Ceramic Vases

A large & striking pair of 19th century parcel gilt porcelain campagna vases with a strong, yet elegant presence. Both vases are decorated with gilt stencilled neoclassical themes ag...

Vase by Per Liliengren, Sweden, 1990s Stoneware. H: 17 cm / 6 3/4" Dia: 18 cm / 7 1/8"

Very large double snake handle vase in baluster form on a mounted funnel-shaped stand, handles in the form of coiled snake pairs raised on the side, white and cobalt blue base, fine ...

Extremly rare pot-bellied vase. Rich glazes with a juxtaposition of white and light purple and an abstract overprinted decor whose contours go beyond the strict visual field to colon...

Ideal for a candle in a garden or indoor setting.

Very large double snake handle vase in baluster form on a mounted funnel-shaped stand, handles in the form of coiled snake pairs raised on the side, white and cobalt blue base, fine ...

Vase ‘Argenta’ designed by Wilhelm Kåge for Gustavsberg, Sweden, 1930s Stoneware with silver decor. Signed. H: 22.5 cm / 8 7/8" Dia: 20 cm / 7 7/8"

A pair of signed Sbei Kinkozan VII Satsuma polychrome porcelain vases with gold standard (kinrande) from Kyoto, Imperial City, Japan. Kyo Satsuma ceramics contain intricately detaile...

Vintage Studio Ceramics Organic Vase - Dark Rich Glaze. England has a rich history of studio ceramics, often small studios for teaching or a shared space for talented ceramicists. ...

Vintage Studio Ceramics Organic Two Handle Vase - Deep Blue Glaze. England has a rich history of studio ceramics, often small studios for teaching or a shared space for talented ce...

Vintage Studio Ceramics Organic Bud Vase - Natural Glaze. England has a rich history of studio ceramics, often small studios for teaching or a shared space for talented ceramicists...

Vintage Studio Ceramics Elegant Vase - Washed Glaze. England has a rich history of studio ceramics, often small studios for teaching or a shared space for talented ceramicists. Thi...

Vintage Studio Ceramics Bottle Vase - Natural Burnt Glaze. England has a rich history of studio ceramics, often small studios for teaching or a shared space for talented ceramicist...

Ball vase in Sèvres porcelain, 1926, Art Deco period. An Art Deco period ball vase in Sèvres porcelain with a marbled blue background, 1926, in perfect condition. H: 31cm, D: 31cm

1989 Tall Memphis Milano Style Studio Pottery Bud Vase Offered for sale is a tall black bud vase created in the Memphis Milano style. The studio...

Large, very elaborately decorated crater vase from the Meissen manufactory, with abundant snowball blossoms on the outer wall, rising above the white flowers in fully sculpted tendri...

Sculptural Blue Anemone Vase by Studio Esposito. 2000's, made in Italy. An amazing piece of studio pottery. *There is a small nick on the tip of one of the cones.

A very rare Ormolu Sèvres Porcelain Gilt Bronze Candlesticks Candelabra with a hand painted scene by François Boucher. ‘P . F . Boucher’ original mark o...

In 1917, Gustavsberg hired Kåge to make its dinnerware and other everyday products more beautiful—he would serve as the company's Artistic Director until 1948. During this fruitful p...

An exquisite antique Rose Medallion shouldered vase from late 19th-century China, showcasing the artistry and elegance of Qing dynasty porcelain. The vase features alternating panels...

Footed vase, ‘Spirea’ designed by Wilhelm Kåge for Gustavsberg, Farsta, Sweden 1956 Stoneware. Signed. H: 15.5 cm / 6 1/8" Dia: 14.5 cm / 5 11/16"

A beautiful vase/lamp base made in 1984 by Marius Bessone in the famous French town of Vallauris. The crystalized surface is a result of enamel nucleation, a technique he used mainly...

Short pedestal vase with human-like face on front by Belgian ceramist Elisabeth Vandeweghe from the 1970's. Vandeweghe is still active in the art world. Her work is very figurative a...

Brutalist glazed ceramic vase by Marcello Fantoni depicting 4 Cubist African warrior figures on each facade. Signed on bottom, made in 1957 in Firenze, Italy.

Set of 4 miniature 'Oxblood' glaze ceramic vases by Pierre-Adrien Dalpayrat, circa 1895. The tallest vase stands at 8.8 cm high.

Decorate a kitchen counter or display a shelf with this elegant pair of antique Majolica vases. Crafted in Montigny sur Loing, France circa 1860, each ornate vase sits on a patinated...

Beathe Kuhn (1927-2015) was a German ceramist and ceramic sculptor. She designed asymmetrical porcelain vases for the Rosenthal AG porcelain manufactory between 1953 and 1957. Her wo...

Artist/Designer; Manufacturer: Grueby Faience Co. Marking(s); notes: signed Materials: glazed earthenware Dimensions (H, W, D): 11.25″h, 5.5″dia Additional Information: The vase was ...

Large unglazed Fulham Pottery urn with glazed inside to hold flowers in water. Designed in the 1930s by the famous British florist Constance Spry, made by Fulham Pottery, circa 1950s...

This exquisite pair of vases features Chinese porcelain from the Kangxi period, dating to the third quarter of the 17th century, elegantly mounted in gilt-bronze from the late 18th c...

The Brendan Bass Estate Collection pays homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they ...

Wedgwood Fairyland Lustre Baluster Vase decorated with the “Candlemas” Design by Daisy Makeig Jones Batch 81 63113. UNKZZ

A Wedgwood Fairyland lustre vase designed by Daisy Makeig-Jones ca. 1920 and decorated with the 'Castle on a Road' pattern. Daisy Makeig-Jones is best known for the Fairyland Lustre...

Exquisite metallic ceramic Art Deco vase by Jean Besnard, one of France's leading ceramists of the 20th century. Featured in the book 'Jean Besnard Potier Moderne' on page 65. Ha...

A beautiful vintage porcelain studio pottery bud vase made in the 80s/ 90s by ceramicist, Robert Finn of Northern California. Features a dedicated cutout design of an iris with handp...

Pair of Sèvres porcelain vases, Napoleon III period, 19th century. A pair of Sèvres porcelain vases, Napoleon III period, 19th century. H: 28cm, D: 17cm

Hand-built and pinched pot with unglazed terracotta exterior and shiny cobalt blue interior. Signed with artist’s cipher. American, c. 2024

Hand-built and pinched pot with gun metal glaze over white clay. Signed with artist’s cipher. American, c. 2023

A large Satsuma earthenware vase or umbrella stand, Asian Art, 19th century. A large Satsuma earthenware umbrella stand or vase, Art of Asia, 19th century. H: 64cm, D: 25,5cm

A pair of Sèvres porcelain covered vases, 19th century, Napoleon III period. A pair of Napoleon III period covered vases in Sèvres porcelain, enamelled and gilded, gilt bronze mount...

Charles Catteau’s Art Deco style, like the wider French Art Deco style, was heavily influenced by Japanese designs. This Boch Freres vase, which Catteau designed in the 1930s, featur...

Charles Catteau’s Art Deco style, like the wider French Art Deco style, was heavily influenced by Japanese designs. This vase, produced in 1932, features a graphic and dynamic design...

Very large, organic bulbous shape ceramic vase by Gerhard Liebenthron, made in Bremen, Germany in 1964. This colour palette is quite typical of Liebenthron's work, rarely straying fr...

Wonderful pair of large-scale early 20th century Delft blue and white covered jars. Makes a great accessory! Circa 1920 20h x 7 h

Black ceramic vase by Georges Jouve, signed, France, 1950's

Georges Jouve (1910-1964) Cylinder Vase (Vase Rouleau), circa 1955 blue enamelled stoneware with black enamelled interior 20.5cm high, 6cm diameter incised signature and artist's mon...

This extraordinary First Edition Wedgwood rendering of the legendary Portland Vase is one of the rarest masterpieces of Josiah Wedgwood, the most important ceramics manufacturer of the 18th century. A tour de force of ceramic art, the Portland Vase First Editions are regarded as one of the greatest ceramic accomplishments of the 18th century, and they are a testament to the superior skill of Josiah Wedgwood, his extraordinary ambition and his tireless dedication to perfection. One of the very few First Editions still in private hands, this exceptional Wedgwood Portland Vase is one of the most important works of ceramics on the market. The story of Wedgwood and the Portland Vase is legendary. The original Portland Vase is the ancient world's most famous decorative arts masterpiece—a cameo glass vase dating to circa 25 CE with a frieze representing the myth of Peleus and Thetis, initially thought to be carved from stone. When it was first rediscovered around 1582, it captivated the world with its opaque white cameo figures over its rich blue background. After the vase was excavated it was owned by Cardinal Barberini, whose family later sold it to the Duke of Hamilton who eventually sold it to the Duchess of Portland, from whom the famed vase now takes its name. The famed British sculptor John Flaxman was likely the first to have brought the vase to Wedgwood’s attention. In a letter dated February 5, 1784, he wrote: “I wish you may soon come to town to see William Hamilton’s vase, it is the finest production of Art that has been brought to England and seems to be the very apex of perfection to which you are endeavouring to bring your bisque and jasper…” Indeed, the Portland Vase is a masterpiece of cameo-cutting, with a stunning frieze of opaque white cameo glass over its translucent deep blue form. Its beauty and translucence would inspire Wedgwood to undertake his years-long endeavor to precisely replicate the original in porcelain. Upon closer examination, Wedgwood realized the vase was not made of stone or earthenware, but of cameo glass—a technique so advanced it remains the masterpiece of cameo-cutting. Today, the vase is housed in the British Museum, where it is the second most viewed antiquity, only after the Rosetta Stone. It then took Wedgwood several painstaking years to craft his unparalleled copy of the vase, during which he perfected the jasperware technique that would become his crowning achievement. To this day, the renowned porcelain firm regards the vase as its most momentous triumph, so much so that the vessel’s silhouette is incorporated into the Wedgwood logo. The four years it took Wedgwood to complete his vase were not without tribulations. From the start, Wedgwood encountered numerous problems with his copies, from cracking and blistering to the difficulty of replicating the translucent effects of the original. The first acceptable copy was produced in October 1789 and sent to Wedgwood’s physician and friend Erasmus Darwin, the grandfather of Charles Darwin. Wedgwood presented another copy to Queen Charlotte in May 1790 and afterward organized a private exhibition of the vase at the Portland House in London. The viewing proved so popular that Wedgwood was forced to restrict the show to 1,900 visitors. Much of London wished to see Wedgwood’s greatest major achievement. Perhaps the highest praise of Wedgwood’s copy came from the famed artist Sir Joshua Reynolds, the founder of the British Royal Academy: “I can venture to declare it a correct and faithful imitation, both in regard to the general effect, and the most minute detail of the part.” Over the next few years, Wedgwood's oven records listed 43 First Edition copies of the Portland Vase produced between 1791 and 1796, 11 of which were broken during the firing process. In all, it is believed around 30 First Edition vases were completed, though an unknown number of these were somewhat damaged—one of these imperfect examples is currently held by the Victoria & Albert Museum in London. The perfect examples such as ours have found their way into the most important museum collections in the world. The British Museum (London), Art Institute of Chicago, Birmingham Museum of Art, Museum of Fine Arts (Boston) and the Fitzwilliam Museum (Cambridge, UK), among others, all hold one of these highly coveted vases in their collections. In terms of technical achievement, the First Edition Portland Vases...

Eos, known as the goddess of dawn in Greek mythology, inspires this exquisite vase. Just as Eos paints the sky with soft hues of pink and blue, this vase embodies the delicate balance of these colors, creating a serene and enchanting atmosphere in any setting. The Eos vase is entirely handcrafted from ceramic and meticulously designed by Busra Ozdemir...

A wonderfully impressive pair of late 19th Century Japanese Meiji period crinkle topped Imari vases. Each with a bold Blue and White decoration, scenes depicting feeding cranes with ...

Inspired by the serene, reflective pools of light and color found in Tulum's famous cenotes, the Cenote vase is created by applying layered reactive glazes onto fine porcelain. DETA...

Inspired by the serene, reflective pools of light and color found in Tulum's famous cenotes, the Cenote vase is created by applying layered reactive glazes onto fine porcelain. DETA...

1990's Wedgwood Bizarre Sunray Meiping Vase by Clarice Cliff. From a Limited Edition of only 250. While not from the 1930s original production, this was done later approximately in the 1990s by Wedgwood. Hand painted...

Pair Antique Chinese Hand-Painted Porcelain Bud Vases are brilliantly painted to an amazingly realistic degree of artistry, depicting various species of garden plants and flowers. P...

“Untitled 73” by Laura Pasquino is a distinctive piece of art that embodies the essence of minimalistic sculpture and natural aesthetic. Handcrafted in Amsterdam, this black stonewar...

Untitled Black & White by Laura Pasquino is a remarkable example of contemporary ceramic art that embraces the beauty of imperfection. This unique vessel, handcrafted in Amsterdam is...

"Shadow 8" by Laura Pasquino is a striking black stoneware vessel that captures the essence of minimalistic and organic art. This handmade piece, created in Amsterdam, is crafted fro...

“Light 24” by Laura Pasquino is an exquisite white porcelain vessel, created exclusively for the exhibition “The Weight of Light” curated by Hum Gallery. This unique piece embodies P...

“Shadow 11” by Laura Pasquino is a unique black stoneware vessel, meticulously handcrafted in Amsterdam. This 2024 art piece exemplifies Pasquino’s dedication to minimalist design an...