Op Art

This exquisite lithograph by Wifredo Lam (1902–1982), titled La Femme Cheval (The Horse Woman), from the album XXe siecle, Numero special, Wifredo Lam, Nouvelle serie, XLIe Annee, No...

Owl, Circa 1970 - Op Art-Inspired Geometric Composition Date: Approximately 1970 Medium: Gouache on cardboard with embossed stamp Dimensions: H 64 cm x W 49 cm approx. A stylized o...

Pieces Falling into Place - Geometric Op-Art in Acrylic on Canvas (Triptych) This geometric triptych by Ralph Berko (American, b. 1950) features vividly colored prisms suspended ove...

Triptych for Munari is an print realized by Bruno Munari in 1991. Mixed colored screen print on Fabriano Rosaspina paper. Hand-signed and numbered in pencil on the lower margin. E...

Miércoles Carlos Cruz-Diez, Venezuelan (1923–2019) Portfolio: Serie Semana Date: 2013 Lithograph, signed and numbered in pencil Edition of 75 Size: 23 x 23 in. (58.42 x 58.42 cm) Fra...

This is a revolving colorful kiddush cup with a signed and numbered Agam op art print in it. this includes the base tray. There is no cup insert so it is more of a sculptural piece ...

This exquisite lithograph by Yaacov Agam (born 1928), titled Composition sur fond noir (Composition on a Black Background), from the album XXe siecle, Nouvelle serie, XL Annee, No. 5...

Roy Ahlgren (American, 1927 - 2011) Concatenation, 1970 Silkscreen (Print), signed, titled and numbered in pencil Edition 31/100 Image Size: 18 x 18 inches Sheet 20.5 in H x 20 in L ...

Screen print realized by Victor Debach in 1970s. Hand signed and numbered in pencil. Edition of 100.

Artist: Victor Vasarely (1908-1997) Title: TR-UR Year: 1980 Medium: Silkscreen on Arches paper Edition: 116/250, plus proofs Size: 39.25 x 30.75 inches Condition: Good Inscription: S...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Classic Blue Silk Movement nº1 + Year: 2024 + Edition Size: 100 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

Richard Anuszkiewicz (American, 1930 - ) created the "Inward Eye" portfolio after a conversation with a friend who said that Anuszkiewcz's works reminded him of William Blake's work....

Screen print on paper realized by Victor Debach in 1970s. Hand signed and numbered in pencil. Edition of 100. Very good condition.

Willy Weber, (Swiss, 1933-1998) Verchromte Platte Stainless steel sculptural construction, dated 1977, signed to the steel. Dimensions: 12" ht. x 13" wd. Sculpted chrome sheet Hand ...

Richard Anuszkiewicz (American, 1930 - ) created the "Inward Eye" portfolio after a conversation with a friend who said that Anuszkiewcz's works reminded him of William Blake's work....

Henry Pearson FACE, from Portfolio 9, 1964 Color lithograph with deckled edges Signed, titled, and numbered 84/100 in graphite pencil on the front; with publishers' blind stamp 17 1/2 × 22 1/10 inches Publisher Irwin Hollander, with blindstamp Hand Signed and Numbered 84/100 with Irwin Hollander (printer) Blindstamp Unframed Henry Pearson's iconic Pop Art lithograph "Face" from the mid-Sixties is in the permanent Collection of the Museum of Modern Art as well as other public institutions. This Classic Sixties psychedelic designed Op Art lithograph was created as part of the legendary 'Portfolio 9' in 1967 - one of the most influential eras in 20th century art. It was housed in a gray cloth-colored box with maroon paper inner panels and a large maroon "9" designed by Richard Lindner on the cover. Portfolio 9 featured nine of the most important artists of the era, representative of the three major trends: Pop Art, Minimalism and Abstract Expressionism: Roy Lichtenstein, Saul Steinberg, Richard Lindner, Robert Motherwell, Henry Pearson, Louise Nevelson, Sam Francis, Willem de Kooning- and Ellsworth Kelly. The Introduction to the portfolio was written by Una E. Johnson, Curator of Prints & Drawings, The Brooklyn Museum. Johnson wrote in 1967 for the colophon page: "The artists were selected to demonstrate the great diversity and character of lithography in the United States today... the dialogue of diverse forms and many faceted idioms that compose this graphic journal mirror the eloquence and delight the strengths and caprices of a period. Furthermore, they reflect in fine measure the creative achievements of artists attuned to their time." The lithograph offered here has superb provenance: it comes directly from 'Portfolio 9', numbered 84/100. This is the very first time since 1967 that this hand signed & numbered print will be separated from the original portfolio presentation box. According to the description of this print in the catalogue raisonne, "Organized as a celebration of Irwin Hollander's collaboration with American artists working in the medium of lithography, the Portfolio 9 is a compendium of images by nine of Hollander's artist collaborators. Henry Pearson Biography: Henry Pearson was born in Kinston, North Carolina in 1914. He studied art at the University of North Carolina where he received his B. A. and later at Yale University where he received an M. F. A. Pearson spent over eleven years in the army during and after WWII. On one tour of duty in Japan he was assigned to interpret topographical maps due to his past training in Theatrical Set Design. He returned to Japan on another tour after the war in order to immerse himself more fully in the culture. Pearson returned to the United States in 1953 and enrolled at the Art Students League in New York where he studied with Reginald Marsh. The Op-Art Movement was beginning to gain popularity and Pearson...

Victor VASARELY Jumping Zebra (Op Art) , 1984 Original lithograph Signed in pencil Numbered /75 On Arches vellum 61 x 47 cm (c. 24 x 19 in) REFRENCE : Catalog raisonne Vasarely Pri...

"Olympic Star", Large Scale Woman Surfer Figurative by Erle Loran Vibrant hard edge painting of a surfer "Olympic Star," a bold and bright figurative piece by Erle Loran (American,...

Desert Icon II Screen print, c. 1968 Signed, titled and numbered in pencil (see photos) Edition 100 (17/100) Printed by the artist This image is the most elaborate of three color var...

Yaacov Agam, Israeli (1928 - ) - Double Metamorphosis I, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 9/180, Image Size: 29 x 43 inches, Size: 36 x 5...

Beck & Jung (Holger Backstrom and Bo Ljungberg), Scandinavian (1939 - 1997 and 2007) - Tebtunis, Year: 1983, Medium: Lithograph on BFK Rives, signed, titled, and numbered in pe...

Screen print on paper realized by Victor Debach in 1970s. Hand signed and numbered in pencil. Edition of 100. Excellent condition.

VICTOR VASARELY – "STRI-ARCT-2" ⚜ Serigraph ⚜ Hand Signed and Numbered ⚜ Edition of 250 (Total 300) ⚜ Conservation Framed GEOMETRIC VIBRATIONS IN COLOR Created in 1975, “Stri-Arct-2...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size 39 x 30 inches. Image size 24.25 x 24.25 inches. Custom framed as pictured. From the edition of 250. Additio...

Screen printing on BFK Rives paper, edited in 1975. Limited edition, numbered as PA (Prova d'Artista) in lower left corner.
 Hand-signed by artist in pencil in the lower right corner...

Firebird, 1971 Bridget Riley Screenprint in colours, on wove paper Signed, dated and numbered from the edition of 75 (plus 15 artist's proofs) Printed by Kelpra Studio, London Image...

A polished glass sculpture by Joh Kuhn from 1992. A spectacular sculpture of crystal clear glass that forms a complicated prism in which light is reflected in a multitude of optical ...

This is a large hand signed serigraph silkscreen, pencil numbered in Roman numerals. biographical info: The son of a rabbi, Agam can trace his ancestry back six generations to the f...

Thomas W. Benton, American (1930 - 2007) - Blue Knight, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 250, Image Size: 32 x 32 inches, Size: 35 in. x ...

This exquisite lithograph by Yaacov Agam (born 1928), titled Composition coloree (Color Composition), from the album XXe siecle, Nouvelle serie, XL Annee, No. 51, originates from the...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

This screenprint was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

TECHNICAL INFORMATION Victor Vasarely Tri-Vega 1975 Silkscreen on Arches paper 33 1/4 x 30 1/8 in. Edition of 250 Pencil signed & numbered Accompanied with COA by Gregg Sh...

Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Victor Vasarely born in 1906 was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the Op Art movement. Op Art is a form of abstract art that gives the illusion of movement by the precise use of pattern and color, or in which conflicting patterns emerge and overlap. Victor Vasarely and Brigit Riley are its most famous exponents. In its visual balancing act of color and movement from a flat plane to developed continuous flow “Untitled” is a complex arrangement of squares and colors that visually expand and contract. It is one of Vasarely’s most successful Op Art abstract works. The piece is signed on the lower right and number 20/150 on the lower left. The print is behind glass and matted. Vasarely was born in Pecs and grew up in Slovakia and Budapest, where in 1925, he took up medical studies. Abandoning medicine he turned to traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at Sandor Bortnyik’s private art school widely recognized as Budapest's centre of Bauhaus studies. His studies concentrated on applied graphic art and typographical design. In 1929, he painted his Blue Study and Green Study. In 1930, he married his fellow student Claire Spinner (1908–1990). Together they had two sons, Andre and Jean-Pierre. Vasarely became a graphic designer and a poster artist during the 1930s combining patterns and organic images with each other. Vasarely utilized geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard...

Louise Marler Energetic Influence Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1695 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

This exquisite lithograph by Wifredo Lam (1902–1982), titled Totem, from the album XXe siecle, Numero special, Wifredo Lam, Nouvelle serie, XLIe Annee, No. 52, originates from the 19...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Thermal Inversion Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 140 Image Size: 18 x 25 inches Size: 22 x 29...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Richard Anuszkiewicz (American, 1930 - ) created the "Inward Eye" portfolio after a conversation with a friend who said that Anuszkiewcz's works reminded him of William Blake's work....

Lothar Quinte, Polish (1923 - 2000) - Blue Horizon, Year: circa 1970, Medium: Screenprint on heavy stock, signed and numbered in pencil, Edition: 40/100, Size: 25.5 x 25.5 in. (6...

BASF Luran mounted on aluminum. Hand signed lower front by Victor Vasarely; Signed, titled, dated and numbered on label to verso. From the edition of 8. Additional images availa...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Inca Year: 1984 Medium: Screenprint, signed, numbered, titled, and dated in pencil Edition: 150 Size: 30 x 22 in. (76.2 x 55.88 cm)

Artist: David Roth, American (1942 - ) Title: Untitled VI Year: 1974 Medium: Acrylic Painting on Arches Paper, signed and dated Image Size: 15.5 x 45.5 inches Size: 22.5 in. x 53.5 i...

Considered a major force in the Op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Aperture Year: 1976 Medium: Acrylic on Canvas, signed verso Size: 30 x 30 in. (76.2 x 76.2 cm)

Created in 1990, this original color serigraph is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in pencil in the lower right margin. Numbered 270/300, this piece was prin...

Bridget Riley Richard Feigen Gallery 1965 Op Art poster, 1965 Offset lithograph poster Limited Edition of approx. 300 (unnumbered) 21 × 17 inches Unframed Very rare early Bridget Riley poster...

This artwork titled "Inward Eye" 1970, is an original colors screen print by renown artist Richard Anuszkiewicz, 1930-2020. It is hand signed in pencil by the artist. The image size ...

"Silberfächer - Silver Fan" is an original Seriograph by renowned zero artist Hans Mack. The work depicts in a silver gelatin print a silver fan. Originally signed and numbered. 1...

Composition VII is an original serigraph realized by Franco Cannilla in 1971. The artwork is hand-signed in pen by the artist. Edition of 40 prints. ...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

Space Sounds no.3 Evelyn B. Johnson Date: circa 1980 Screenprint, signed, numbered, and titled in pencil Edition of 7/25 Image Size: 28 x 21 inches Size: 30 x 22 in. (76.2 x 55.88 cm)

Artist: Jesus Rafael Soto, Venezuelan (1923 - 2005) Title: Mirroire d'Artiste Year: 2005 Medium: Mirrored Glass and Silkscreened Plexiglass Wall Sculpture, signature and number ...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

RICHARD ANUSZKIEWICZ American, 1930 - 2020 SOFT BLUE signed, dated and numbered “© RICHARD ANUSZKIEWICZ / 1984 / 737” (on the reverse) acrylic on canvas 48 x 60 inches (122 x 152.5 c...

This artwork titled "Laudis End" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 90/99 in pencil...

Artist: Helen Thomas Title: Transformation Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 150 Paper Size: 22 x 28 inches