19th Century Bronze Figure of "The Dying Gaul"

A pair of French 19th century bronzes of Napoleon the third (1808–1873) the last of emperor of France (1852–1870) and his consort the empress Eugenie. The bronzes were most probably ...

A large 19th century bronze of “Oedipus meditating” by the French sculpture Henri Daniel Contenot, the cloaked figure sitting on a rock surface, cross legged with a stick in hand meditating. On the rock surface there is the foundry mark which reads “Syndicat Des Fabr Des Bronze Unis France...

A bronze figure of the dying Gaul after the Antique, on verde marble base, Italian, nineteenth century. Dimensions: 30.5cm (12") High, 35cm (13¾") Wide, 65cm (25½") Long, 13.5cm (5¼...

A nice little bronze Grand Tour souvenir bronze of the Dying Gaul a famous sculpture of antiquity preserved in Rome. This bronze has nice detail. The patina is worn in some places and it is in estate found condition. We haven’t tried to clean or polish it. Some patina loss minor nicks and surfaces scratches, please see the detailed photos. For this interested this from Wikipedia about the original sculpture: The Dying Gaul, also called The Dying Galatian[2] (Italian: Galata Morente) or The Dying Gladiator, is an ancient Roman marble semi-recumbent statue now in the Capitoline Museums in Rome. It is a copy of a now lost Greek sculpture from the Hellenistic period (323–31 BC) thought to have been made in bronze.[3] The original may have been commissioned at some time between 230 and 220 BC by Attalus I of Pergamon to celebrate his victory over the Galatians, the Celtic or Gaulish people of parts of Anatolia. The original sculptor is believed to have been Epigonus, a court sculptor of the Attalid dynasty of Pergamon. Until the 20th century, the marble statue was usually known as The Dying Gladiator, on the assumption that it depicted a wounded gladiator in a Roman amphitheatre.[4] However, in the mid-19th century it was re-identified as a Gaul or Galatian and the present name "Dying Gaul" gradually achieved popular acceptance. The identification as a "barbarian" was evidenced for the figure's neck torc, thick hair and moustache, weapons and shield carved on the floor, and a type of Gallic carnyx between his legs.[5] Description The white marble statue, which may originally have been painted, depicts a wounded, slumped Gaulish or Galatian Celt, shown with remarkable realism and pathos, particularly as regards the face. A bleeding sword puncture is visible in his lower right chest. The warrior is represented with characteristic Celtic hairstyle and moustache with a Celtic torc...