English 19th Century White Carrara Marble Bust by Sir William Hamo Thornycroft

An attractive and high quality Italian 19th century white Carrara marble bust, signed by Giovanni Sartorio. This truly wonderful bust of a beautiful woman is raised and supported on ...

A handsome and richly sculpted French 19th century white carrara marble bust of Demostene. The statue is carved out of a solid piece of white...

A statement making and most powerful Italian early 19th century white Carrara marble bust of Augustus Caesar of Prima Porta. The handsome Augustus is dressed in celebratory armor fea...

A striking and high quality Italian 19th century white Carrara marble bust of a beautiful young lady. The bust is raised by a square socle s...

A male portrait bust in the Roman manner by Lawrence MacDonald (1799-1878) Carved in Carrara marble, rising from a round socle supporting a waisted column, the bust having resemblances to Arthur Wellesley, the Duke of Wellington as a young man. Signed by the artist, 'L. MacDonald, Romae, 1847'. Dated 1847 Dimensions: H: 26 in / 65 cm W: 19.5 in / 49 cm D: 10 in / 26 cm Lawrence MacDonald (1799-1878) Macdonald worked as an ornamental sculptor for the architect James Gillespie Graham before entering the Trustees' Academy, Edinburgh, in 1822. In Rome, in 1823 he was one of the founders of the British Academy of Art. He returned to Edinburgh in 1826 and became a member of the Royal Scottish Academy in 1829. Four years later he settled in Rome, and from 1844 he worked in Bertel Thorvaldsen's former studio. He became the city's most fashionable portrait sculptor and, according to the Art Journal, his studio was filled with 'the peerage done into marble, a plaster galaxy of rank and fashion'. His sitters included the essayist Henry Taylor...

Early 20th century marble bust of a very distinguished gentleman with a jacket, vest and necktie. No signature and not sure who the gentleman...

A very finely carved marble bust of William Ewart Gladstone dated 1868 and signed W.Theed SC William Theed was born in Staffordshire, his father, William Theed the elder being a sculptor and a craftsman at Wedgwood, known for his major work, Hercules and the Thracian Horses for one frontage of the Buckingham Palace complex. The younger Theed studied at the Royal Academy Schools, then worked for the sculptor E. H. Baily. Five years on, in 1826, he went to Rome, where he was to stay a total of 22 years, during that time working in the studios of Thorwaldson and John Gibson. Returning to London in 1848, Theed enjoyed a good reputation, being a favoured sculptor of Queen Victoria, and was commissioned to produce many portrait statues, busts, and large monuments. He showed work in the 1851 Great Exhibition, and among other high points were a group for the Albert Memorial, and five standing figures on the Inland Revenue side of Somerset House, representing Manchester, Edinburgh, Glasgow, Belfast and Dublin. Theed's statues may be seen in St Paul's (Henry Hallam), Manchester (Monument to Chetham in the Cathedral, Gladstone and Thomas Bright for the Town Hall, and James Watt in Piccadilly Gardens), Huddersfield (Robert Peel), Winchester (David Williams monument in the Cathedral), and Prince Albert statues for Grimsby, and in Australia in Macquairie Street, Sydney. He was also responsible for three of the portrait statues (Bacon, Locke, Adam Smith...

I could not identify the sitter. Socle base. From a Mississippi collection.