19th Century Patinated Spelter Bust Figure of a Young Girl, Attributed to Hottot

An Austrian 19th-20th century Orientalist terracotta bust of a young girl in Middle-Eastern Garb. The young smiling beauty wearing a head scaft and shawl tied with a broche-pin brooch pin and jewlry around her neck, raised on a circular ebonized wood stand. Probably by Friedrich Goldscheider (Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik) - The backside stamped: "T - No. 258". circa 1900. The Goldscheider Manufactory and Majolica Factory (German: Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik, (now) Goldscheider Keramik) is an Austrian ceramic manufactory. In 1885, Friedrich Goldscheider came from the small Bohemian city of Pilsen to Vienna and founded the Goldscheider Manufactory and Majolica Factory. It became one of the most influential ceramic manufactories of terracotta, faience and bronze objects in Austria with subsidiaries in Paris, Leipzig and Florence. For over half a century Goldscheider created masterpieces of historical revivalism, Art Nouveau (Jugendstil) and Art Deco. Famous artists such as Josef Lorenzl, Stefan Dakon, Ida Meisinger and the two perhaps best known Austrian ceramic artists Michael Powolny and Vally Wieselthier worked for Goldscheider. Several of the artists who worked for Goldscheider also worked for other Viennese studios, such as Augarten, Keramos or for the German brands Rosenthal and Meissen. The Goldscheider family emigrated in 1938 to United Kingdom and USA. Walter Goldscheider startet a new factory in Trenton, New Jersey and returned to Vienna in 1950. Marcel Goldscheider went to Stoke-on-Trent and produced figurative ceramics for Myott and opened his own studio in the 1950s in Hanley. Both brothers died in the early 1960s. More than 10,000 different models were created over a period of three generations. Since the very beginning many of these won first prizes and gold medals at innumerable world fairs, exhibitions and trade fairs. Goldscheider figures...

A very fine and rare lifesize French 19th century patinated metal figure of a standing maiden holding a lantern, the impressive figure depicting a young scantily dressed and barefoot...

A charming Italian 19th-20th century carved alabaster bust of a young girl. The young beauty posing with a direct gaze, her hair tied with a head bandana tied on her forehead wearing a tank top, raised on a tapered alabaster stand...

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - a very Fine and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble...

This charming 19th century pair of Polichrome metal figures by Louis Hottot depict a young woman and a young man. Rendered in lifelike detail, these busts seem to show the pair in co...

An Orientalist Lifesize Figural Bronze Statue, Attributed to Louis Hottot (French, 1834-1906). Modelled as a lady in Ottoman dress standing beneath an Eastern style pagoda with minaret. Depicting as if answering a call and stepping forward in greeting. France, Circa 1890. This impressive figural group is a rare work in bronze attributed to the Orientalist sculptor Louis Hottot whose oeuvre is more readily associated with what was called ‘bronze imitation’, referring to sculpture in white-metal or, as it is known today, spelter. That this large statue is cast from superior and costly bronze is indicative of its rarity and importance. The Orientalist subject relates to paintings by Jean-Léon Gérôme (1824–1904), Ludwig Deutsch (1855–1935) Gustav Bauernfeind...

An enchanting 19th century French patinated bronze bust of a young girl, circa 1860.

Alabaster sculpture depicting the portrait of a young girl in the taste of Albert-Ernest Carrier-Belleuse, (1824-1887). She is wearing a striped garment decorated with a butterfly th...