Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 17

Chelsea-Derby Vase and Cover, Zachariah Boreman and Richard Askew, 1783-1784

$3,000per set
$3,750per set20% Off
£2,262.01per set
£2,827.52per set20% Off
€2,606.65per set
€3,258.32per set20% Off
CA$4,161.81per set
CA$5,202.26per set20% Off
A$4,663.29per set
A$5,829.11per set20% Off
CHF 2,427.42per set
CHF 3,034.27per set20% Off
MX$57,048.14per set
MX$71,310.18per set20% Off
NOK 30,811.58per set
NOK 38,514.48per set20% Off
SEK 29,101.17per set
SEK 36,376.47per set20% Off
DKK 19,459.21per set
DKK 24,324.02per set20% Off
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

This is a very rare and stunning vase with cover made by Chelsea-Derby in 1783-1784. The pear-shaped vase stands on a square foot and has two handles with moulded floral chains, and a pointed cover. Set in a gilt striped ground with palmette borders, one side bears a fine landscape by Zachariah Boreman; the other the figure of a muse inscribed HISTORY by Richard Askew. The Derby Porcelain factory has its roots in the late 1740s, when Andrew Planché, a Walloon Huguenot refugee, started making simple porcelain toys shaped like animals in his back yard. In 1756 Staffordshire enameller William Duysbury and banker John Heath started a new porcelain factory with Planché and this was to grow out to the largest factory of its time, buying up the bankrupted Chelsea and Bow factories, as well as the stock of several other workshops including that of James Giles. The combination of various traditions, porcelain making skills and sophisticated clients enabled Duesbury to create one of the best porcelain factories of the 18th and 19th Centuries, which after many ups and downs is still operative today. The period between the purchase of the Chelsea factory in 1770 and ca 1784 is called the Chelsea-Derby era, when many items were created in Derby and decorated in Chelsea. The purchase of Chelsea not only brought in many moulds to Derby, but, importantly, some highly skilled artists, among whom were Zachariah Boreman and Richard Askew. Zachariah Boreman became one of the most celebrated painters at Derby. Born in London in 1738, he arrived at Derby around 1774 after working at Chelsea, and remained until 1794, when he left in frustration with Michael Kean, the owner. Even though Boreman became one of the prime landscape painters at Derby, Kean would not pay him more and this caused Boreman to go back to London and work for the Simms decorating studio until his death in 1810. Boreman was known as a highly respected and likable person, and he became famous for his fine landscapes. His style was most probably influenced by Paul Sandby, the chief drawing instructor at the Royal Military Academy at Woolwich. His little landscapes are restrained, with often muted brown and green shades; in Boreman's landscapes, less is more although his drawing and stippled brush style is extraordinarily detailed. Richard Askew (ca 1730-1798) was another one of the famous artists who came from Chelsea and then moved to Derby in about 1772. He didn't only work for Chelsea and Derby, but also worked on a freelance basis for many others, and there is evidence that he advertised himself all over Britain and Ireland as a miniature painter. In 1781 Askew returned to London, and later also worked in Birmingham. Askew became known for his many paintings of figures such as muses and, in particular, cherubs. His paintings are usually in the pink tint you can see on this beautiful vase, and they are easily recognisable by their heavy limbs and jowls. This vase would probably have belonged to a garniture of various vases, each with a different muse. This muse is called HISTORY, and she holds a book in one hand, a trumpet in the other. The vase is marked with the inscribed number 69 and a gilt anchor mark on the side of the foot. DOCUMENTATION: A pair of muse and landscape vases in similar style, painted by the same artists, can be seen in colour plate 10 on page 46 of John Twitchett's "Derby Porcelain 1748-1848 An Illustrated Guide". CONDITION REPORT The vase is in excellent condition with only two minor flaws: the cover is invisibly restored, and there are some minor scratches as visible in the pictures. Other than this, there is no damage, repairs or crazing. During production someone accidentally put their thumb into the ridge around the belly of the vase; this dent has been ignored by the maker and gilded over... these little accidents happen to the best of us! Antique British porcelain is never perfect. Kilns were fired on coal in the 1700s, and this meant that china from that period can have some firing specks from flying particles. British makers were also known for their experimentation, and sometimes this resulted in technically imperfect results. Due to the shrinkage in the kiln, items can have small firing lines or develop crazing over time, which should not be seen as damage but as an imperfection of the maker's recipes, probably unknown at the time of making. Items have often been used for many years and can have normal signs of wear, and gilt can have signs of slight disintegration even if never handled. I will reflect any damage, repairs, obvious stress marks, crazing or heavy wear in the item description but some minor scratches, nicks, stains and gilt disintegration can be normal for vintage items and need to be taken into account. There is widespread confusion on the internet about the difference between chips and nicks, or hairlines and cracks. I will reflect any damage as truthfully as I can, i.e. a nick is a tiny bit of damage smaller than 1mm and a chip is something you can easily see with the eye; a glazing line is a break in the glazing only; hairline is extremely tight and/or superficial and not picked up by the finger; and a crack is obvious both to the eye and the finger. Etcetera - I try to be as accurate as I can and please feel free to ask questions or request more detailed pictures! DIMENSIONS 29cm (11") tall incl. cover; 14.5cm (5.75") wide incl. handles.
  • Creator:
    Chelsea-Derby (Maker),Chelsea Porcelain (Maker),Derby (Maker)
  • Dimensions:
    Height: 11 in (27.94 cm)Diameter: 5.75 in (14.61 cm)
  • Sold As:
    Set of 2
  • Style:
    George III (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
    1780-1789
  • Date of Manufacture:
    1783-1784
  • Condition:
    Repaired: invisible professional repair to cover. Wear consistent with age and use. In excellent antique condition, invisible repair to cover, a few minor scratches, otherwise perfect.
  • Seller Location:
    London, GB
  • Reference Number:
    Seller: A-CHE091stDibs: LU4805142630652

More From This Seller

View All
Samuel Alcock Rare Porcelain Vase, Wave Edge, Continuous Fine Landscape, ca 1826
By Samuel Alcock & Co.
Located in London, GB
An extremely rare wave edge vase on a round foot with superb continuous landscape painting of a river scene with ruins and two figures, rich gilding on the upper edge, ball and foot....
Category

Antique 1820s English Regency Vases

Materials

Porcelain

English Garniture of 3 Vases, Empire Style, Provenance G.Godden, 1810-1815
By Ridgway Porcelain
Located in London, GB
This is a spectacular garniture of three vases made by an English factory between 1810 and 1815. The vases are made in the French Empire style with heavily gilded Egyptian caryatid s...
Category

Antique 1810s English Regency Vases

Materials

Porcelain

Staffordshire Porcelain Campana Vase, Salmon, Gilt and Flowers, circa 1820
By Staffordshire
Located in London, GB
On offer is a very fine small porcelain campana vase made circa year 1820 by an unknown Staffordshire potter. The vase has a beautiful delicate salmon colored ground, rich gilding an...
Category

Antique 1820s English Regency Vases

Materials

Porcelain

Samuel Alcock Potpourri Vase, Green, Double Cover, Landscape, Flowers, ca 1835
By Samuel Alcock & Co.
Located in London, GB
A potpourri vase with double cover, pale yellow/beige ground with apple green details, Rococo shape with fruit finial and scroll handles and foot; a flower reserve on one side and a ...
Category

Antique 1830s English Rococo Revival Vases

Materials

Porcelain

Chelsea Porcelain Frill Vase with Birds, Rococo ca 1760
By Chelsea Porcelain
Located in London, GB
This is a charming frill vase made by the Chelsea Porcelain factory in about 1760. The vase is in the Rococo style and it speaks for itself why this style of vase is called a "frill" vase. This vase has undergone restorations (although it still holds water perfectly) and is therefore offered As Found (A/F) at a reduced price. Chelsea was one of the very early adopters of porcelain in the British china industry. Founded in 1744 the Chelsea pottery was for about 40 years the leading maker of fine chinaware, excelling in their sense of style, perfection and constant innovation and inspiring many following generations of china makers. The company was started by French silversmith Nicholas Sprimont and you can see the influence of the French style of silverware...
Category

Antique 1760s English Rococo Porcelain

Materials

Porcelain

Coalport Pair of Vases, Persian Revival Gilt with Puce Floral Reserves, ca 1845
By Coalport Porcelain
Located in London, GB
This is a stunning and very rare pair of vases made by Coalport in around 1845. The vases have rich gilding in the Persian Revival style, combined with very English floral reserves of freely painted flower bouquets on a puce ground. Incorporated into the gilding on the back of the vases is a very English swan...
Category

Antique 1840s English Rococo Revival Vases

Materials

Porcelain

You May Also Like

Large 19th Century Sèvres Style Porcelain Lidded Vase
By Manufacture Nationale de Sèvres
Located in Brighton, Sussex
A wonderful quality late 19th century French 'Sevres' style hand painted porcelain lidded vase. Having a cobalt blue ground, classical scrolling ...
Category

Antique Late 19th Century French Louis XVI Vases

Materials

Porcelain

Antique Carl Thieme Potschappel German Porcelain Dresden Style Covered Urn
By Carl Thieme
Located in Philadelphia, PA
A fine Dresden style covered urn. By Carl Thieme / Potschappel porcelain factory. Of Campagna urn form with scrolling twin handles and a pierced lid or cover with stylized artichoke finial. Decorated throughout with typical Deutsche Blumen floral sprays, bands of green flower head and s-scroll devices, and rich gilding throughout. Fully marked to the base. Simply a wonderful antique porcelain urn! Date: Late 19th or Early 20th Century Overall Condition: It is in overall good, as-pictured, used estate condition. Condition Details: The base has apparently been re-secured at one point with overpaint to the bolt. (One can twist the base to rest firmly in place, but it can rotate the other direction to loosen some.) Otherwise, there are some fine & light surface scratches and other signs of expected light wear consistent with age. Maker: Carl Thieme / Potschappel Pattern Name: Dresden Potpourri...
Category

20th Century German Rococo Urns

Materials

Porcelain

Gilt Porcelain Large Dresden Two Handled Garniture Vase and Cover
By Dresden Porcelain
Located in Lomita, CA
The porcelain factories of Dresden are renowned for this type of decorative piece and this monumental vase would have been at least one of a pair or part of a three or five piece mantle garniture at some point in its history. Alone, it is stunning. It is hand painted, but the painting is minimal when compared to other earlier examples, especially from the Meissen factory. This covered urn was created in Germany with colorful scenes during the early 20th Century. The covered lid surmounted by a gilt metal foliate finial, the baluster body with two scrolled gilt metal handles painted with a detailed figural setting in a salon with two couples listening to musical instruments their companions play within gilt ecru encrusted borders. Beautiful. This type of porcelain became collectible in the 1960s and reached the height of the market in the 1990s. Since then, fashions have changed greatly, but this is still a statement piece that endures in wonderful condition. and so prices have fallen quite dramatically especially in a traditional auction. However, this is still an impressive piece, signed indistinctly, on a circular socle atop a square raised plinth base. Marked with the underglaze blue Dresden mark...
Category

Early 20th Century German Rococo Revival Urns

Materials

Ceramic, Porcelain

Fine Derby Porcelain Vase C.1815 Decorated in the Manner of Thomas Steele
By Derby
Located in Exeter, GB
A very fine Derby porcelain campana shaped vase c.1815. Beautifully painted with two panels of fruit in the manner of Thomas Steele. This artist was one ...
Category

Antique 1810s English Vases

Materials

Porcelain

Large 19th Century Finely Painted Large Vienna Vase and Cover
By Royal Vienna Porcelain
Located in London, GB
An impressive imperial-style Vienna vase, hand-painted with cartouches of Greek mythological scenes. The gilt porcelain handles are in the shape of coiled serpents and the body is el...
Category

Antique Late 19th Century Austrian Other Vases

Materials

Porcelain

German Porcelain Two Handle Vase
Located in Astoria, NY
German Porcelain Two Handle Vase, late 19th century, with snake entwined handles, oval painted landscape panel, signed illegibly "A. Schu... (?)", with bands of roses and grape vine,...
Category

Antique Late 19th Century German Neoclassical Vases

Materials

Porcelain