Sculpture by Yaacov Agam, Entitled "Reflecting Space"

Unusual painted bronze and brass kinetic sculpture on granite base. Signed by Charles Ringer.

A carved wooden sculpture of a knight crusader from the mid-20th century painted in a silver color with brown undertone. The knight is kneeling on a later rectangular black wooden stepped pedestal, holding his sword horizontally while wielding a kite shield mounted on his forearm, emblazoned with a cross and a forked lightning. Looking determined to battle for glory, he wears a silver painted chainmail coif on his head and chest beneath a helmet framing his bony face, a cuirass above a hauberk, greaves and sabatons. The perfect recreation of a crusader’s battle armor enhanced by the silver paint and numerous details make this carved wooden sculpture of a kneeling knight...

A late 19th century pair of Egyptian style green marble candlesticks with stately male figures on a circular pedestal. Each candlestick is com...

Very unique white marble figure signed and dated 1969.

Art Yaacov Agam Signed and numbered 25/27 from the Meissner Galerie in Hamburg Measurements: H 33 x W 23 x D 4 cm. Agam's first solo exhibition was at the ...

Artist: Yaacov Agam, Israeli (1928-) Title: Space Divider Medium: Polished metal kinetic sculpture Edition: 19/25 Rotates at top Signed on side of piece - Agam on the underside is the number. On stand 47” tall 7” x 7” Piece only 7” wide by 9” by 2 7/8” wide normal tarnish and wear It comes with the magazine cover of the artist and the custom made Lucite base. Artist Biography from the Guggenheim Yaacov Agam B. 1928, RISHON-LE-ZION, PALESTINE Yaacov Agam was born in Rishon-le-Zion, Palestine (now Israel), in 1928, the son of a rabbi and kabbalist, Yehoshua Gibstein. He studied at the Bezalel Academy in Jerusalem under Mordecai Ardon in 1946, moved to Zurich and then Paris, and studied at the Atelier d'art abstrait and at the Académie de la grande chaumière. While in Zurich, he met and was influenced by artist and teacher Johannes Itten, who was propagating Bauhaus ideas; he also found inspiration in Vasily Kandinsky's defense of abstraction, ber das Geistige in der Kunst. Insbesondere in der Malerei (On the Spiritual in Art: And Painting in Particular, 1911). His first solo exhibition was at the Galerie Craven in Paris in 1953, entitled Peintures en Mouvement (Paintings in movement), where he showed two series of early work. In one, grids of painted strips that incorporated different designs on opposite sides created images that merged and changed as spectators shifted their viewing position (a type of lenticular print that eventually became known as an Agamograph). In the other, his Transformable Pictures (Images transformables, 1953–61), viewers could manually activate works and rearrange their visual elements. While not the first Optical-Kinetic artist, Agam encouraged spectator participation at a time when such strategies were rare. He exhibited, along with other pioneers of Kinetic art including Alexander Calder and Jean Tinguely, at the Le mouvement (Movement) exhibition at the Galerie Denise René in 1955. He continued to produce abstract, Kinetic work that incorporated light, sound, and viewer participation. He also produced many public commissions, including a moving salon environment at the Elysée Palace in Paris in 1972. In the space, walls were covered with lenticular imagery; transparent doors were included; and a sculpture was placed on a Kinetic carpet. In all, the environment shifted according to the viewer's position. In 1979, Agam was asked to make a work of art to commemorate the peacemaking efforts between Anwar el-Sadat and Prime Minister Menachem Begin...

Movado Desk Clock designed by Yaacov Agam. Yaacov Agam is one of the founders of the Pop Art movement. This limited edition "Galaxy" series is numbered 231/250. Overall excellent ...

Ceramic sculpture entitled « Effloraison » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. 2006. H : 22.4 x 21.6 x 16.5 inches.