Basque Musician And Shepherd Pair Of Vases, Anne Marie Grillard, Ciboure, France

Exquisite pair of Wedgwood Ordinary lustre baluster vases by Daisy Makeig-Jones. Circa 1915. Dominated by dramatic gilded exotic crested birds on an incredibly rich royal blue mottle...

Sweet and diminutive vase using the Neriage technique by Jean Gerbino for Vallauris, France Ceramic glazed shaped vase, with mosaic patterning and terracotta accents Circa 1960's Sig...

Charming And Petit, Jean Gerbino for Vallauris, France, ceramic glazed neriage posy potpourri vase in tones of mocha An intriguing, tactile vase with superb mosaic pattern. Circa 19...

Pair of diminutive Just Andersen Disko metal flared flower vases with rich patina Delicate in design and particularly decorated at base with stylised leaves Stamped and numbered D5...

One of a set of beautiful ceramics from Ciboure Pottery, this urn style vase is inspired by antiquity—evident in its form, its spare coloring, and its stylized depiction of animals.

A beautiful ceramic from Ciboure Pottery, this piece was executed by Garcia de Diego, and features a arabesque pattern in brown and black glazes on a c...

Large stoneware vase by Richard Le Corrone at Ciboure, France, early 1950s. High technical quality rotating antelope decor. Jarraila technique. Two elegant handles. Height : 9.8"(25cm), Diameter : 8.7"(22cm). Signed "R. Le Corrone" and stamped "RF Ciboure" under the base. CIBOURE pottery was founded in 1919 on the Basque coast by Etienne Vilotte (1881-1957), Louis Benjamin Victor Floutier (1882-1936) and a man named LUKAS. In 1922, the date of the formal establishment of the company, Vilotte is the manager. From its inception, the style is clearly defined. A classical orientation, strongly imbued with the antique style and taking advantage of the neo-Greek wave. The characteristics of Art Deco are a source of inspiration as well as the regional style is an influence. The goal is clear: to offer high quality and decorative items whose forms are inherited from the ancient or traditional Basque containers. The sandstone reflects this enthusiasm for this growing area since the late 19th century. In 1945, Rudolf Fischer bought the pottery on which it imposes its trademark in 1951 - RF CIBOURE - to replace the old - VE CIBOURE -. It will be replaced later by that of his son Max Fischer - MF CIBOURE -. He brings technical and artistic changes such as molding, baking more oxidizing and parts production utilities. This pottery owes its success, in addition to the decorative qualities and originality of its production, to an excellent marketing, particularly among Parisian department stores. Finally we note the names of its principal designers, the first and until 1922: Louis Floutier...

Large stoneware vase by Richard Le Corrone at Ciboure, France, early 1950s. High technical quality rotating Greek decor. The stylized rotating scenery depicts Artemis and Apollo hunting with their dogs. Jarraila technique. Height : 11"(28cm), Diameter : 9.45"(24cm). Signed "R. Le Corrone" and stamped "RF Ciboure" under the base. CIBOURE pottery was founded in 1919 on the Basque coast by Etienne Vilotte (1881-1957), Louis Benjamin Victor Floutier (1882-1936) and a man named LUKAS. In 1922, the date of the formal establishment of the company, Vilotte is the manager. From its inception, the style is clearly defined. A classical orientation, strongly imbued with the antique style and taking advantage of the neo-Greek wave. The characteristics of Art Deco are a source of inspiration as well as the regional style is an influence. The goal is clear: to offer high quality and decorative items whose forms are inherited from the ancient or traditional Basque containers. The sandstone reflects this enthusiasm for this growing area since the late 19th century. In 1945, Rudolf Fischer bought the pottery on which it imposes its trademark in 1951 - RF CIBOURE - to replace the old - VE CIBOURE -. It will be replaced later by that of his son Max Fischer - MF CIBOURE -. He brings technical and artistic changes such as molding, baking more oxidizing and parts production utilities. This pottery owes its success, in addition to the decorative qualities and originality of its production, to an excellent marketing, particularly among Parisian department stores. Finally we note the names of its principal designers, the first and until 1922: Louis Floutier...