Op Art

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Allegro Year: 1986 Medium: Serigraph, signed and numbered in pencil Edition: 23/100 Image Size: 18 x 25.5 inches Size: 22.5 x 30 in...

Carlos Cruz Diez "Untitled", 1994 Serigraph on paper. Framed Ed. AP Signed, numbered, and dated by the artist at the bottom of the paper 39 x 27 in

"Untitled" work by Getulio Alviani of programmed and kinetic art, which plays on the visual perception of lines and colors, Signed and numbered (Exemplar 140/180) in pencil on the fr...

CARLOS CRUZ-DÍEZ - CROMOVELA TRIPTYCH 18 Date of creation: 2018 Medium: Polychrome ceramic Edition: 8 Size: 60 x 50 x 13 cm Condition: In mint condition This beautiful sculpture con...

EMBEDDED MESSAGES / TERMS Sing us the song, you’re the piano man / Sing us a song tonight / Well, we’re all in the mood for a melody / And you’ve got us feelin’ alright - BILLY JOEL...

Created in 1989, this acrylic and silkscreen sculpture is hand-signed by Victor Vasarely (Pécs, 1906 – Paris, 1997) in black ink in the lower right. Numbered from the edition of 75 i...

A polished glass sculpture by Joh Kuhn from 1992. A spectacular sculpture of crystal clear glass that forms a complicated prism in which light is reflected in a multitude of optical ...

Victor Vasarely NB 11, 1968 is a glazed porcelain relief that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) on label affixed on verso.

Ya'acov Kaszemacher, well-known artist and photographer whose unique images of Hassidic festivities are fascinating to view, and offer one an opportunity to peek into the community...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art Deco shapes of the 30's, 40's and 50's. The subtle but chic color combinations will combine beautifully with both vintage and modern furniture without overtaking spaces that are carefully crafted by designers. Natalia Roman was born in 1984 in Girona, Spain. She has exhibited in galleries across Europe and her colorful, abstract paintings are part of private collections all over the world. Details: Title: Art Deco Pastel...

Op art c. 1967/2022 Estate stamped and numbered on label, verso Digital C-print 31 x 31 inches, image (Edition of 15) $4,500 22 x 22 inches, image (Edition of 15) $3,250 15 x 15...

Offset print, 'Xexa Domb' after Victor Vasarely (Bruckmann Series 1974) , signed in the plate (covered by the passepartout). Presented in a silver metal frame under glass. This mesm...

This magnificent work by Victor Vasarely displays an intricate interplay of green optical figures against a clear background in a three-dimensional medium. It offers a fascinating vi...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Mon Levinson (1926-2014). The Edge V, 1965. Plexiglass, acetate and paper. 24 x 24 x 3 inches. Minor scuffing on surface of plexiglass. Original gallery label affixed en verso. Unsig...

Created in 1984, this hand painted acrylic on wood sculpture is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in ink in the lower right. This work is also numbered 48/175...

Technical Information: Julian Stanczak Inward Yellow Filtration 1981 Screenprint 25 1/2 x 25 1/2 in. Edition of 175 Pencil signed and numbered Accompanied with COA by Gregg S...

Artist: Marc Koller, American Title: Untitled Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: 120 Image Size: 24.5 x 24.5 inches Size: 30 in. x 38.5 in. ...

A visually dynamic Op Art composition by renowned artist Yaacov Agam ( Israel -b. 1928) , a pioneer of kinetic and optical art. The work features bold geometric forms and rhythmic ve...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Julian Stanczak Aerial, from Twelve Progressions 1971 Screenprint 26 1/2 x 26 1/2 in. EA #3 Pencil signed and numbered Julian Stanczak (Polish, November 5, 1928 – March 25, 2017) was a Polish-born American painter and printmaker who is considered a central figure of the Op art movement in the U.S. during the 1960s and 1970s. Described as an artist whose work "evinced a tremendous geometric inventiveness", Stanczak is primarily known for his large-scale polychromatic abstract compositions made using acrylic paint on canvas in which he explored the perceptual dimensions of color.[3] Born in 1928 in Borownica, Poland, Stanczak survived a Siberian labor camp during World War II where he lost the use of his right arm. He retrained himself to paint left-handed and emigrated to the United States in 1950, where he eventually became a citizen. In 1956, Stanczak received an M.F.A. from Yale University, where he studied with Josef Albers and Conrad Marca-Relli, and was roommates with fellow abstract painter Richard Anuszkiewicz. The term "Op art", since used to describe a short-lived movement of 1960s and 1970s, originated from Stanczak's work when the Minimalist artist and sculptor Donald Judd used it in his critical review of the 1964 exhibition titled Julian Stanczak: Optical Paintings at Martha Jackson Gallery in New York. Stanczak achieved broader commercial recognition after being featured in the landmark 1965 exhibition The Responsive Eye created by curator William C. Seitz at the Museum of Modern Art in New York. As the popularity of Op art diminished in the late 1970s, Stanczak remained active as a painter and continued to exhibit his work, but became progressively separated from mainstream contemporary art in the U.S. In addition to being a practicing artist, Stanczak served as a faculty member at the Art Academy of Cincinnati from 1957 to 1964 and, later, as Professor of Painting at the Cleveland Institute of Art from 1964 to 1995. In 2013, he was awarded an honorary doctorate from Case Western Reserve University in Ohio. Stanczak lived and worked in Seven Hills, Ohio with his wife, the sculptor Barbara...

An acrylic painting by Roy Ahlgren circa 1970. A geometric abstract painting utilizing bright contrasting color blocks in a modern form. Signed verso, unframed. Artist: Roy Ahlgren, American (1927 - 2011) Title: Red Blue Variations...

Victor Vasarely Planetary Folklore (Hand signed by Victor Vasarely), 1973 Hardback monograph with dust jacket Hand signed by Victor Vasarely on the first front end page 9 1/2 × 9 7/...

Richard Anuszkiewicz Soft Lime, 1976 8 Color silkscreen on Lenox 100% Cotton paper 38 × 46 inches Pencil signed and numbered 41/75 on the front; bears printers blind stamp from NYIT ...

Artist: Yaakov Agam (1928) Title: Stars Year: 1989 Medium: Silkscreen on Arches paper Edition: P.P. 3/14, 180, plus proofs Size: 26.5 x 19 inches Inscription: Signed and numbered by ...

Victor Vasarely Optisk komposition, 1970 is a Studio Line Rosenthal Porcelain relief with aluminum and is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) on verso. Numb...

A painting by Tadasky (Tadasuke) Kuwayama. "B-139" is an abstract painting executed in circles of red, blue and yellow by Op Artist Tadasky (Tadasuke) Kuwayama. Signed, verso, "Tadas...

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1...

Created in 1965, this sculpture is hand signed by Victor Vasarely (1906 – 1997) in black ink on one of the aluminum panels in the lower right (nearest to the center cross-section); f...

Julian Stanczak (American, 1928-2017) Twist and the Rain, 1975 acrylic on canvas signed verso 30 x 24 inches Julian Stanczak (American, b. November 5, 1928) was an American painter...

This piece is a unique original oil painting on aluminum by Andreas Nottebohm, created in 2015. Andreas Nottebohm is a German artist that came to America circa 1979. Nottebohm's work...

Victor Vasarely Untitled Relief, 1973 is a Studio Line Rosenthal Porcelain relief with aluminum that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) on verso. Number...

Technical Information: Julian Stanczak Boxed, from Twelve Progressions 1971 Screenprint 26 1/2 x 26 1/2 in. Edition of 90 Pencil signed and numbered Accompanied with COA by Gregg S...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

TECHNICAL INFORMATION Victor Vasarely Titan A 1985 Screenprint 22 x 23 1/2 in. Edition of 300 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine Art ...

Color screenprint. Signed by the artist in pencil, lower right. Numbered 225/225 in pencil, lower left. Published by Editions Denise René, Paris, with the blind stamp. Sheet siz...

TECHNICAL INFORMATION: Victor Vasarely Pixis Screenprint 17 3/8 x 14 7/8 in. Edition of 50 annotated F.V. Pencil signed and numbered Condition: This work is in excellent condition....

Artist: Roy Ahlgren, American (1927 - 2011) Title: Homage to the Cross II Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Image Size: 17 x 17 inches Si...

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). No...

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). No...

Artist: Yvaral, Jean-Pierre Vasarely (1934-2002) Title: Double-Six Year: 1972 Medium: Silkscreen on museum board Edition: 10/200, plus proofs Size: 26 x 26 inches Condition: Good Ins...

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1...

TECHNICAL INFORMATION: Victor Vasarely Teke c. 1970 Screenprint 34 1/2 x 30 1/2 in. Edition of 250 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. C...

Matt acrylic-painted wood relief Éditions Denise Rene Paris Edition n° 37/50, Signed. Presented at the exhibition “Vasarely - Le partage des Formes”, in 2019 at the Centre Pompidou. ...

Artist: Victor Vasarely, Hungarian, 1906-1997 Title: Tokyo Year: 1982 Medium: Color serigraph Edition: Numbered 180/250 in pencil Paper: Wove Image size: 25.5 x 25.5 inches Framed s...

This screenprint was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is...

Artist: Victor Vasarely Title: Profound Works Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Ed...

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1...

RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Pencil signed and numbered 11/40 on the front Frame included: elegantly framed in a ...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

TECHNICAL INFORMATION: Julian Stanczak Veiled 1972 Serigraph 32 1/4 × 26 in. Edition of 90 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: ...

Screen print on paper realized by Victor Debach in 1970s. Hand signed and numbered in pencil. Edition of 100. Very good condition.

"Involution - Union 4B" Original Large-Scale Abstract Woodcut by Kazumi Amano Stunning Op-Art checkered color woodblock by Kazumi Amano (Japanese, 1927-2...

Screen print on paper realized by Victor Debach in 1970s. Hand signed and numbered in pencil. Edition of 100. Excellent condition.

TECHNICAL INFORMATION Victor Vasarely Untitled #7 (blue, red and purple) Screenprint 13 x 10 in. Edition of 50 Pencil signed & numbered Accompanied with COA by Gregg Shien...

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1...

Limited edition of 5. Printed on Hahnemuhle Fine Art Baryta 325g Archival Paper. Dated and signed with the certificate of authenticity. This vibrant Op Art photograph from 1969 captures the essence of movement and color through its intricate, circular patterns created by three pattern interference. The pulsating gradients of orange, blue, and green add depth and energy, making it a perfect centerpiece for a contemporary interior. Inspired by the 1960s Op Art movement, this work by a pioneering photographer brings a geometric and modern aesthetic to any space, creating a dynamic focal point. Its vibrant composition adds both vibrancy and sophistication to living rooms, offices, or modern interiors. Enzo Ragazzini...

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). No...

Victor Vasarely born in 1906 was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the Op Art movement. Op Art is a form of abstract art that gives the illusion of movement by the precise use of pattern and color, or in which conflicting patterns emerge and overlap. Victor Vasarely and Brigit Riley are its most famous exponents. In its visual balancing act of color and movement from a flat plane to developed continuous flow “Untitled” is a complex arrangement of squares and colors that visually expand and contract. It is one of Vasarely’s most successful Op Art abstract works. The piece is signed on the lower right and number 20/150 on the lower left. The print is behind glass and matted. Vasarely was born in Pecs and grew up in Slovakia and Budapest, where in 1925, he took up medical studies. Abandoning medicine he turned to traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at Sandor Bortnyik’s private art school widely recognized as Budapest's centre of Bauhaus studies. His studies concentrated on applied graphic art and typographical design. In 1929, he painted his Blue Study and Green Study. In 1930, he married his fellow student Claire Spinner (1908–1990). Together they had two sons, Andre and Jean-Pierre. Vasarely became a graphic designer and a poster artist during the 1930s combining patterns and organic images with each other. Vasarely utilized geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard...