Garniture

A gorgeous petite set of three antique Delft transferware garniture vases made between 1900 and 1930, attributed to Mosa in Maastricht, the Netherlands. No maker's mark. This fine ga...

French Samson Porcelain Chinese Export Style 4-Piece Garniture Set France, Circa 1950s Consisting of four pieces, each one decorated in the Chinese Export style with hanging baskets of flowers in vignettes with floral surrounds, painted in a subtle palette of reds, blues and gilt decoration. The two covered vases with resting lion lids...

This is a Ferdinand Barbedienne set of gilt bronze-mounted champleve onyx garniture. It consist of two urns and one large oval vase/jardiniere. The vase...

Hand-painted set of blue and white delft porcelain. Three covered vases and two trumpet vases. The lids depict perched birds. The vases ...

A fine and impressive antique Victorian English sterling silver vase with military interest (Durham Light Infantry); an addition to our ornamental silverware collection. This fine antique Victorian sterling silver vase has a tapering cylindrical form to a domed circular spreading foot. The upper and lower portions of the body of the vase are embellished with embossed and chased stylized scrolling leaf and bead decoration in a swirl design. The body is further ornamented with a band of six cartouches amidst a shaped border accented with a leaf motif between each; four of the cartouches remain vacant. To one side there is a contemporary bright cut engraved crest of the Durham Light Infantry amidst the inscription ‘Presented to Officers, 3rd Bn, The Durham Light Infantry’, with the presentation inscription ‘Officers Race, won by, Lieut H J Sowerby, 1887’ to the other side. The upper rim of this impressive vase is encircled with an applied moulded border to the rim. The vase retains the original gilt interior. In 1758 General John Lambton of County Durham first raised the 68th Regiment of Foot as part of the British Army. This later amalgamated with another regiment to become The Durham Light Infantry in 1881. Condition This antique Victorian vase...

A single Sevres porcelain garniture decorated with hand painted flowers. Fitted with bronze ormolu which has been restored. It is beautifull...

A very unusual and stunning English Art Nouveau large silver fruit bowl by renowned silversmiths Elkington & Co and made in Sheffield in 1909. The heavily made bowl is of deep round ...

Fine pair of signed Elkington & Co gilt bronze Neoclassical Jardinière/Champagne ice buckets or wine coolers. Depicting new classical Roman figures and subjects with lions and leopar...

A fine and most charming complete set of three German 19th-century KPM porcelain and ormolu garniture set. The central urn is raised by an elegant pierced ormolu base with fine folia...

Majolica Parakeets Garniture set with 2 vases and a jardinière planter signed Sarreguemines, circa 1880. Model 7122. Measures: Jardinière / Height 6.2", length 11" on 6". Vases / ...

Important tray made in gilded bronze and “cloisonné” enamel attributed to Elkington and Willms. Ornamented with a centering polychrome enameled peacock plaque, made of very high standard quality, mounted on a gilt-bronze dish, decorated in relief with Japanese Nô theater masks. The great Birmingham firm of Elkingtons, was largely the creation of George Richards Elkington (1800-1865), who worked from 1824 in Birmingham as a manufacturer of silver-mounted scent bottles. By 1829 the business had expanded sufficiently for a branch to have been established in London. In the late 1830s the Elkingtons began making experiments to apply the principles of electro-metallurgy to gilding and plating with silver and in 1840 the patent was at last taken out. Elkingtons owed their rise to a position amongst the most important silversmiths of the country to their exploitation of this new process and the two of the most famous designers then employed, both of them French, Albert Wilms (1827-1899) and Morel-Ladeuil (1820-1888), who helped to make Elkingtons’ reputation with their elaborate exhibition pieces. Albert Willms was apprenticed as modeler and engraver to Klagman, Dieterle and Constant in Paris before working for Morel & Co. in London in 1848. On his return to Paris he was employed by the great Parisian silversmiths including Christofle and Froment-Meurice, for whom he designed pieces to be presented at the 1855 Universal Exhibition in Paris. It was during this period that he joined the firm of Elkington in London as head decorator. Elkington was soon to become one of the first to produce refined pieces in “champlevé” enamel in the Chinese and Japanese styles, which were presented with great success at the London Universal Exhibition in 1862 (see Masterpieces of Industrial Art & Sculpture at the International Exhibition 1862, J.B. Waring, London, 1863, III, pl. 211). Willms’ “champlevé” enamels could not be compared, however, with the delicate “cloisonné” enamels exhibited by Japan at the Universal Exhibition in Paris in 1867. This explains why Elkington adapted the ancient Japanese technique to produce pieces according to European taste and custom. Followings the 1867 Exhibition all the major European artists rivaled in ingenuity for the 1873 Universal Exhibition in Vienna. In London Albert Willms presented his luxurious vases and cups in “cloisonné” enamel for Elkington (see Illustrations of Art Manufacturers in the Precious Metals exhibited by Elkington & Co., Inventors, Patentees and Manufactures of electroplate, 1873), whilst in Paris, Ferdinand Thesmar (1843-1912) produced in the workshops of Ferdinand Barbedienne (1810-1892) a tray decorated with a golden pheasant in “cloisonné” enamel on copper...

A Victorian brass novelty clock by Elkington & Co., in the form of a double steering-wheel, one wheel enclosing a clock and the other a barometer, with ...