Swedish Animal Sculptures

A stunning bust in terracotta designed by Åke Holm at Höganäs in the mid 20th century. The sculpture is 15 cm tall and in excellent condition. It is signed below. Åke Holm (1900–198...

Early 20th century continental decorative carousel horse circa 1900. Unique continental painted merry-go-round horse circa 1900. Excellent opportunity to own this highly decorative ...

A lovely wooden sculpture designed in Sweden in the midcentury. It is in very good condition except from that one of its legs is repaired. The designer is unknown.

Tall antique Swedish horse in carved wood with original patinated paint in off-white color with blue dots. Made circa end of the 19th century. Th...

A beautiful black and green ceramic vase in a classic Art Deco shape, the vase is designed at Upsala Ekeby and attributed to Anna-Lisa Thomson. It is 18.5 cm (7.4") tall and about 16...

A stunning terracotta sculpture of a laying woman designed byÅke Holm at Höganäs in the mid 20th century. The sculpture is 21 x 11 cm and in excellent condition. It is signed below. ...

Stig Lindberg stoneware sculpture horse with hand painted decoration for Gustavsberg, Sweden 1950-1960s. Marked on the bottom with the Artist sign. Excellent vintage condition.

Lisa Larson ceramic cat figurine Gustavsberg Sweden.

This is a mid century horse figurine, made of full lead crystal, designed by Bengt Edenfalk for the Swedish brand Skruf. Skruf is a Swedish...

Condition: Mint Period: 1970’s Origin: Sweden Dimensions: 12cmW, 10cmH, 4,5cmD

Poodle is made of white stoneware with shiny light blue glaze and dark blue hand painted decoration. It was designed by Lisa Larson (1931-2024) as part of the "Poodles" (Pudlar) ser...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Two Dala horses. Hand-painted with floral motifs...

A very stylish and typically Scandinavian Swedish mid-century hand painted graduated set of carved wooden horse figures by Nils Olsson and dating from around 1950. The figures are each similarly carved standing from a very miniature example to a very large horse. They are simply carved with shaped heads and raised ears and each is hand painted with a patterned saddle and harness and simple facial styling, The saddle is painted with a stylized floral design in tones of blue, black, orange and yellow against an off-white ground with with green/blue edging with the straps similarly decorated and painted against a bright orange ground. The miniature variant has a slightly different coloring and patterning due to the limitations of its size but is an original part of the set. The second largest horse is painted with initials G.E.B. and the three mid-sized horses all retain their original makers paper labels for Nils Olsson. The miniature horse measures...

This Scandinavian Modern earthenware hedgehog from the 1960s exudes charm with its glazed zigzag pattern on beige fur. The unglazed brown face adds a distinctive touch to its feature...

Lisa Larson for Gustavsberg. Rare lion couple in glazed stoneware. 1970's. In very good condition. Stamped. Measures: 16 x 7.5 cm.

Great stoneware sculpture designed by Sven Wejsfelt for Gustavsberg, Sweden, during the 1980s. This pike belongs of the designers series 'Stim'.

Paul Hoff for Swedish glass. Three figures in art glass. Cheetah, elephant and orangutan. WWF. 1970s. The elephant measures: 12 x 10 cm. In perfect condition. Stamped.

Dahl Jensen porcelain figurine of a cuckoo. Moelnumber 1314. From the 1930s or 1940s. First factory quality. In excellent condition. Marked. Dimensions: L 17.0 cm x W 6.0 cm x H 16.0...

Paul Hoff for Swedish glass. Six birds in art glass. WWF. 1980s. Largest measures: L 8 x H 6 cm. In perfect condition. Stamped.

Sven Wejsfelt (1930–2009) for Gustavsberg. Large and impressive ceramic sculpture of a pike. From the "Stim" (shoal) series. Mounted on a wooden base. Late 20th century. Marked and...

A beautiful ceramic vase in lovely Art Deco-style designed by Einar Luterkort, the vase is designed at Upsala Ekeby in the 1930s. It is 27 cm (10.8") high and about 15 cm (6") in di...

Set of 4 Ceramic Owls by Edward Lindahl for Stig Lindbergs Minerva Series. The largest is 2 1/2" x 2 1/2"

Standing not only as a decorative object but also as an evocation of Scandinavian folk traditions and the artist’s deep respect for nature and craft, this piece is sure to be a lovel...

With What’s Up?/Why Not, Frida Fjellman has developed her Erik-Höglund-inspired glass sculptures with the same individual style. Fjellman has chosen to emphasize the properties that ...

Mats Jonasson Whale Art Crystal, Sweden, 1980s

It is the very worn look that creates the wonderful appeal of this original painted and carved horse. The brown paint has been worn off along the back, while the tattered leather ears and carved black painted mane reflect a simpler time. Real horse hair was used to create the tail. Sold in used vintage condition. Please examine the close up photos to understand condition and details, inlcuding worn paint, nicks, scratches, wood cracks and separation, etc. Wonderful vintage display item...

Paul Hoff for Kosta Boda / Svenskt Glas, four figurines in art glass. WWF. Ca. 1980s. Marked. Blue: W 9.0 cm x H 5.5 cm.

Antique wooden horse sculpture from northern Sweden. The horse is from around 1850 and has a body in pine with original paint. The sculpture is m...

A gifted former ceramic designer for Rörstrand pottery, Olle Alberius came to Orrefors in 1971, and is known for utilizing numerous techniques, including Ariel, Ravenna, and graal, t...

Glass hippopotamus by Bertil Vallien for Kosta Boda. Vallien created a zoo animal series for Kosta Boda in 1975 which was called the “Boda Zoo”. It featured z...

Signed Blown Glass Fish Sculpture Josef Marcolin, w/original label stiff affixed UPDATE: Due to agreement with 1stDibs, we'll be staying through the...

With What’s Up?/I Hear You, Frida Fjellman has developed her Erik-Höglund-inspired glass sculptures with the same individual style. Fjellman has chosen to emphasize the properties th...

A fantastic vintage ceramic/stoneware figurine/ sculpture depicting an owl made by Thomas Hellström for Nittsjö Sweden. This is one of Hellströms' famous animals for Nittsjö Keramik,...

🦆 Curated Collection of Artisanal Duck Figurines – Ceramic, Wood & Wicker (Set of 6) A poetic flock, hand-selected and thoughtfully composed, Whispers from the Pond is a collection ...

Charming glazed ceramic wall plaque depicting three owls sitting on a branch. Fabricated by EGO Stengods, Sweden, 1960s.

Carl Milles (1875-1955), after, bronze sculpture of three fishes. Marked Millesgården. Great condition. Born in Uppsala, Sweden, Carl Milles, whose origina...

A stoneware figurine of a deer by Gunnar Nylund at Rörstrand. Incised on the base with makers mark, GN, SWEDEN.

Wonderful Grall fish art glass vase Edward Hald for Orrefors and dates form the 1940's to early 1950's. Great design and form. Signed on the bottom by the artist. In excellent condit...

Bertil Vallien Rörstrand Sweden, c. 1965 A pair of bird sculptures glazed porcelain. 8.25 h × 11 w × 4 d in 5.25 h × 7 w × 2.25 d in Bertil Vallien is by far the most internationall...

A beautiful black and green ceramic vase with yellow handles in a classic Art Deco shape, the vase is designed at Upsala Ekeby between 1932-1938. It is 16 cm (6.4") tall and about 14...

We are delighted to offer for sale this exceptionally rare, Musical, original circa 1880 Swiss made Black Forest wood, Fox whip hook with glass eyes These...

A lovely vase with a Floral Art Nouveau decor designed at Upsala Ekeby in the early 20th century. The vase is 25 cm high and in very good condition except from some scratches.

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Nice stoneware animal figurine of a bear by Tilgmans Pottery Sweden. This sculpture was made by the founder of Tilgmans Pottery - Harry Tilgman.. His initials HT are carved in the f...

Pair of ceramic glazed knipa ducks by Paul Hoff for Gustavsberg, Sweden This is the goldeneye duck (Knipa) from the Arkipelag series designed by Paul Hoff. There are 13 birds in t...

Lisa Larson for Gustavsberg. Ceramic lion. From the 1970s. Marked. In perfect condition. Dimensions: H 5.0 cm x L 5.0 cm.

A lovely vase of model "Cocos" designed 1954 by Hjördis Oldfors at Upsala Ekeby. the Cocos-serie was only in production in 1954. This is the largest vase in the serie with model numb...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Åsa Jungnelius for Kosta Boda. ‘Make Up’ sculptu...

Fantastic Polar Bear made of stoneware designed by Oscar Hartung for Ego Stengods in the 70s.

Lisa Larson for Gustavsberg, Sweden. Lion in glazed ceramic. Late 20th century. In excellent condition. Signed. Dimensions: L 4.0 cm x H 4.5 cm.

A rare and beautiful stoneware fish sculpture with amazing glaze, on a wooden base. Made by Carl-Harry Stålhane in his own studio in Lidköping, Sweden, 1970s. Excellent condition. S...

Vintage Swedish stoneware horse by Lisa Larson for Gustavsberg, 1950s. This small Scandinavian modern ceramic horse figurine is part of the Small Zo...

Swedish glass artist, four Dala horses in clear mouth-blown art glass. Approximately from 1970. Perfect condition. The largest measures: H 16.0 cm x L 14.5 cm. The smallest measures:...

Mandrill sculpture designed by Vicke Lindstrand for Uppsala Ekeby Sweden, 1940s Stoneware. Signed. H: 31 cm / 1'' L: 43 cm / 1'' 1' 3 / 4

Lisa Larson for Gustavsberg. Turtle in glazed stoneware. Beautiful glaze in shades of blue. 1970s. Measures: 10 x 4.5 cm. In excellent condition. Stamped.

Paul Hoff for Swedish glass. Seven birds in art glass. WWF. 1980s. Largest measures: 9.5 x 6 cm. In perfect condition. Stamped.

A vintage ceramic/stoneware figurine/ sculpture depicting a bear made by the talented Thomas Hellström for Nittsjö Sweden. This is one of Hellströms' famous animals. This adorable be...

Set consisting of two ceramic bird figures and one ceramic vase, all manufactured at EGO Stengods (1966-1988) in Lidköping, Sweden 1970s. Vase hand-thrown and signed "BK" for Bruno ...

Early 20th century carved hand painted decoy circa 1920. Hand painted scandinavian decoy duck, black and white paint scheme with yellow eyes.   Fine example of how things used to be...

It is the very worn look that creates the wonderful appeal of this original painted and carved horse with metal stand. The brown/brick paint has been distressed throughout (and missing under tail). The leather ears, missing mane and broken leather bridle reflect generations of use. Real horse hair was used to create the tail. Sold in used vintage condition. Solid, stable on stand. Please examine the close up photos to understand condition and details, including worn paint, nicks, scratches, wood cracks and separation, etc. Wonderful vintage display item...