Japanese Contemporary Blue Green Yellow Platinum Porcelain Vase by Master Artist

Exceptional Japanese contemporary decorative porcelain vase, platinum-gilded and hand painted signed porcelain vase in a stunning ovoid shape, a masterpiece by highly acclaimed maste...

Extraordinary contemporary Japanese museum-quality decorative porcelain vase, stunningly hand-painted in blue, green and orange on a gracefully shaped ...

Exceptional Japanese contemporary decorative porcelain vase, stunningly hand painted in yellow, green and blue, a signed piece by highly acclaimed master porcelain artist. The artist...

Exceptional contemporary Japanese decorative porcelain vase, hand painted in red and blue depicting a beautiful scene from old rural Japan, a signed masterpiece by highly acclaimed m...

"Emerald Whispers: Exceptional Celadon Green Japanese Cloisonne Enamel Vase" A very high quality Japanese, Meiji era, enamel vase. The vase has an amphora shaped body and a short f...

A large Japanese cloisonne enamel vase by Tamura This large high shouldered vase has a single stylized blossom against a spray of foliage within scalloped borders in shades of turqu...

An exquisite Ando Jubei wireless cloisonné vase. In his signature green enamel, portraying an intricate arabesque design of a blooming clematis vine under the glaze. On Musen-jippo b...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...