Op Art

Artist: Yaacov Agam, Israeli (1928 - ) Title: Untitled - Nine Squares Medium: Agamograph, signed and numbered in ink Year: circa 2000 Edition: 99 Size: 12 x 12 in. (30.48 x 30.48 c...

Marginal Screen print, 1971 Signed and numbered in pencil From: Twelve Progressions, 1970-1971 Commissioned by Martha Jackson Graphics Printed: Domberger, Stuttgart, Germany Edition:...

Lothar Quinte, Polish (1923 - 2000) - Quasar-Gelb-Grun, Year: 1973, Medium: Screenprint, signed and numbered in pencil, Edition: 25/40, Size: 35.5 x 35 in. (90.17 x 88.9 cm)

Technical Information: Julian Stanczak Median with Circles, from Variants 1970 Screenprint 28 3/4 x 28 3/4 in. Edition of 125 Pencil signed and numbered Accompanied with COA by Gre...

Ferruccio Gard (Italy, 1940) is one of the pioneers and leading artist representatives of the Neo-Constructivist art, Programmed Art and Optical Art, which he has practiced since 1969. He is considered to be a master of colour, in his painting Gard creates original formal and compositional solutions of forms and colours. Exploring the geometric composition with chromatic and special themes Gards clasps the complexity of black and white and the extremes of the tonal scale of colours. Gard's work have been the subject of many writers, including Piero Dorazio and Virgilio Guidi, as well as renowned poets art art curators such as Jorge Amado...

Limited edition of 5. Printed on Hahnemuhle Fine Art Baryta 325g Archival Paper. Dated and signed with the certificate of authenticity. Italian photographer Enzo Ragazzini...

Piicasa, Blind Spot, 2023 Oil on Canvas 40 x 40 cm (15.75 x 15.75 in) Original Artwork Callum Simmons, aka Piicasa creates a series of paintings with contrasting colours, fields ...

Artist: Yvaral, Jean-Pierre Vasarely (1934-2002) Title: Faces of Dali #4 Year: 1977 Medium: Silkscreen on Arches paper Edition: IX/XX, 200, plus proofs Size: 34.75 x 24.375 inches Co...

Piicasa, Helios Blues, 2023 Spray Paint on Wood Oil on Canvas 100 x 100 cm (39.37 x 39.37 in) Callum Simmons, aka Piicasa creates a series of paintings with contrasting colours, ...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Olkia-1 Color lithograph, 1962 Signed dated and numbered in lower margin Edition: 80 (32/80) Condition: Very good. White pigment appears to have been added along the border of the ov...

Limited edition of 10 and 5. Printed on Hahnemuhle Fine Art Baryta 325g Archival Paper. Dated and signed with the certificate of authenticity. Italian photographer Enzo Ragazzini...

Limited edition of 5. Printed on Hahnemuhle Fine Art Baryta 325g Archival Paper. Dated and signed with the certificate of authenticity. This vibrant Op Art photograph from 1969 captures the essence of movement and color through its intricate, circular patterns created by three pattern interference. The pulsating gradients of orange, blue, and green add depth and energy, making it a perfect centerpiece for a contemporary interior. Inspired by the 1960s Op Art movement, this work by a pioneering photographer brings a geometric and modern aesthetic to any space, creating a dynamic focal point. Its vibrant composition adds both vibrancy and sophistication to living rooms, offices, or modern interiors. Enzo Ragazzini...

Artist: Yaacov Agam, Israeli (1928 - ) Title: Color and Space Medium: Agamograph, signed and numbered in ink Year: circa 2000 Edition: 99 Size: 15 in. x 14 in. (38.1 cm x 35.56 cm) F...

This artwork "Untitled" c.1980, is an original colors screen print on Arches paper by renown Hungarian artist Victor Vasarely, 1906-1997. It is hand signed and numbered CXCIX/CCL in...

This optical screenprint was created by Hungarian artist Victor Vasarely. Vasarely is by far one of the world's most influential Optical artists, pushing the boundaries of art and pl...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Artist: David Shapiro (American, b. 1944) Title: Untitled Year: 1978 Medium: Acrylic on Canvas, signed and dated l.l. Size: 12 in. x 95 in. (30.48 cm x 241.3 cm)

Günter Fruhtrunk (German, 1923-1982) Farbbewegungen, 1970 Medium: Portfolio of 6 screenprints on cardstock Dimensions: each 65 x 90 cm Edition of 125: Each hand-signed and numbered i...

Artist: Jean-Pierre Vasarely - "Yvaral" French (1934 - 2002) Title: John F. Kennedy / Abraham Lincoln Year: circa 1979 Medium: Screenprint, signed and numbered in pencil Edition: 14...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Willy Weber, (Swiss, 1933-1998) Verchromte Platte Stainless steel sculptural construction, dated 1977, signed to the steel. Dimensions: 12" ht. x 13" wd. Sculpted chrome sheet Hand ...

"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by V...

Peano's Curves is an original print realized by Bruno Munari in 1993. Mixed colored lithograph. Hand-signed and numbered in pencil on the lower margin. Edition VII/XXX. Printed by...

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. ...

Artist: Julian Stanczak (1928-2017) Title: Sequential Chroma Year: 1978 Edition: 2/175, plus proofs Medium: Silkscreen on Somerset paper Size: 30.25 x 25.75 inches Condition: Good In...

Artist: Jurgen Peters, German (1936 - ) Title: Pinwheel Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 14/250 Image Size: 24 x 24 inches Size: 27 in. x...

Artist: David Roth, American (1942 - ) Title: Untitled VI Year: 1974 Medium: Acrylic Painting on Arches Paper, signed and dated Image Size: 15.5 x 45.5 inches Size: 22.5 in. x 53.5 i...

Entropy by Abi Polinsky. REP by Tuleste Factory Print on Hahnemüle Photo Rag paper, framed. W 32" x H 42" Please contact us for shipping quotes and customization options.

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

Patrick Hughes (b.1939) Jazz 2016 hand painted multiple with archival inkjet 43.5 x 91.5 x 18.5 cm edition of 50 plus 10 AP Price: £7,200 GBP (inc. 20% UK VAT) Provenance: Direct f...

Artist: Julian Stanczak (1928-2017) Title: Veiled (from Twelve Progressions) Year: 1971 Edition: 53/90, plus proofs Medium: Three color silkscreen on Fabriano paper Size: 32.25 x 26 ...

An acrylic painting by Roy Ahlgren circa 1970. A geometric abstract painting utilizing bright contrasting color blocks in a modern form. Signed verso, unframed. Artist: Roy Ahlgren, American (1927 - 2011) Title: Red Blue Variations...

Julian Stanczak (American, 1928-2017) Double Focus II, 1963 acrylic on canvas signed and dated verso 33 x 40 inches Julian Stanczak (American, b. November 5, 1928) was an American ...

Artist: Arthur Boden, American XXth Title: Untitled (Hexagon) Year: 1975 Medium: Acrylic on Canvas, signed verso Size: 54 x 51.5 (104.14 cm x 152.4 cm)

American artist L. L. Long created this striking composition in 1980. The artwork features a kinetic optical Op Art geometric cityscape design using reverse spray paint on a Lucite o...

Abstract Silver Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Bill Komodore - Optical Art Series - Large Geometric Abstract Oil Painting An electrifying example of Bill Komodore’s masterful engagement with Op Art, this geometric abstraction pu...

Bill Komodore - Optical Art Series - Large Geometric Abstract Oil Painting An electrifying example of Bill Komodore’s masterful engagement with Op Art, this geometric abstraction pu...

V from Double Metamorphosis Series Yaacov Agam, Israeli (1928) Date: Circa 1979 Screenprint on Arches, signed and numbered in pencil Edition of 180 Image Size: 27.5 x 42 inches Size:...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Artist: Allan D'Arcangelo (American, 1930-1998) Title: Landscape Year: 1968 Medium: Screenprint, signed and numbered in pencil Edition: 75 Size: 28 in. x 22 in. (71.12 cm x 55.88 cm)

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

Victor Vasarely Saeule HK (Detail), 1967 Silkscreen on thick glazed paper (after a painting from 1964) Image Size: 10.4 x 4.7 in. Sheet size: 10.6 x 10.6 in. Unsigned as issued Print...

Artist: Yvaral, Jean-Pierre Vasarely (1934-2002) Title: Double-Six Year: 1972 Medium: Silkscreen on museum board Edition: 10/200, plus proofs Size: 26 x 26 inches Condition: Good Ins...

Josef Levi, American (1938 - ) - K-GRGB, Year: 1971, Medium: Screenprint, signed, numbered, titled and dated, Edition: 6, Image Size: 28 x 28 inches, Size: 32 x 32 in. (81.28 x 81.28...

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Peter Christian Petersen (Danish, b. 1973), "Meat Helmet 3", Mixed Media on Canvas, 2000, acrylic and enamel, signed, dated, titled, and with fragment of American-European Art Associ...

Abstract Geometric Composition in White, Red and Blue Original Acrylic on Board Bold abstract composition by Robert William Hinds (American, b. 1926). This composition is brushed wh...

Artist: Victor Vasarely (1908-1997) Title: Vertigo Year: 1982 Medium: Silkscreen on Arches paper Edition: 88/325, plus proofs Size: 26.75 x 22.75 inches Condition: Good Inscription: ...

A fabulous example of 1960s geometric/op art, displaying all the fun, playfulness and vibrancy of the style. Op art, short for optical art, is a style of visual art that uses optical illusions. Typically, they give the viewer the impression of movement, hidden images and vibrating patterns. Its roots can be traced back to Cubism, Futurism, Constructivism and Dada. The maker of this stunning piece is Tony Gonnet (1909-2004) an artist close to those who shaped modern art and its history. Working in Casablanca in 1940 he met André Breton and Saint-Exupéry, who were both on their way to America. Unable to obtain a visa for himself, Gonnet returned to Paris in January of 1942. Living on Rue de Seine, he became one of the figures of Saint-Germain-des-Prés and numbered amongst his many friends Jean-Paul Sartre, Simone de Beauvoir, Jean Genet – who prefaced his first Parisian exhibition in 1952 – as well as Albert Camus, Simone Signoret, Boris Vian, Jacques and Pierre Prévert and many others. In 1941, in the ennui of Casablanca, Tony Gonnet had started to draw, and then paint, in a Surrealist style. In 1946 he abandoned figurative surrealism in favour of abstraction, making sole use from then on of geometric forms and shaded tones, in his own unique style. His works aim to achieve harmony of shapes and colours, and thus to bring joy. Tony Gonnet loved life, and said that each of his works was an offering made to it. With solo shows in major Paris galleries...

Julio Le Parc Jeux Enquête - Choisissez vos Ennemis, 1970-2014 Screenprint on wove paper Hand signed, dated and numbered 46/50 in graphite by the artist on the front Published by Serpentine Galleries, UK Accompanied by official certificate of authenticity from the Serpentine as well as gallery issued Certificate of Guarantee Unframed The long sold out Limited Edition produced on the occasion of Julio Le Parc’s exhibition at the Serpentine Gallery in the UK is a silkscreen print of a dartboard, part of the playful installation Choisissez vos Ennemis (1970) from his Jeux Enquête series, which was featured in the show. This series was borne from the civil unrest in France and the events of May 1968. It depicts social archetypes of different ranks: the imperialist, the capitalist, the military, the intellectual neutral, the policeman, and the indifferent. Julio Le Parc was born in Mendoza, Argentina in 1928 and currently lives and works in Paris where he has resided since the late 1950s. In 1964 he was awarded the Special Prize (acquisition) in the Premio Internacional Torcuato Di Tella, Buenos Aires, Argentina, and in 1996, the International Painting Grand Prix at the XXXIII Venice Biennial, Italy. Following his expulsion from Paris in 1968, he travelled around various European countries only to return five months later when the restriction was revoked. Le Parc participated in Unofficial Latin America, held in Paris, and the Medellín Biennial in Colombia in 1970. Le Parc held his first solo exhibition at the Howard Wise Gallery, New York (1966), which was followed his first retrospective exhibition, held at the Instituto Di Tella in Buenos Aires, Argentina (1967). Subsequently Le Parc has held numerous retrospective exhibitions in major museums in Havana, Düsseldorf, Montevideo, Caracas, Asunción, Mexico City, Stockholm, Berlin, Madrid, Barcelona, Santiago de Chile, and Porto Alegre. His most recent solo exhibitions were held at the Palais de Tokyo in Paris (2013) and at the Daros Foundation (2014). Notable writings include: A propósito de arte espectáculo... (With regard to spectacle art...); Función social del arte en la sociedad contemporánea (The social function of art in contemporary society); Color 1959 (Colour 1959); and El artista en el context social actual (The artist in the present social context). He participated, with the Denuncia group, in the collective work Torture (1972) and joined the International Brigade...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Desert Icon II Screen print, c. 1968 Signed, titled and numbered in pencil (see photos) Edition 100 (17/100) Printed by the artist This image is the most elaborate of three color var...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Mobius Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 80 Image Size: 18 x 26 inches Size: 22 x 30 in. (55.8...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Homage to the Cross II Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Image Size: 17 x 17 inches Si...

Russell Dunbar, American (1927 - ) - Untitled, Year: circa 1970, Medium: Screenprint, signed and numbered in pencil, Edition: 100, Image Size: 23 x 23.25 inches, Size: 27 x 27.25 i...