Op Art

Scultura metacrilato metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano (LIMITED EDITIONS OF 69) Misure: 30x30x6 è firmata e numerata con certificato,...

Victor Vasarely Saeule HK (Detail), 1967 Silkscreen on thick glazed paper (after a painting from 1964) Image Size: 10.4 x 4.7 in. Sheet size: 10.6 x 10.6 in. Unsigned as issued Print...

Nikolaus von Georgi Untitled (Geometric Composition, Vasarely, Op-Art) Color Offset Lithograph Year: 1978 Size: 19.7×23.6 on 23.6×27.6in Edition: 180 Signed, numbered and dated by ...

Richard Anuszkiewicz Soft Lime, 1976 8 Color silkscreen on Lenox 100% Cotton paper 38 × 48 inches Pencil signed and numbered 41/75 on the front; bears printers blind stamp from NYIT ...

BASF Luran mounted on aluminium. Hand signed lower front by Victor Vasarely; Signed, titled, dated and numbered on label to verso. From the edition of 8. Additional images avail...

Scultura metacrilato metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano (LIMITED EDITIONS OF 69) Misure: 30x30x5 è firmata e numerata con certificato,...

Scultura metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano (LIMITED EDITIONS OF 50) Misure: alto 30 cm e larga 30 cm, è firmata e numerata con certi...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

Scultura metacrilato metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano edizione ex (LIMITED EDITIONS OF 50) Misure: alto...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

Artist: Victor Vasarely (Hungarian-French, 1906-1997) Title: "E.T. (Fond Argent)" *Signed by Vasarely in pencil lower right Year: 1983 Medium: Original Screenprint on Arches paper Li...

Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. From the edition of 250. Image size 26 x 26 inches. Sheet size 34.5 x 30 inches. Frame size approx 40 x 37 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. From the edition of 250. Image size 23.25 x 30.25 inches. Sheet size 31 x 37.25 inches. Frame size approx 36 x 42 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Bauhau...

Neptune, from Eight Impressions. Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. Un-numbered (outside the hand numbered edition of 250). Image size 16 x 16 inches. Sheet size 24.37 x 19.25 inches. Frame size approx 26.5 x 25.5 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

Serigraph on paper.. Hand signed and numbered by the artist. Image size 25.75 x 16 inches. Sheet size 30.5 x 19.5 inches. Frame size approx 37 x 26 inches. From the main edition of...

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. ...

Richard Anuszkiewicz Op Art painting, inscribed to documentary music composer, 1968 Acrylic on Masonite painting. Signed and dated by Richard Anuszkiewicz; inscribed to the film comp...

Doug Ohlson Untitled 1960s Op Art Silkscreen, 1968 Color silkscreen on wove paper 22. × 18 1/5 inches x .5 inches Hand signed, dated and numbered 15/50 on...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Serigraph on paper. Hand signed and numbered by the artist. Image size 35.5 x 20 inches. Frame size approx 49 x 32 inches. From the edition of 250. Certificate of authenticity i...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Beautiful multi color serigraph by Roy Ahlgren (American, 1927-2011). This piece transitions from a dark magenta to a silvery blue, passing through warm grey shades in between. The s...

Created in 1965, this sculpture is hand signed by Victor Vasarely (1906 – 1997) in black ink on one of the aluminum panels in the lower right (nearest to the center cross-section); f...

This original Plexiglas with linen is numbered 5/20 in black pen in the lower left on one side. An unexpected energy is conveyed by the broken black and white lines respectively por...

Victor Vasarely Cubic Relationship Medium: Serigraph on Arches Paper Year: 1982 Edition: 325 Image Size: 21.5 H x 19.125 W inches Visible Sheet Size: 23.5 H x 21.5 W inches Frame Size: 34.5 H x 31.5 W inches Signed and numbered by hand Framed COA provided ---------------------------------------- Victor Vasarely (French, 9 April 1906– 15 March 1997), was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the Op art movement. His work entitled Zebra, created in 1937, is considered by some to be one of the earliest examples of Op art. Vasarely was born in Pécs and grew up in Pöstyén (now Piešťany, Slovakia) and Budapest, where, in 1925, he took up medical studies at Eötvös Loránd University. In 1927, he abandoned medicine to learn traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at Sándor Bortnyik's private art school called Műhely (lit. "Workshop", in existence until 1938), then widely recognized as Budapest's centre of Bauhaus studies...

Serigraph on paper. Hand signed and numbered by the artist. From the edition of 250. Frame size approx 39 x 30 inches. Certificate of authenticity included. Artwork in excellent c...

"Involution - Union 4B" Original Large-Scale Abstract Woodcut by Kazumi Amano Stunning Op-Art checkered color woodblock by Kazumi Amano (Japanese, 1927-2...

Original painting on canvas. Hand signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of Authenticity included. All reas...

Serigraph on paper. Hand signed and numbered by the artist. Artwork size 36 x 18 inches. Frame size approx 49 x 30 inches. From the edition of 200. Certificate of authenticity i...

"in City and in Forest 22" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, graffiti ...

Serigraph on paper. Hand signed and numbered by the artist. Image size 39.75 x 25.75 inches. Frame size approx 50 x 35 inches. From the main edition of 250. Additional images avai...

Serigraph on paper.. Hand signed and numbered by the artist. Image size 25.75 x 16 inches. Sheet size 29.75 x 19.5 inches. Rare silver version. From the roman numeral edition of 15...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size 39 x 30 inches. Image size 24.25 x 24.25 inches. Custom framed as pictured. From the edition of 250. Additio...

Serigraph on paper from Jalons portfolio. Hand signed and numbered by the artist. Image size 25.75 x 24.5 inches. Sheet size 33.25 x 29.75 inches. From the main edition of 250. Add...

Original dimensional hand painted, custom cut and mounted wood. Hand signed on verso. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offer...

Original painting on circular shaped wood. Hand signed on verso by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will ...

Original dimensional hand painted wood pieces with magnets attached to a square shaped wood. Hand signed on front and verso by the artist. Artwork is in excellent condition. Certif...

Original painting on canvas. Hand signed on front; signed, dated and titled on verso by the artist. Canvas is stretched in an octagon shape as pictured. Artwork is in excellent co...

Original painting on canvas. Hand signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of Authenticity included. All reas...

Original painting on canvas. Hand signed on front; signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of Authenticity in...

Original painting on canvas. Hand signed and titled on verso by the artist. Canvas is stretched in an octagon shape as pictured. Artwork is in excellent condition. Certificate of ...

Original painting on custom cut wood. Hand signed on verso by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be co...

Original painting on canvas. Hand signed on front; signed and titled on verso by the artist. Canvas is stretched in circular shape. Artwork is in excellent condition. Certificate ...

Original painting on canvas. Hand signed on front; signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of Authenticity in...

Original painting on canvas. Hand signed on front; signed and titled on verso by the artist. Custom framed as pictured in a hexagon shape. Artwork is in excellent condition. Certi...

Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...

Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...

Roy Ahlgren (American, 1927 - 2011) Embryo, 1982 Serigraph on wove paper Signed, title and edition in pencil in lower margin Edition 8/130 Sheet: 22 1/4in H x 29 3/4in L (unframed) ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Roy Ahlgren (American, 1927 - 2011) Concatenation, 1970 Silkscreen (Print), signed, titled and numbered in pencil Edition 31/100 Image Size: 18 x 18 inches Sheet 20.5 in H x 20 in L ...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...