Large 19th Century Qing Dynasty Chinese Ceremonial Lacquered Drum, Dragon Stand

Great decorator piece, strong presence, pictures do no justice. Tanggu drum. The tanggu (堂鼓; pinyin: tánggǔ, pronounced [tʰɑ̌ŋkù]; literally "ceremo...

LES FILS D'EMILE DEYROLLE, PARIS. Extremely rare set of four 19th century French painted plaster, wire and wood Didactic models depicting progression, ANATOMIE VEGETALE, beautifully ...

19th century carved wood 3rd station of the cross, 'JESUS FALLS’ carved in Switzerland, recently acquired from Holy Angels Church located in Buffalo New Yo...

Early African Drum,, Hand made,,Modernist iron stand,, Functional,,amazing sound as well as beautiful sculpture.

Recently salvaged from old Downtown Buffalo New York church rectory, lifesize carved wood statue, "Joseph" which once adorned the vestibule, well executed, wonderful detail, great si...

Unusual 19th Century Antler horn / oak German Valet, box with drawer, Center badge reads Weidmanns Heil.. Would make a wonderful dresser piece,, jewelry. trinket box,, Retains orig...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

These magnificent Chinese temple lions are true works of art, masterfully crafted with incredible attention to detail. The bulging eyes, sharp ears, open mouth, and fluttering mane are expertly rendered, creating a pair of stunning creatures that are truly alive with energy and movement. The expressive faces of these lions are captivating, and the fact that they are a "true" pair, meaning a male and a female facing each other, adds to the sense of interaction and action. These lions are made of stoneware and painted in the traditional Chinese sancai three-color glaze on a light brown ground; dating to the late Qing period, they are covered in rich green, blue, and amber glazes. The intricate detailing and rich colors are breathtaking, making these lions a treasure. Temple lions, also known as lion dogs, are celebrated for their auspicious symbolism and are believed to protect the peace and prosperity of one's home. These lions are beautiful works of art and bring good luck and prosperity to the home they are placed in. Dimensions: 17" Height x 16" Length x 6 1/2" Depth. Condition: Excellent Price: $6,800 Background of Chinese Temple Lions: Chinese guardian lions...

A pair of parrots in China symbolizes affection, fidelity, and deep, enduring love. The parrot is also a powerful symbol of opportunity and the bearer of good news, drawing in positi...

A large Chinese Qing dynasty porcelain wucai (five color) glazed bowl painted in underglaze blue and overglaze red, green, and yellow upon a pure white ground, and featuring a design...

A Chinese early Qing Dynasty carved and lacquered wood figure of Guanyin, Southern China, 17th/18th century. Guanyin, the Bodhisattva of Compassion and Mercy, is portrayed seated in dhyanasana, one hand raised in viktara mudra, the gesture of teaching and discourse. The great bodhisattva is dressed in heavy, loose robes tied at the chest, with a mantle draped over his shoulders. He looks serenely outwards from heavily lidded eyes. Guanyin's face carved beautifully with somewhat feminine features. A large five pointed crown sits upon his head. The larger leaves of the crown carved with indistinct images of the Buddha. The statue was originally fully lacquered in the deep red gilt lacquer typical of Southern Chinese Buddhist sculpture...

A wonderful Chinese bamboo figural carving featuring the Taoist immortal twins of eternal youth, known as the HeHe ErXian, Qing dynasty, 19th century. F...