19th Century Parian Figure of a Flower Maiden

A highly decorative and detailed 19th century Parian figure group of a Dickensian couple, the couple sitting in their own chairs with a cat and dog beside them, the base is marked “J...

19th century parian figure of a boy with a girl upon his back, on a rocky outcrop. Slight damage on the boys toe, circa 1860.

19th century Copeland parian figure group “Go to sleep” after J Durham, published by the Art Union of London, of a girl holding a dog. Some slight damage...

19th century parian figure of a female nude sitting on a blanket on a rock formation. Circa 1850.  

19th century parian figure attributed to Worcester “Il Penseroso” A draped female figure with downcast eyes standing on a circular base named Il Penseros...

A pair of 19th century French bronze figures of a boy and girl, each figure seated and dressed in robes, supported on finely cast gilt bronze cylindrical plinths...

A fine and large example of a continental parian type ware figure of Diana after the antique circa 1850.

A Copeland [Spode] parian statue from a model by William Brodie, ARSA. SC, designed in 1858, fully stamped as shown. 'STORM' is stamped in a cartouche on...

19th Century Parian ware portrait bust of Roman Emperor Julius Caesar in draped toga. Parian ware is a type of biscuit porcelain which imitates the style of carved marble. Gaius Julius Caesar...

This heavy centerpiece bowl dates to the late 19th century and is composed of cast iron with a gilt finish. The bowl has a shallow basin made up of a series of detailed open poppy blossoms and features a sleeping maiden curled up at one side. The bowl rests on an ornate dimensional foliate base. A lovely example of Art Nouveau metal ware...

A Fine and Large French 19th Century Cast-Iron Fountain Figure Modeled as a Nude Maiden Seated on a Rocky Outcrop Holding a Cornucopia in Her Raised Right Hand, by J.J Ducel. Cast-Signed "J.J. DUCEL Me de FORGES, PARIS". Circa: Paris, 1880. A retailer of fine cast-iron ornaments, J. J. Ducel was recorded as supplying cast-iron works through Paris as early as 1810 in the Pas-de-Calais. The factory was sold in 1878 to the Fonderie de la Haute-Marne and all of the firm's models were subsequently bought by the Val d'Osne foundry. However, prior to the firm's sale, critics at the 1867 Paris Exposition Universelle proclaimed that "Ducel is the great manufacturer of works in cast-iron, to whom Paris is so largely indebted for the grace and elegance that supply so many of the adornments of its streets". Ducel, Val d'Osne and other associated foundries produced both bronze and cast-iron statuary. Cast-iron is corrosive, whereas non-ferrous bronze does not suffer the same detrimental effects of weathering and is therefore a superior and more expensive material. Height: 51 1/2 inches (130.8 cm) Width: 22 inches (55.9 cm) Depth: 30 inches (76.2 cm) The foundry of Val d'Osne became highly regarded for the varied nature and quality of its castings in the second half of the 19th century. Commonly known after 1870 as simply Val D'Osne, the company was originally founded by J.P.V. André in Val d'Osne 1835 and developed rapidly, absorbing smaller foundries in the Haute-Marne area east of Paris. The foundry contributed to the London International Exhibition of 1851, where a bronze fountain cast with classical figures attracted much attention. André also specialised in fancy castings and architectural fittings. His Paris adress was at 14 Rue Neuve, Menilmontant. In 1855 the Barbezat & Cie Foundry was born out of the André workshop. In 1867 Barbezat & Cie changed its name to Houille & Cie. Then, in 1870, it changed its name to Société Anonyme du Val d'Osne. With the change of name came the change of casting mark and adress: Fonderies d'Art du Val d'Osne, 58 Bd Voltaire, Paris or simply Val d'Osne. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought-iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for indoor/outdoor statuary...

A beautiful large scale French 19th century patinated terracotta statue of a maiden. The two piece statue is raised by a rectangular base where the maiden stands. She wears sandals a...