Antonio Pandiani : "Menestrello

Charles Artus (1897-1978) : "Lévrier" - Plâtre d'Atelier. France, Vers 1940 Lévrier / Greyhound Rare plâtre d'atelier armaturé / Rare workshop plaster armaturated France, vers 1940 / France, circa 1940 Très bon état / Very good condition Restaurations ancienne à la queue et aux pattes / Old restauration at the leg and tail Provenance : Offert par l'artiste à l'ancien propriétaire / Offered by the artist to the previous owner Commentaire / comment : Charles Artus, membre du "groupe des XII" dont François Pompon est considéré comme le fondateur, fait parti du noyau dur de ce regroupement de sculpteurs animaliers né en 1931 . Plus tard, certains sculpteurs, tout aussi talentueux, seront remplacés ou invités au sein du collectif : c'est entre autre le cas de Herbert Haseltine...

Antonin Mercié (1845-1916, France) : "David" Nuanced brown patinated bronze sculpture showing David winning Goliath Rare small model in the edition of 7 different sizes Signed : "...

Hermann GLADENBECK (1827-1918, Germany): "Bust of Hermes by Praxiteles" Bronze bust with a medium brown patina mounted on a pedestal base representing Hermes, son of Zeus and Maia, ...

Gaston Hauchecorne (1880-1945, France) : "Chinese dignitary" "3/4" body sculpture made of patinated terracota represnting a chinese dignitary hand...

A Fabulous and Large Louis XVI Style Patinated Bronze Bust of a Court Jester, Stamped A. PANDIANI.MILANO 1888. Antonio Pandiani did an exceptional job at casting this truly remarkabl...

Prologue: An Ancient Mastery the Wooden Sculpture We begin our journey through Gothic art by presenting a magnificent Late Gothic Female Wooden Sculpture from the Flemish 500s. This ...

De Martino is a classical artist, known for the production of sculptures of small bronze busts, in particular (“scugnizzi”, fishermen, commoners) with realistic features. He trained at the Academy of Fine Arts in Naples under the guidance of Stanislao Nome, Gioacchino Toma, and Achille D ’Orsi, from whom he learned the ability to portray the most realistic details using them on very young subjects. Very young he moved to Paris where he performed small sculptural groups, exhibiting frequently at the "Paris Salon" where he won the prize of the Louvre Museum for the bronze work Le Pêcheur de criquets (The Fisher of locusts, Naples, private collection). Returning to Naples, he returned to a socialist realism and produced sculptures depicting characteristic Neapolitan types, especially urchins, “street urchins”, little boys and young fishermen. From 1916-1931 he was master of the sculptor Angelo Frattini. Later the dominant theme of his production was childhood, in particular thoughtful, sad, gaunt children were represented in his works, on whose faces the signs of abandonment and suffering emerged. De Martino became known with the nickname of “The sculptor of children”.

An exceptional and monumental Venetian wood sculpture surmounted by two putti holding a footed tray. The base is decorated with a bas-relief of the view ...