Japanese Contemporary Blue Orange Porcelain Vase by Master Artist

Japanese contemporary decorative porcelain vase, hand painted in blue, green and orange on a beautifully shaped porcelain body, a signed piece by highly acclaimed porcelain artist of...

Contemporary dimpled platinum-gilded decorative porcelain vase, an exquisite piece crafted, hand painted and signed by a highly acclaimed porcelain artist of Japan’s Imari-Arita regi...

Extraordinary Japanese contemporary decorative porcelain vase, painstakingly intricately gilded and hand painted in a mesmerizing deep blue in various shades on a stunning globular b...

Contemporary Japanese porcelain decorative vase, extremely intricately hand painted in underglaze cobalt blue on an elegant shape porcelain body, a stunning signed piece by widely ac...

Amazing piece with beautiful decoration in different kind of panels. Visible are birds, flowers, objects and a cart. High quality painting. Additional information: Material: Porcela...

A vintage Arita Japanese style tall porcelain vase, with hand painted decor. This vintage Arita Japanese style tall vase enchants with its refined shape and exquisite hand-painted dé...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

A Showa period blue cloisonne vase by Tamura, of squat ovoid form with a band of gold, silver and white prunus blossom in gin-bari around the shoul...