JEF LAMBEAUX (1852-1908) "Bust of a Young Woman" in bronze

GUSTAVE VAERENBERGH (1873-1927) Bust in Alabaster and Gilt Bronze "JEANNE D'ARC" (end 19th century-early 20th century) - THE WORK: The alabaster and gilt bronze bust of Joan of A...

Étienne-Maurice Falconet (1716-1791), "The Bather" or "The Nymph Bathing" (1757) Artistic Explanation: The Nymph Bathing is a masterpiece of 18th-century French sculpture, created...

Louis-Ernest Barrias (1841-1905) Bronze Bas-Relief "The Reader". Bas-Relief: "The Reader" is a bas-relief created by Louis-Ernest Barrias, a renowned 19th-century sculptor. The bas-...

Jef Lambeaux (1852-1908) “THE SOWER” Artistic Description: "The Sower" depicts a vigorous young man, bare-chested, in the act of sowing seeds. The sculpture captures with precision...

Cast bronze woman bust "Bohême Orientale" signed R. Colombo, Paris, 1884. (Renzo Colombo 1856-1885). Bronze plaque at front "Bohême Orientale par Colombo".

For the art nouveau lover, or anyone who loves beauty, here is a life size bronze beautifully cast young maiden finished in a warm rich patina. The young woman's countenance is so l...

A very fine late 19th century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail. Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore. ADDITIONAL INFORMATION Height: 28 cm Width: 16 cm Depth: 10 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 79 SKU: 8775 ABOUT Sylvia Ballet - Silvia Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch. The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion. Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

Enchanting patinated bronze bust of a young Bohemian girl. Batch 81 G340/24 DNYZ