Brutalist Ceramic and Bronze Female Bust "Study on A Female Body", 1970s

A gorgeous table lamp from the mid 50's. The lamp is partially glazed and was created by hand. Incredible design! Comes with fiberglass shade pictured, shade is not original to the l...

Iconic Willy Guhl Planter for Eternit, 1960s – A Cement Celebrity Here we go again, folks—another jaw-dropping Willy Guhl planter for Eternit, straight from the 1960s and brimming with all those modernist vibes. This two-piece stunner is serving serious I-woke-up-like-this energy with its perfectly imperfect patina that whispers, “I’ve seen some things, darling.” Sure, you could scrub it down to look fresh-out-of-the-box new, but why? This weathered look is like vintage leather or a classic movie star—it gets better with age, and trust us, nobody is asking for a makeover. The planter features Guhl’s signature silhouette: a big, bold bowl (31.25" in diameter!) resting atop a truncated cone base. It’s modular magic—position the bowl flat and grounded, or tilt it just so for that effortlessly off-kilter, “yes, I have a design degree” aesthetic. As shown here, it measures a statuesque 16" tall, just the right height to command attention without stealing the limelight from your botanical besties. Whether gracing a sunny patio, lounging poolside at a Hollywood mansion, or bringing its rugged-chic charm indoors, this planter is pure Swiss sophistication. It’s not just a planter; it’s a moment. Who Was Willy Guhl? Oh, you haven’t heard? Willy Guhl (1915–2004) was the OG of modern outdoor design. This Swiss genius pioneered the use of fiber cement, creating pieces that were as indestructible as they were elegant. His work with Eternit was groundbreaking (literally), marrying sculptural forms with functional durability. Guhl believed design should live harmoniously with nature—a philosophy you’ll see in every timeless curve and tilt of his creations. TL;DR: This planter is everything you want—chic, rare, collectible, and packed with history. Snag it now, because let’s face it, everyone else wants it too. 🌵 Within the photos is another Guhl planter, same size and design (diff planter), photographed with a Paola Lenti outdoor...

A monumental vessel by Elena Karina. Karina held the positions of Craft coordinator (1974-1978) at the National Endowment for The Arts, and special assistant for the arts to the offi...

One of the most recognizable and important names in the American studio craft movement of the 1960's and 70's, Paul Evans was a groundbreaking pioneer in brutalism. Collaborating as well as sharing a showroom with Phillip Lloyd Powell until 1964 when Evans met the owner of Directional Furniture and created a line of 6 coffee tables to go into the Directional High Point, NC booth for the spring Market. As the story has been recounted by Dorsey Reading, the tables never even made it to the showroom floor. Evans soon found out the tables never even had the opportunity to be sold; obviously disappointed, owner of Directional, BG agreed to put the tables out on the showroom floor in New York City to placate Paul Evans. What happened can probably best be compared today with "going viral." The coffee tables started flying off the floor, and the orders came rolling in. This fervor led to Evans creating eventually over 800 designs with Directional-- with the very first series being the "Sculptured Metal" Collection which was publicized in 1968. This piece specifically is a throne chair that also swivels. Upholstered in black leather, this throne chair is a wonderful example of Paul Evans Sculpted bronze technique, which involves hand sculpting using an epoxy resin and coating in an atomized cold cast bronze. This piece is signed and dated "PE 69" making it an early example of his goopy cast bronze series and line of furniture for Directional. It's extremely important to note: Directional Furniture showrooms in New York City and Chicago were private to-the-trade only showrooms, so only interior designers and their clients were able to custom order these pieces through the showroom. There was never any "inventory" of furniture. Each and every piece was a custom, hand crafted work of art, created to order. No two of any piece were ever alike. Evans eventually went on to employ a team of nearly 90 people, working two shifts-- helping to hand-craft his designs. This could easily explain why not every piece is hand signed, therefore making an early, had-signed pieces like this even more desirable for a collector. This piece has a wonderful patina, with vibrant colors and while still brutalist in nature, it's a bit more subdued and could effortlessly be blended into any contemporary environment. We currently have this piece in the gallery paired with a Vladimir Kagan serpentine cloud sofa, and a Karl Springer goatskin...

In this listing you will find a spectacular Modernist sculpture depicting a female nude. The sculpture is done in ceramics. Artist who did the sculpture used to teach at the Art Acad...

This stunning 1960's Patinated Bronze Nude Female Bust Sculpture is an incredible piece of art. Sculpture is freestanding but can also be hung if desired. It is just large enough ...

Glazed Stoneware Sculpture of a Nude Woman, titled "Le Modèle" or "Scrutant l'Horizon", created in the 1950s. The stoneware is coated with a glaze in shades of brown, green, and purp...

Fantastic steel & iron figurative sculpture of a lifesize nude woman created by artist Hy Suchman. Sculpture is approximately 5ft 2 inches tall with a width and depth of 24 X 20. Am...