Japanese Contemporary Blued Pink Porcelain Vase by Master Artist, 3

Exquisite contemporary Japanese gilded porcelain vase, intricately hand painted in shades of blue and pink on a beautifully shaped body, a striking signed work by highly acclaimed master artist from Arita-Imari region of Japan. In 2016, the British Museum added a work by this award-winning artist to its collection of contemporary Japanese porcelain in the Imari-Arita polychrome enamel tradition. Yu-riko or underglaze-red that is used in creating this piece is a technique that uses a copper-based colorant for underglaze painting that develops a red color under a transparent glaze. This technique is traced back to 14th century China...

Exquisite Japanese contemporary decorative porcelain vase, elaborately and intricately hand-painted in blue and pink on a beautifully shaped piece to create a translucent surface. It...

Exquisite Japanese contemporary decorative porcelain vase, extremely intricately gilded and hand painted on a beautifully shaped ovoid body in fine porcelain in different shades of b...

Exceptional Japanese contemporary decorative porcelain vase, extremely intricately gilded and hand painted on a beautifully shaped ovoid porcelain body in various shades of blue and ...

Antique Chinese (early 20th Century) blue vase with purple and pink glazing that creates an ethereal effect across its pear-shaped form. Condition: Good; Wear consistent with age an...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

Very nice vase, high quality. Innovative Crystalline glaze used in Shiwan in the 1970's/1980's. A true masterpiece. This is the antique of the future. Provenance: Bought in the 80's...

Very nice vase, high quality. Innovative Crystalline glaze used in Shiwan in the 1970's/1980's. A true masterpiece. This is the antique of the future. Provenance: Bought in the 80's...