Op Art

This grid of squares and circles quickly folds in on itself and seems to warp the fabric of space around it. Perfectly symmetrical, this print gives the illusion of diving headfirst into an old computer...

Artist: Peter Markgraf, Canadian (1924 - 2008) Title: Fugue VII Year: circa 1970 Medium: Screenprint, signed, numbered, and titled in pencil Edition: 56...

CARLOS CRUZ-DÍEZ - CHROMOINTERFERENCE MANIPULABLE CARIBE Date of creation: 2014 Medium: Screen print on plexiglass Edition: 99 Size: 40 x 35 x 10 cm Condition: In perfect conditions,...

Artist: Rita Simon, American (1938 - ) Title: Spacescape II Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 30 Size: 25.5 in. x 36 in. (64.77 cm x ...

VICTOR VASARELY, Pecs 1908 - Paris 1997 Composition, 1982 Original hand-signed color silkscreen print. (mm.508x508). Bibliography: Marcel Joray, Vasarely Ed. du Griffon, Neuchâtel. P...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

Artist: Babe Shapiro, American (1937 - 2016) Title: Purple v. 1 Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: 75 Image Size: 28 x 28 inches Size: 35 x 3...

Artist: Babe Shapiro, American (1937 - 2016) Title: Red v. 2 Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: 99 Image Size: 25 x 25 inches Size: 35 x 35 in. (88...

This beautiful serigraphy is full of color, emblematic from the Vasarely work.

This dynamic work was realized by the esteemed 20th Century modern artist Mon Levinson in 1964. The work was realized in 1964, and printed in 1965 by Chiron Press in New York- the same year that Levinson was included in the seminal Op-Art exhibition "The Responsive Eye", alongside contemporary luminaries such as Bridget Riley. An identical work from this edition resides in the permanent collection of the New York MoMA. This mixed media work consists of an translucent vinyl sheet layered over a print- part etching, part lithograph. The clear vinyl sheet is embossed with a tight pattern of sinuously curved repeating black lines and is subtly raised in places- creating a subtle three dimensionality and dynamic sense of movement. The paper is inscribed with the same recurring pattern of snaking black lines, like a fine filigree, with two weighty black geometric forms that appear to crowd the composition. Smaller geometric forms reside within creating the apparition of negative space in the bone hued paper. The juxtaposition of the delicate texture and colossal feeling forms imbues the piece with a stunning dynamism and tension, helping to explain why Levinson is among the most influential and important artist to come out of the Op Art movement. His work is in the permanent collections of important institutions around the world including the Museum of Modern Art as well as the Whitney Museum of American Art in New York. Signed by the artist and marked 18/200. The work comes presented in a custom walnut and white gilt frame...

Willy Weber, (Swiss, 1933-1998) Verchromte Platte Stainless steel sculptural construction, dated 1977, signed to the steel. Dimensions: 12" ht. x 13" wd. Sculpted chrome sheet Hand ...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art Deco shapes of the 30's, 40's and 50's. The subtle but chic color combinations will combine beautifully with both vintage and modern furniture without overtaking spaces that are carefully crafted by designers. Natalia Roman was born in 1984 in Girona, Spain. She has exhibited in galleries across Europe and her colorful, abstract paintings are part of private collections all over the world. Details: Title: Line Study...

Signed, titled, numbered and dated in pencil Edition: 150 Serigraph on paper Sheet: 22 1/4 x 30"

CARLOS CRUZ-DÍEZ - CROMOVELA 12 Date of creation: 2018 Medium: Polychrome ceramic Edition: 20 Size: 62 x 21 x 16 cm Condition: In mint condition This beautiful sculpture of 62 cm he...

Signed, dated and titled on verso Original frame by the artist Provenance: Private Collection, Cleveland, Ohio; Acquired directly from the artist in 1980. Julian Stanczak's Sequential Chroma #4 (1980) is a striking example of Op Art—a movement known for its optical illusions and visual dynamism. Measuring 44 x 38 inches and rendered in acrylic on canvas, the work exemplifies Stanczak’s mastery of color relationships and geometric precision. The composition is meticulously constructed with a grid of squares that radiate an intricate interplay of hues, creating a mesmerizing visual effect. The painting’s title, Sequential Chroma #4, highlights Stanczak’s deliberate approach to exploring the sequential interaction of colors. The chromatic shifts within the grid seem to pulse, oscillate, and vibrate as the viewer’s gaze moves across the surface. This dynamic is not merely visual but psychological, as Stanczak’s careful modulation of tones creates a sense of depth and movement that defies the painting’s two-dimensional plane. The grid structure offers a sense of order, yet the gradation of color imbues the work with vitality and rhythmic energy. What makes this painting particularly compelling is its ability to engage viewers in an active experience. The eye is drawn into the grid’s center, where colors appear to intensify, then pulled outward as the edges subtly fade into cooler, darker tones. This shifting focus mirrors...

Artist: Babe Shapiro, American (1937 - 2016) Title: Blue Hexagons Year: 1971 Medium: Screenprint, signed in pencil Edition: AP Image Size: 30 x 22 inches Size: 33 x 25 in. (83.82 x 6...

Artist: Allan D'Arcangelo (American, 1930-1998) Title: Landscape Year: 1968 Medium: Screenprint, signed and numbered in pencil Edition: 75 Size: 28 in. x 22 in. (71.12 cm x 55.88 cm)

This original Plexiglas with linen is numbered 5/20 in black pen in the lower left on one side. An unexpected energy is conveyed by the broken black and white lines respectively por...

YAACOV AGAM - INFINITY TRANSPARENCY Date of creation: 2017 Medium: Colored acrylic panels and wood Edition: 45 Size: 63 x 14,4 x 12,6 cm Condition: In mint conditions Infinity Trans...

CARLOS CRUZ-DÍEZ - CROMOVELA 21 Date of creation: 2018 Medium: Polychrome ceramic Edition: 20 Size: 80 x 21 x 16 cm Condition: In mint condition This sculpture belongs to one of the...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size 39 x 30 inches. Image size 24.25 x 24.25 inches. Custom framed as pictured. From the edition of 250. Additio...

Bridget Riley Flashback (Hand Signed), 2009 Offset Lithograph (hand signed by Bridget Riley) 27 × 27 inches Boldly signed in black marker on the front by Bridget Riley Unframed Signe...

The series "CSW" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of airbrush painting and hard-edge techniques on...

The series "CSW" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of airbrush painting and hard-edge techniques on...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art Deco shapes of the 30's, 40's and 50's. The subtle but chic color combinations will combine beautifully with both vintage and modern furniture without overtaking spaces that are carefully crafted by designers. Natalia Roman was born in 1984 in Girona, Spain. She has exhibited in galleries across Europe and her colorful, abstract paintings are part of private collections all over the world. Details: Title: Art Deco Pastel...

"TRI-DAGG" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A MASTERWORK OF OP ART MOVEMENT "Tri-Dagg" is a captivating original serigraph by Vic...

Matt acrylic-painted wood relief Éditions Denise René ed no. VIII, Signed. Presented at the exhibition “Vasarely - Le partage des Formes”, 2019 at the Centre Pompidou. p.114 of the c...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Bauhau...

Vista, 2017 Bridget Riley Screenprint in colours, on Fabriano 5 wove Signed, titled, dated and numbered from the edition of 150 Printed by Artizan Editions, Forest of Dean Image: 17...

Silkscreen, metallic ink in colors on vélin paper. Paper size: 26.5 x 26.5 inches. Inscription: Hand signed and numbered 67/100, as issued. Notes: Published by London Arts Inc., Detr...

Serigraph on paper.. Hand signed and numbered by the artist. Image size 25.75 x 16 inches. Sheet size 30.5 x 19.5 inches. Frame size approx 37 x 26 inches. From the main edition of...

Serigraph on paper. Hand signed and numbered by the artist. Artwork size 36 x 18 inches. Frame size approx 49 x 30 inches. From the edition of 200. Certificate of authenticity i...

Princess Snow White Op Art acrylic on canvas. Size 39x39x1 In 1999 artist Pawel Wasowski got his diploma and in 2008, doctoral dissertation at the Faculty of Architecture at the Uni...

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). No...

Artist: Patrice Breteau, French (1942 - ) Title: Cracked Shell Medium: Acrylic on Canvas, signed and dated l.r. Size: 30 x 30 in. (76.2 x 76.2 cm) Frame: 31.5 x 31.5 inches

Victor Vasarely, the Hungarian-French artist and pioneer of the Op Art movement, is renowned for integrating geometric abstraction and optical illusions in his artwork. The Chessboar...

Éditions Denise René Matt acrylic-painted wood relief Signed. Exhibition at the Centre Pompidou, “Vasarely - le partage des formes”,

Rows, 1970, by Julian Stanczak (1928-2017) Acrylic on canvas 27 ¼ x 27 ¼ inches unframed (69.215 x 69.215 cm) 28 ½ x 28 ½ inches framed (72.39 x 72.39 cm) Signed on reverse Dated and...

TECHNICAL INFORMATION: Victor Vasarely Teke c. 1970 Screenprint 34 1/2 x 30 1/2 in. Edition of 250 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. C...

Vasarely's skill in creating a sense of the three-dimensional through the use of visual effects is apparent in this work with a combination of recessed and protruding geometrical shapes. Bold black, white, and blue hues accentuate the feeling of volume and space apparent in this marvelous relief. The geometric shapes of circles, squares, and diamonds guide our eye throughout the composition, encouraging us to explore the three dimensional optical effect before us. The total effect of this play on color and shape is visually stunning and impressive in the amount of thought and skill put into the arrangement of design elements. This porcelain Rosenthal relief...

Richard Anuszkiewicz New York City Opera, 1968 Silkscreen poster 35 x 25 inches Unsigned Anuszkiewicz created this poster, which was part of "Seve...

Yaacov Agam Israeli (b. 1928) Hommage aux Prix Nobel (1974) Serigraph signed lower right, numbered 85/100 sheet: 22 x 29 3/4 inches frame dimensions: 28 x 35 1/2 x 1 inches, wood fra...

This is a collaboration between Marshall Simpson (1900 – 1958) and Roslynn Estelle Middleman (1929 – 2003), 100-10, by 1958, oil on Masonite, signed and titled verso, 22 x 30 inches,...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Celebrate New York Year: 1973 Medium: Silkscreen, signed and numbered in pencil Edition: 300 Image Size: 28.75 x 22.25 inches ...

Victor Vasarely born in 1906 was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the Op Art movement. Op Art is a form of abstract art that gives the illusion of movement by the precise use of pattern and color, or in which conflicting patterns emerge and overlap. Victor Vasarely and Brigit Riley are its most famous exponents. In its visual balancing act of color and movement from a flat plane to developed continuous flow “Untitled” is a complex arrangement of squares and colors that visually expand and contract. It is one of Vasarely’s most successful Op Art abstract works. The piece is signed on the lower right and number 20/150 on the lower left. The print is behind glass and matted. Vasarely was born in Pecs and grew up in Slovakia and Budapest, where in 1925, he took up medical studies. Abandoning medicine he turned to traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at Sandor Bortnyik’s private art school widely recognized as Budapest's centre of Bauhaus studies. His studies concentrated on applied graphic art and typographical design. In 1929, he painted his Blue Study and Green Study. In 1930, he married his fellow student Claire Spinner (1908–1990). Together they had two sons, Andre and Jean-Pierre. Vasarely became a graphic designer and a poster artist during the 1930s combining patterns and organic images with each other. Vasarely utilized geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard...

This porcelain Rosenthal relief by Victor Vasarely (Pécs, 1906 - Paris, 1997) has been hand signed by the artist in ink on a label affixed to the reve...

Ferruccio Gard (Italy, 1940) is one of the pioneers and leading artist representatives of the Neo-Constructivist art, Programmed Art and Optical Art, which he has practiced since 196...

TECHNICAL INFORMATION: Victor Vasarely Nebulus II c. 1980 Screenprint 32 1/2 x 30 3/4 in. Edition of 50 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art....

NBC 35 and NBC 36 Edition 33/50 and 16/50, respectively Signed to label The Hungarian word, Iboya, meaning a small forest violet, has been chosen by Vasarely to identify his astonis...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Victor Vasarely NB 11, 1968 is a glazed porcelain relief that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) on label affixed on verso.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Faces of Dalí #2 is a serigraph on paper with an image size of 26 x 18 inches, signed 'Yvaral' lower right and numbered 80/200 lower left. From the edition of 263 (there were also 20...

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). No...

Victor Vasarely “Oltar-Zoeld” 1985/86 Silkscreen on paper Edition 57 of 295 42 x 68 in Victor Vasarely (9 April 1906 – 15 March 1997), was a Hungarian-French artist, who is widely a...

A painting by Tadasky (Tadasuke) Kuwayama. "B-139" is an abstract painting executed in circles of red, blue and yellow by Op Artist Tadasky (Tadasuke) Kuwayama. Signed, verso, "Tadas...