"At the Finish Line, " Rare Art Deco Bronze Runner with Nude Male, Le Faguays

Extraordinarily powerful, and very rare, this large bronze sculpture of a nude male figure by Arthur Dupagne shows him stretching and straining upwards,...

Large, rare and dramatic, this Art Deco bronze by Robert Delandre, circa 1930, depicts three nude male athletes all straining to reach the finish line of the race, their arms straining forward to win, and upward in ecstatic joy. The concentration and focus evident in their faces, and the beauty of their physiques, is beautifully captured by the artist, and the bronze is gorgeously finished in a green-brown patina that brings out the details of each figure. Delandre is largely known for his tabletop bronzes for the home or office, but he also entered competitions for public monuments and memorials. His most famous work is the "Monument to the Latham 47 Heroes" in Caudebec en Caux, France. The sculpture honors the men who disappeared in the prototype of the Latham 47 twin engine airplane in 1928, with Roald...

One of the great, indisputable masterpieces of Marcello Mascherini's career, and one of his relatively early works, this large bronze depicting Apollo with his lyre was made for the ...

Sculpted by Mihaly Biro, this bronze (dating from 1928-29) is the small version of a large-scale monument commissioned by the Bratislava Cable company, commemorating the workers who made the industry hum. (Originally, the figure would have been pushing a volt fuse.) The musculature of the figure's back and arms are beautifully detailed, and the piece is a paean to those who made 20th century industry...

Pierre Le Faguays (1892-1962) An Impressive and very large 43" high French Art Deco bronze figure of a young athletic man, adorned in scanty attire, almost nude, standing proudly atop a lofty and stylized rocky plinth. His stance exudes strength and confidence as he balances himself gracefully. With arms outstretched in a fluid movement, the sculptor portrays a sense of dynamic energy and prowess. Beautifully cast in a dark green, brown /black variegated patina. In his elevated grasp, the man holds a laurel wreath, raised high above his head. This symbol of victory and triumph represents the pinnacle of achievement. Through the artists eyes, it further conveys the athlete's exceptional skill and dedication to his craft. The artist's attention to detail and skillful execution breathe life into the sculpture, capturing the essence of athleticism and the human form. This remarkable bronze figure epitomizes the grace, power, and triumphant spirit of Olympic competition. It stands as a testament to the artistic brilliance and mastery of Pierre Le Faguays and serves as a timeless tribute to the pursuit of excellence in art as well as in sports. Bibliography : Bronzes, sculptors and founders by H. Berman, Abage, Vol 11, pg 425 Art Deco and other figures,by Bryan Catley,pgs 192-201 Art Deco sculpture by Victor Arwas, Academy Editions, 1992 pgs.121-127 Art Deco sculpture by Victor Arwas, Academy Editions,1975 pg. 38 Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs” by E. Benezit. Gründ 1999, pg 426 The dictionary of sculptors in bronze” by James Mackay, Antique collectors club Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, by Jean Charles Hachet. --------------------------- Pierre Le Faguays, born 1892 in Nantes, France, gained renown for his innovative approach to sculpting dancers, drawing inspiration from the Tanagra statues. In 1927, he received a prestigious medal of honor for his exceptional work. A close companion of Max Le Verrier, Pierre collaborated extensively with the Le Verrier foundry, which produced numerous pieces of his art. In addition to his given name, he also employed two pseudonyms, Fayral and Guerbe, which were derived from the surnames of his mother and wife respectively. As a leading sculptor, Pierre's creations earned consistent praise for their exceptional craftsmanship and meticulous attention to anatomical precision. His artistic endeavors extended beyond sculpture, as he also designed pieces for Goldscheider in Paris, working under the label "La Stele." Pierre's versatility encompassed various mediums, including ivory, bronze, spelter, stone, wood, alabaster, and ceramics. Notably, he received artistic education alongside his friend Max Le Verrier, studying together at the Beaux Arts in Geneva. Throughout their lives, Pierre maintained strong friendships with both Marcel Bouraine and Max Le Verrier, with the latter's foundry being instrumental in producing many of Le Faguays' statues. The bond formed...

Au But, Antique bronze sculpture of 3 nude runners by Alfred Boucher with the Siot founders' signature. Patinated bronze on red marble base. France, circa...

A very fine early 20th Century bronze study of a muscular Olympian athlete about to cross the finishing line. The bronze with excellent rich brown patina and very fine hand finished ...

Beautifully executed French Art Deco bronze sculpture of an athlete on a black marble base, circa 1930. This Art Deco bronze is signed (...