Meiji Ceramics

JAPANESE SATSUMA PROCESSIONAL VASE From our Japanese collection, we are delighted to introduce to the market this Japanese Satsuma Vase by Kinkozan. The vase with a compressed body ...

This is an exceptional and rare Satsuma earthenware urn or covered vase from the Japanese Meiji period (1868-1912). The clear, crackled glaze piece was crafted in Japan circa 1880. I...

A fine and monumental 19" Japanese Meiji period gilt Imari charger, circa 1890. This very impressive & unusual charger depicts six immortal poets or scribes set in a landscape surround by calligraphy scrolls and writing paraphernalia and tables with scholarly objects and teapots, to the center is a screen emblazoned with a Hoho phoenix type bird, the scene is contained in a geometric black border. The ground is fully gilt and decorated with an all-over repeating poly-chrome pattern, the rear of the charger is also finely hand-painted with four Japanese Mon devices and four floral panels. Condition is very good indeed, no damage or restoration, this very beautiful and rare antique Imari charger...

Antique Meiji period Japanese satsuma style moriage vase featuring a multicolored floral enamel design in bold relief framing two scen...

PAIR OF CUP AND SAUCERS BY KINKOZAN MEASUREMENTS Saucer 10.8cm Diameter x 1.5cm High (4.25 x 0.6 Inches) Cup 4.6cm High x 6.7cm Long x 5cm Wide (1.8 x 2.64 x 1.97 Inches) From our ...

Dai Nippon Tomoyama zo 大日本 友山造 From our Japanese collection we are delighted to introduce this unusual Japanese Satsuma Vase by Hozan. The Satsuma Vase of good size potted in ovoid ...

An outstanding, fine, antique Japanese Meiji Period (1868-1912) Satsuma Millefleur pottery bowl, by Hakusan, circa 1890. This outstanding Satsuma bowl is very finely handpainted & gi...

This is a good quality Japanese porcelain large plate or dish or charger with an Imari pattern, dating to the mid-late 19th century, Meiji period, circa 1870. The plate or charger...

Meiji Period Diminutive Satsuma Baluster Vase. This Japanese Satsuma vase from the late Meiji period is hand painted and gilt decorated with a Japanese landscape in exquisite detail...

A magnificent antique Japanese Meiji period Satsuma pottery moon flask vase, circa 1880. The vase is very skillfully hand-painted in polychrome enamels and gilt decoration, it is of ...

Meiji Period (1868-1912) From our Japanese collection, we are delighted to offer Japanese Meiji Period Satsuma Vases. The Satsuma Vase of hexagonal form with a slight waisted neck and tight rounded rim is extensively decorated with multiple figures to two large scenes. The first scene features a beach with waves to the background and a plethora of figures including multiple geisha holding traditional Japanese wagasa’s. The second scene follows on from the first with a large building in the foreground holding figures on a large platform under a pagoda roof with a pagoda building in the background and further figures in the foreground. The scenes are framed by a full detailed border with gilt shapes, flowers amongst pink shaded backgrounds and butterflies around the neck. The Satsuma Vase is unusually signed Fine Art, Satsuma Ware, Dai Nippon (Great Japan), Hattori Made, Gosuido Works, Taizan Painted. 美術, サツマヤキ(薩摩焼), 大日本, 服部造, 五スイ堂工, 對山画 and dates to the Meiji Period (1868-1912) and the turn of the 20th century circa 1905. Satsuma ware is a type of earthenware pottery originating from the Satsuma province in Southern Kyushu, Japan’s third largest island. Wagasa are traditional Japanese umbrellas made of washi paper attached to a bamboo frame and treated to ensure it is waterproof. Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era. Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...

Bulbous Form From our Japanese collection, we are delighted to offer this Japanese Meiji Period Satsuma Koro. The Japanese Satsuma Koro of round...

This is a very good quality Earthenware Japanese Satsuma vase, beautifully hand decorated and from the Meiji period, circa 1875. The vase has a he...

From our Japanese collection, we are delighted to offer this Japanese Meiji period Satsuma Bowl by Kinkozan. The earthenware bowl with pinched rim extensively decorated on both the exterior and interior. The bowl with a cobalt blue base glaze decorated to the borders with gilt shippo-tsunagi (linked-cash) with scattered medallion roundells. Around the exterior two elongated scenes are featured, one with boys playing games in a courtyard with the other featuring seated scholars in full dress both with raised enamel decoration. The interior features a central scene with Samurai warriors in training fully armoured with swords in a courtyard with landscapes scenes to the background. The central scene bordered by further stylised shippo-tsunagi type decoration with a greek key rim border. The bowl signed to the base Kinkozan dating to the Meiji Period (1868-1912) circa 1900. Shippo-Tsunagi (linked-cash) or seven treasures, is a traditional Japanese geometric pattern that combines four ellipses in a circle. These ellipses repeat outward to then create more circles, symbolising eternal peace and happiness. Kinkozan the Kinkozan family have been associated with pottery dating back to 1645. They went on to become the largest producer of Satsuma ware by one individual company, from the end of the 19th century until 1927 after which the factory closed. By the 1850s Kobayashi Sobei (1824-84), Kinkozan Sobei...

Taizan Yohei IX Style From our Japanese collection we are delighted to offer this pair of Japanese Satsuma Vases by Kinkozan. The Satsuma Vases of baluster shape made from earthenwa...

A very exquisite and elaborately detailed collectible antique hand made "A Thousand Faces" Japanese Satsuma earthenware pottery baluster shaped vase features intricately hand painted...

A rare and large Japanese Meiji period porcelain dish or charger. Japan, Late 19th – early 20th century. Why we like it Great scale combined with its traditional decoration make th...

A beautiful small Japanese Satsuma ginger jar vase, circa early-20th century, Japan. Colors include cream, copper, green, blue, white, black, orange...

IMARI - Antique hand painted & gilt decorated porcelain charger with lobed edge - Japan - late 19th/early 20th century. Excellent antique condition - no damage - no restoration - minor gilt loss - base rim chips possibly from a previous plate hanger...

Meiji period large Japanese Imari bowl centerpiece This large, distinctive, octagonal porcelain Imari bowl is painted in rich, inky blue, co...

A good and unusual pair antique Japanese Satsuma Meiji diamond shaped pottery vases decorated with monk figures with a scrolling dragon dating from the 1...

This captivating Meiji period (1868-1912) porcelain vase features a mesmerizing celadon glaze, with a subtle crackled texture. Exquisite details, meticulously hand-painted in vibrant...

A wonderfully glazed, impeccably made Chawan tea bowl by famed Japanese master potter the 13th Kichizaemon Raku, Seinyu (1887-1944) who was the eldest son of Konyu - the 12th Kichizaemon of the Raku family line of potters - known as the most noted and celebrated tradition of pottery within the world of Japanese tea. Kichizaemon Raku was the 13th master to carry on the family's esteemed name and tradition. The bowl features shifting textures and deep, rich colours which radiate in the light. The term "Raku" was derived from the site where clay was dug in Kyoto in the late 16th century. The Kanji character for Raku translates to "enjoyment" or "fun/delightful" For 15 generations it has been the title and seal used by a lineage of potters whose work formed the central tradition in Japan. This lineage believes that 'Raku' refers to the potters who use the technique, not the technique itself. In the 16th century, the first of these potters, Chojiro is said to have come under the patronage of the Japanese tea master, Sen-No-Rikyu. According to legend, in 1598 a few years after Chojiro's death, ruler, Hideyoshi Toyotomi bestowed upon his adopted son, Jokei, a golden seal with the written symbol "Raku." Both the name and the ceramic style have been passed down through the family to the present ever since. The name and the style of ware have become influential in both Japanese culture and literature. Raku ware marked an important point in the historical development of Japanese ceramics, as it was the first ware to use a seal mark and the first to focus on close collaboration between potter and patron. Other famous Japanese clay artists...

This exquisite miniature Satsuma porcelain cabinet vase, dating to the Meiji Era, is a masterful representation of Japanese artistry and craftsmanshi...

Japanese Meiji Period Satsuma large square bowl Antique early Meiji Period 15" square with scalloped rim Satsuma bowl. Highly unusual and finely painted. ...

A Japanese glazed ceramic tea bowl (chawan) in Gohon style likely made in Showa period of 20th century. Supported by a short foot ring with a notch, the bowl was made from coarse cla...

A Japanese ceramic Gohon tea bowl (Chawan) with a slightly irregular wall circa 18th century of Meiji Period. Supported by a high notched foot ring that was left unglazed, the chawan...

A beautiful Japanese Satsuma pottery studio vase featuring multiple kesa-clad enlightened Buddhist monks on each side of the vase. The piece is finely detailed with rich raised gilt highlights throughout and beautifully decorated in gold and various hand painted other colors. From the Meiji period (1868-1912). This piece has the all-important Shimazu Family crest mark (red circle with a cross inside) on the base authenticating the work as an old and original Satsumaware work. The mark shows the pottery was made under the rule of the Shimazu clan. From a Los Angeles Collection...

An unusually shaped ceramic chawan made by Kodai-ji Kiln in Kyoto circa 19th century of Meiji Period. The bowl has a rounded shape of a monk's alms bowl supported by a short foot rin...

This is a good and very decorative porcelain footed deep bowl, hand-painted in polychrome enamels and dating to the second half of the 19th century, circa 1860, Meiji period. The bo...

This is a good quality, hand decorated Japanese porcelain charger, large plate or bowl with an Imari pattern, dating to the late 19th centur...

From our recent Japanese Acquisition Travels- a big and lovely big 13 inch diameter hand painted bowl from Japan. Japan hard to find early hand painted ceramic lush "garden scene" serving bowl, circa 1910. Inside painting depicts elite individual with his attendants seated amidst a three some of cranes, plush patterns, foliage and seas. The exterior a dragon style...

A good pair of large antique Japanese Meiji period porcelain lidded jars, circa 1880. The jars having ribbed dome shaped lids topped with lion-dog (Komainu) finials, the baluster shaped jars also of corresponding ribbed form. The lids and jars are skillfully hand-decorated in the Imari palette with blue & iron red floral decoration over a white body, on one side are a pair of floral cartouches on another side is a fan shaped cartouche. Condition is very good indeed, no damage or restoration, a very handsome pair of 19th century Japanese Imari lidded jars...

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

This is a very decorative cloisonné small lidded jar, made in Japan and dating to the 19th century, early Meiji period, circa 1875 or possibly earlier...

This extraordinary 19th-century Meiji period Japanese Satsuma lotus-form bowl is an epitome of artistic mastery and cultural significance. Adorned meticulously with red and black koi...

A ceramic satsuma ware vase with very fine surface decoration made by Kinkozan circa 1880-1900s of late Meiji Period. The vase is of an elegant and relatively rare form with a trumpet shape body and the so-called garlic neck and opening. The surface is exquisitely decorated in a floral scheme with gilt and a light jewel-tone enamel. The top part showcases large bundles of wisteria blossom in white and purple, cascading down from a gilt wood trellis...

A fine antique Japanese Meiji period Kutani porcelain vase. By Matsumoto Sahei/Shoundo. In an aka-e style decorated throughout in iron red with extensive gilt accents. There are cartouches to either side both with branches of red flower with a backdrop of clouds on a white ground. With 2 figural dragon finial handles. Marked to the base with '九谷松雲堂製' which translates as 'Made by Shoundo of Kutani' Matsumoto Sahei (1851-1918) was a master potter who enjoyed success & recognition during his era. In 1876, Sahei received the artist name Shoundo from the nanga painter Tokuda Kansho - he would use that title for nearly 20 years until passing it onto his son as his successor in 1893. Sahei also has the distinction of taking Tokuda Yasokichi I as an apprentice when the latter was 17-years-old. The Tokuda family is perhaps one of the most famous families of Japanese ceramics: Yasokichi I is credited with revitalizing the lost art of ko-Kutani and Yasokichi I, II, & III were all recognized as "Living National Treasures" during their lifetimes. Shoundo exhibited internationally numerous times at the tail end of the 19th Century. The Keisei Isogaya Museum of Art (which specializes in Meiji Kutani) has a vase of Sahei's that was exhibited in the Philadelphia Centennial Exhibition of 1876. He is listed as exhibiting a wide variety of porcelain goods at the 1878, 1889, and 1900 Paris World Exhibitions. He is also listed as exhibiting 'incense burners & porcelain' at the World's Columbian Exhibition held in 1893 in Chicago. The pair of vases that Sahei exhibited in Paris in 1900 bear a strong resemblance to this pair. Simply a wonderfully rare Japanese porcelain...

A fine pair of monumental antique Japanese Satsuma vases with stands, circa 1900. The vases having an ivory background and are finely gilded & handpainted with enamels of Samurai wa...

A pair of Japanese cloisonné enamel vases. Meiji era Japan (1867-1912), a period marked by rapid transformation of Japanese traditional society into a global power. The period of gro...

Extraordinary Japanese contemporary museum-quality decorative porcelain vase, painstakingly intricately hand painted in blue underglaze on an elegantly shaped ovoid porcelain body, a...

A very fine antique Japanese Meiji period Satsuma pottery bowl, circa 1890. The bowl having a lobed rim and finely decorated & gilt to the outside with a 'thousand flowers' decoratio...

Large Meiji Period Imari Floral Charger, by Fukagawa Japan, 1900s, Impressed Mark This striking large Imari floral charger, made by the renowned Fukag...

This finely crafted miniature Satsuma porcelain cabinet vase dates to the Meiji Era and exemplifies the meticulous artistry of Japanese ceramic tradi...

A fine set of 4 Japanese Imari porcelain bowls Each decorated throughout with kaikemon blue, red, and green natural scenes and extensive gilding. Marked to the base with a blue underglaze maker's mark for Kakufuku. Simply a fine set of Japanese rice bowls...

An impressive and large Japanese Imari bowl with a golden spotted hare or rabbit, early Meiji Period (1864 to 1912), mid 19th century, Japan The fantastic Imari bowl featuring a c...

An unusual antique Japanese Imari shallow porcelain dish hand painted with two scrolling ladies with flowing garments and ribbons floating amidst clouds and finely decorated in brigh...

Exceptional and large Satsuma vase with cover with foo dog finial, finely enameled and gilt. Drilled apparently for use previously as table lamp. Firing crack to the lid, otherwise...

This Japanese porcelain vase is barrel shaped with a yolk handle. It is both finely and intricately hand painted. It pictures groups of scholars with scrolls dressed in elaborate brocade kimonos...

A fine large antique Japanese Meiji porcelain bowl. With a white ground and extensively gilt throughout. Primarily decorated in red, blue, and gold with bits of green, brown, and ...

A staple repaired Japanese Imari punch bowl, Meiji period, late 19th century. 14 ¾ inches wide by 6 ¼ inches tall

A Japanese Meiji period Igezara transferware plate from the late 19th century, with phoenix and foliage motifs. Created in Japan during the Meiji era, this Igezara transferware plate...

18 Inch Japanese Imari Charger - very large and decorative. The mixed illustrative painted scenes are with great pattern and texture, and mixed with floral and organic images of blos...

With cobalt blue decorated neck and base band. Large oval shaped panels on two sides featuring an amusing scene with rust tone and white foo lions in a river landscape looking back t...

Antique Meiji period Wucai style hand painted porcelain jar and cover - featuring flowering branches of multicolor blossoms and leaves - all on a white ground with pale blue rim to t...

These are a very decorative pair of cloisonné vases, made in Japan and dating to the 19th Meiji Period, circa 1875. The vases have a good baluster shape with a circular form. They...

A beautifully shaped, glazed (a lava crater glaze reminiscent of such modern western potters as Beatrice Wood, Glenn Lukens and Otto and Gertrud Natzler), and complexly textured Tamb...

Monumental Japanese Lidded Vase In Kutani Porcelain Meiji Period Late 1800s red ground with rich gold decoration of flowers, birds and people within reserves. 94 cm tall this imposin...