Carved Figurative Sculptures

A Very Fine and Charming Italian Late 19th to early 20th-Century Carrara Marble Sculpture Titled 'Primo Bagno' (Child's First Bath). The whimsical carved marble sculpture depicts a j...

Contemporary American sculptor Wendy Hendelman's Creamy Alabaster Head Sculpture on black marble base. Hendelman’s work reflects her love of t...

Sculpture bamboo's inches made with real bamboo's inches. Hand-carved bamboo.

Vintage Italian ceramic sculpture by Otello Rsa for San Polo of Venezia, pink Othello design, signed back of ceramic not visible due to wood pa...

Vintage wooden shoe mold from Paris, earlier part of 20th Century. The cobbler's mold features a modern silhouette for a man's shoe. Makes a chic d...

Pende or Kwese black wood small mask heavy eyelids, open mouth with carved teeth, curved scarification marks on cheeks. Heavy black patina on front and inside from years of traditio...

1600-1700th century sculpture of female head carved in sandstone. Mounted on a base of light sandstone. From pagoda / temple in Burma. Charming expression with good patina. M...

Beautiful 1970s stone sculpture of reclining voluptuous woman on a wooden base Colors: White, Light Grey, Golden Wood.

Super cool pair of modernist figural sculptures in burlwood, circa 2000s. The figures are hand carved and measure: 7.5" W x 2.5" D x 6.5" H. The piece...

This Italian hand carved marble is of a standing beauty holding a basket Of fruit on top of her head. It is carved in Carrara white marble and the Condition is beautiful. There are...

LUCE Beautiful and very glamour pair of 1920 sculptures depicting Harlequin & Columbine, France, 1920 The bronze has a beautiful original silver and gold patina and the bone carving...

Fine portrait kpwan mask with tall braided hair design, dark to black patina, from the Baule People Ivory Coast Africa, ex Fearing. Well carved features, curved slit eyes, open mout...

Set of 6 Ceramic Chess Pieces, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. A luxurious chess set designed for the most sophisticated and ambitious...

A dramatic patinated bronze statue depicting a mounted crusader on his rearing horse ready to strike a mortal blow to a fallen Saracen lying beneath him on a rocky landscape. In a desperate attempt to defend himself the Saracen is shown thrusting his sword into the chest of the the crusader's horse. The bronze grouping is mounted on a green scagllola painted marble base with gilt bronze trim. While the bronze is not signed it had to be cast after a hugely famous bronze very similar statue by Jean-François-Théodore Gechter (1795, Paris - 1844, Paris) titled "The Combat of Charles Martel...

Asian Chinese rose quartz small carved figure of a rooster (as is-repair to base) (20th Cent)

Pair of praying angels is an original decorative object realized in the second half of the 15th century by North Italian or French manufacturing. Thes...

This colorful, antique Majolica plate was sculpted in France, circa 1880. The large, round, hand painted platter features pink flowers and three red and yellow apples hanging from a ...

A Chinese carved stone temple sculpture of a woman circa 1900s. This Chinese sculpture features a woman wearing an elaborate headdress and flowing robes and holding a bouquet of flow...

Wall-mounted weather station in carved walnut made in Belgium by A. de Lambert. High quality mechanism with jeweled movement barometer and thermometer (in centigrade) Unusual design ...

Opposing pair of Chinese polychrome painted and finely carved giltwood prancing horses.

Italian Neo-classical 9(18th Century) painted wooden figure of a cupid with a gilt robe and hair, with an arm stretched out (AS IS-missing some hand and feet carvings)

Ancestor worship was an integral part of traditional Chinese home life. This carved figure bears the likeness of one of its original owner's important for...

A carved and waxed wooden satyr face, originating from France in the 19th century.

Tea drinking has been an integral part of Chinese culture for centuries, resulting in a wide range of social customs and material traditions. In addition to tea leaves, water, and heat, the art of drinking tea (chayi) calls for a variety of teaware and utensils - both practical and decorative. This charming teapot dates to the late Qing dynasty and is hand-carved from a hollow length of bamboo in the shape of a ripe pomegranate. The handle is carved to resemble a thin branch, which forks to either side of the teapot bearing long, slender leaves. The teapot has a squat, rounded form and a dark brown finish, reminiscent of Yixing red clay teapots...

Rustic Black Forest (19/20th Cent) carved walnut small figure of a walking bear with face pointed down. (similar to BAS039A) Condition: Good; Wear consistent with age and use

18th century Italian hand-carved gold leaf angel wing on a crystal quartz cluster with Baroque pearls. The hand-carved gold leaf angel wing is originally from a historic church in Liguria. This piece is particularly rare and exquisite due to its unique shape and size. It is gold leaf and has a bole underlay. The ecclesiastical artifact is mounted on a bed of quartz crystals. The Baroque pearls, tangerine quartz...

Vintage Neoclassical Cherub/Putti Garden Statue From a beautiful Southern Estate, approximately 50 years old. Stunning, neoclassical cherubs/putti...

Spanish Santa Margherita with Dragon hand carved wood sculpture. Beautiful original polychrome especially on the dog figure which is an example of a mythical Renaissance medieval dragon...

18th century Italian crucifix with a hand carved figure of Christ decorated with tourmaline in crystal quartz on a polished obsidian base.

18th-century Italian mecca arrow with a baroque pearl on a polished calcite base. The arrow was once used as part of a decorative motif in artistic depictions (most likely of Saint ...

Contemporary American sculptor Wendy Hendelman's Brown Alabaster Head Sculpture on black marble base. Hendelman’s work reflects her love of th...

19th century St Francis wearing a rob with rope tied around his waist. Holding with two-arm a child.

Incredible french bronze "Separating the Cocks" in bronze.

Sculptural 18th century Italian wood chalice decorated with calcite crystals in sphalerite on a Lucite base. The hand carved and painted chalice is from a...

An unusual, laminated walnut sculpture by Margery Goldberg, 1978. Margery E. Goldberg (born 1950) is an American artist, art curator, city arts commissioner, and activist. She is b...

This delightful French stone statue from the mid 20th century, features a small putto figure leaning against a trunk holding a vase and grapes. Perhaps one of the followers of the go...

Incredible car: in solid wood We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Marcelo Peña Marcelo Peña / Artiste: Chileno Born in Chile, resides in Argentina Designer, creative and multifaceted. Inspired by the great masters of the Bauhaus and Art Deco movement. The " dreams of this artist" materialize in sculptures, masks, car design , lamp, furniture and an innumerable amount of objects that intervene from the world of the artist s imagination, printing his work an aesthetic and functional sense. Diferent materials play in their designs, wood, aluminum, bronze or copper and white metals. National design award 1998 Chile. Exhibition in Art Deco Weekend Miami Beach 2014. Works presented by exhibitors at the Antiques show...

Elegant contemporary art sculpture in an Art Deco revival style, signed by artist C. Marinse. Carved from beautiful green stone, three sensual faces with eyes closed are shown profil...

Sculpture of an abstracted head hand-carved from alabaster.

A 19th century antique Louis XVI style French Sevres Bisque Porcelain neoclassical Grouping of a Maiden and her Attendants. In the center is th...

17th century Italian (Tuscan) figure of Christ decorated with calcite crystals on a barite and calcite crystal specimen with chalcopyrite. The hand carved figure of Christ is from a ...

A vintage Thai carved wooden monk statue with red, black and gilt finish, inlaid mica and Abhaya Mudra (fear dispelling) gesture. Immerse yourself in the s...

Beautiful large figural wooden sculpture of three naked entwined women by Luigi Conti. Luigi Conti was an Italian artist who was born in 1930. Italy, 1930-1991. Dimensions: H...

American painted and carved wood figural statue of General Santa Anna in full military dress attire. General during the time of Mexican-American War and later became President of Mex...

Contemporary American sculptor Wendy Hendelman's Green Alabaster Head and Torso Sculpture on black marble base. Hendelman’s work reflects her love of th...

Custom Floor Lamp Design by Studio Chora, Biomorphic Series, current production and made-to-order. 7-8 week lead time. Biomorphic: ‘bios' meaning l...

Hanging pendant light fixture by Studio Chora, Biomorphic Series. Hardwired. Current production and made-to-order. 3-4 week lead time. Biomorphic: ‘bios' meaning life and 'morphe' meaning form. Dimensions (as shown): diameter: 1'-0" height: 0'-9-1/2" The Biomorphic Pendant...

The Thinker Mid-Century Modern, sandstone sculpture depicting a seated man, artist unknown This Mid-Century Modern interpretation of The Thinker interprets the pain, release and liberation associated with free-thinking. The man conveys vulnerability, tenderness and acceptance, his body yielding into the support of the chair creating a sense of rest and peace. Provenance: Private Collection acquired from The Hidden Gallery, Scotland Measures: Height 50cm.,20" Length 33cm., 15" Depth 22cm., 81/2" The Thinker - Auguste Rodin (1840 -1917). Cast made by Fonderie Alexis Rudier in 1904. Transfered to the musée Rodin in 1922. When conceived in 1880 in its original size (approx. 70 cm) as the crowning element of The Gates of Hell, seated on the tympanum, The Thinker was entitled The Poet. He represented Dante, author of the Divine Comedy which had inspired The Gates, leaning forward to observe the circles of Hell, while meditating on his work. The Thinker was therefore initially both a being with a tortured body, almost a damned soul, and a free-thinking man, determined to transcend his suffering through poetry. The pose of this figure owes much to Carpeaux’s Ugolino (1861) and to the seated portrait of Lorenzo de’ Medici carved by Michelangelo (1526-31). While remaining in place on the monumental Gates...

Indian Medieval Carved Wood Sculpture of Shakti Goddess Ca. 8th to 12th Century ...

Interesting 18th Santos figure with glass eyes, but without hands or feet, this piece was part of a large installation. Appears all original with he...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

An important bas-relief in carved wood with traces of gilding, in an architectural frame with two cherubs in the spandrels, representing Saint Roch. He is considered to be the patro...

Stunning 18th Century marble bust of a young woman. This hand carved head has so much presence. There are so many details that make this stunning. Starting with the tendrils of her ...

Evocative nude plaster study in cubist / soviet style. Some minor scuffs and knocks. Signed verso. France 1960s H 45cm x W 35cm x D 15cm

Idoma Ibo Female Figure. Africa, Nigeria 20th century or earlier. A seated female figure on a stool smoking a long pipe with painted with pigments and adorned with scarification mar...

A carved wood Budda from the Shanxi region, made during the Ming Dynasty. The carved figure has an ancient polychrome finish.

Early large organic mid-century modern hand sculpted wood nude female sculpture by artist / sculptor William Conrad Severson, (1924-1999). A beautiful early piece of work, signed Wm....

18th Century Carved and Decorated Figure of an Archangel, circa 1780, a splendid hand carved and polychromed kneeling male figure with long wavy brown hair pulled back, dressed in a...

A majestic sculpture in the round depicting Saint Joseph with the Child Jesus, made of carved, polychrome, and water-gilded wood using the gilding technique. The piece, probably orig...

Gorgeous pair of marble stone bookends. The marble which is a stone that has beautiful veining and a coloring throughout. These bookends come as a pair and form a tilted cylinder sh...