Fine Late 19th Century Sculpture Entitled Enfant à la Cage by Thiebaut Freres

A pair of late 19th century Louis XVI bronze-mounted cassolettes by Thiebaut Freres. Each with ovoid marble body, three supports with satyr masks, on...

A Nice Late 19th Century Bronze Sculpture Entitled “Les Premiers Pas” (First Steps) by Henri Plé Henri Plé and Ferdinand Barbedienne Depicting a mother helping her baby learn how t...

A Rare and Important Late 19th Century Over Life Size Bronze Torchere by J Coutan and Thiebaut Freres Jules-Félix Coutan Modeled as a classically clad female musician holding a “tu...

A Beautiful Late 19th Biscuit Group Entitled “Le Nid” Modeled as two children fast asleep atop an upholstered armchair. Signed Croisy on the base. Croisy was a pupil of Toussaint,...

An attractive late 19th Century bronze figure of an Art Nouveau beauty with a shawl wrapped around her midriff holding a bowl exhibiting fine colour and excellent hand finished surfa...

A wonderful late 19th Century Animalier bronze study of a standing terrier with its head raised and ears pricked in an alert position with excellent rich brown autumnal patina and fine hand chased surface detail, signed Dubucand ADDITIONAL INFORMATION Height: 11 cm Condition: Excellent Original Condition Circa: 1880 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne SKU: 9206 ABOUT Dubucand Terrier Alfred Dubucand (25 November 1828 – 1894) Dubucand was born in Paris and was a French animalier sculptor of the 19th century. His works were often entered into the annual Salon art exhibition in Paris where he contributed works over the course of his career. He was one of the prize pupils of Antoine-Louis Barye. Dubucand made his debut at the 1867 Salon with a wax model of a dead pheasant, a rather inauspicious start when considering the higher quality sculptures he would submit later in his career. He modelled mainly animal groups, producing a number of deer, dog, and horse sculptures. His better casts feature a warm, mid-brown patination, sometimes coming in even lighter shades bordering on a very light yellow, being nearly the colour of the bronze metal itself. He frequently experimented with chemical patinas, learning the patination process from his teacher and mentor Barye who stretched the boundary with his now famous dark green patinas. Dubucand paid strict attention to the anatomical detail of his subjects, often being so concise that he actually showed the veins in the legs of his deer and elk...

A wonderful and detailed French 19th century Biscuit de Sèvres statuary of "Enfant à la cage" after Jean-Baptiste Pigalle. This high quality piece made by Sèvres is after the origina...

An enigmatic late 19th Century bronze study of a seated female nude leaning on her knees, hiding her face, on integral naturalistic canted rectangular base, signed to one side DALOU above the cracked mirror (facing to the rear), the opposing side marked Susse Fres Edts the rear with Susse Freres pastille flanked by the letters H P and S. The title of this subject translates as 'The Truth Revealed' and refers to the young woman inconsolable having seen her true reflection in a mirror, which she has dropped and lies broken on the hard floor. ADDITIONAL INFORMATION Height: 14 cm Width: 12 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1890 Foundry: Susse Frères Paris Materials: Bronze SKU: 8790 ABOUT Aimé-Jules Dalou...