An impressive and most attractive Italian early 18th century Baroque Period patinated Wood and Giltwood Conch Shell architectural element. This most decorative carved Giltwood Conch ...

This brass floor ashtray is a perfect combination of style and function. With a sleek and modern design, it will fit perfectly into any decor, while its durable brass construction en...

This is a vintage terracotta from Italy representing a seated Cat. You can see realism in the mouth the eyes and the teeth. The colors are Brown white and blue. This sculpture has b...

A circa 1960's Italian hammered iron sculpture. Measurements: Height: 16.5" Width: 11.25" Length: 24.5"

Guido Cacciapuoti ceramic cat base black lacquered wood, 1940.

Mancioli Italian Pottery Horse, Figure, Sculpture for Raymor, Florence, 1960s A Mancioli Italian pottery white horse figurine for Raymor, Flo...

Elegant and expressive Murano glass elephant sculpture attributed to Formia Vetri di Murano, Italy, dating to the 1980s. This hand-blown piece is crafted in clear glass with a dramat...

Set of 4 glazed ceramic turtles, 1970s Intact and in good condition, artisanal workmanship.

1970's Large Italian Ceramic Cheetah. This fabulous Hollywood Glam sculpture would be the perfect centerpiece. Unmarked but most likely Italian.

Lovely midcentury medal or paperweight in mouth blown crystal Murano glass ang 24k gold. This gorgeous piece is signed by Barovier & Toso and still has its original box and documents...

Painted ceramic, very good original vintage condition. No damages or cracks. Beautiful and unique decorative sculpture. Dalmatian dog sculpture was produced in Italy. Only one dog av...

The Murrina bird sculpture art glass Murano, 1960.

A finely detailed Hand-Carved Terracotta Horse Sculpture attributed to Ugo Zaccagnini. The wonderfully decorative Ugo Zaccagnini horse sculpture woul...

The jellyfish is the main element of the Mosche Bianche's "Medusa" Collection: fluid, delicate but also dangerous and deadly. It represents the water, the circle of life. The speci...

This listing features a beautiful yellow and green stripped fish with silver leaf flake details. Murano glass dates back to the 6th century AD with the island of Murano becoming a pr...

The jellyfish is the main element of the Mosche Bianche's "Medusa" Collection: fluid, delicate but also dangerous and deadly. It represents the water, the circle of life. Glass fus...

Hand carved near Venice, Italy, circa 1960, this large antique sculpture sits on an integral square red and gilt wooden pillow base; it features a greyhound figure sitting on back le...

A beautiful 1970s Italian glazed terracotta horse sculpture by Mancioli for Raymor. The horse is hand painted with flowers all around and it’s mark...

Beautiful ceramic Etruscan ram sculpture in the style of Aldo Londi for Bitossi, circa 1970s. The piece has a wonderful patina, is in very good vintage condition with no chips or cr...

This Murano glass statue was most likely made in the 1980s in Italy. Murano glass is a type of glass that is made on the Venetian island of Murano,...

A wonderful and extremely decorative pair of Tuscan 19th century Terra Cotta Falcons. Each most charming Falcon is perched with open claws on a formation of rocks showcasing the orig...

Small hand blown Murano glass open wings duck / bird figurine with silver flecks. Attributed to Archimede Seguso, Italy 1950s. Cute open wings st...

Beautiful midcentury hand blown artistic Murano glass rabbit sculpture with golden dots. This fantastic object was designed by Archimede Seguso and...

Large winged griffin by Bottega Vincenzo Cadorin, for Testolini & Salviati in carved walnut. These two sculptural elements were the basis of a large mirror, produced by the great car...

Large scale partridge bird created by Aldo Londi for Bitossi of Italy. Bird has great coloration of blue and green with golden yellow and black accents...

This is a Hollywood Regency Era Italian terracotta camel form planter / cachepot. It has dual baskets for spring decorating. It could also work as a condiment serving piece. It is i...

Very impressive, expertly hand made and mouth blown in Italy, Murano art glass sculpture captures the beauty of a dolphin balancing on a clear ball or sphere. The artist added 24 karat gold to create the gold flecks through the sculptures body. Only his fins, tail and mouth are clear. Sculptures with added elements are twice as expensive and more sought after than the all clear ones because the technique of doing so can only be done by a very experienced glass blower. This is a very large and stately art glass sea life sculpture...

Incredible Murano glass Venini signature gray pigeon circa 1950.

1960s stylized cat sculpture, possibly created by Livio Seguso of Murano, Italy. Sculpture measures: 12.5" hight by 7" wide and 3.75" deep. Unsigned. In very good vintage 1960s condi...

Coniglieschio model glazed ceramic sculpture from The Pop Will Eat Himself Collection by Massimo Giacon for Superego Editions. Limited edition of 50 pieces. Signed and numbered. Biography Massimo Giacon was born in Padova in 1961. Since 1980 he has been working in Milan, as a comic strip writer, illustrator, designer, artist and musician. Since the early 1980 he has contributed in the renovation of the Italian comic...

Beautiful vintage Murano hand green, red, and blue Italian art glass sea turtle figurine / sculpture. The piece is documented to the Gambaro & Poggi company, with an original "Vetrer...

A Large and Heavy Murano Hand Blown Glass Vase with colorful ripple patterns on the entire body.

The piece is a unique representation of an Horse in a modern way. The animal is gently handcrafted starting from clay and all hand worked. All the pieces from Mosche Bianche are uniq...

Silvered copper-plated earthenware animal Black lacquered wood base Excellent condition.

Italian Red marble and brass bookends with deer and doe, early 1900s. Pair of bookends in red marble and brass. The basic structure is in the shape of an "L", with rounded corners o...

This listing features a beautiful orange Murano glass fish sculpture. This fish has a green tail with a transparent orange body and green speckles. Murano glass dates back to the 6t...