Japanese Contemporary Green White Blue Porcelain Vase by Master Artist Duo

Exquisite contemporary Japanese decorative Porcelain vase, intricately gilded and hand painted in hues of red, blue and green on a striking ovoid body, a signed work by highly acclai...

Unique contemporary Japanese porcelain decorative vase, extremely intricately hand painted in an auspicious karakusa pattern in underglaze blue and white with some green , depicting scenes from Japan's countryside showcased on two cartouches , a signed piece by highly acclaimed Japanese master porcelain artist in Imari-Arita tradition of Japan. In 2016, the British Museum added a work by this artist to its collection of contemporary Japanese porcelain, a large lidded jar...

Elegant contemporary Japanese decorative porcelain vase, hand painted in green, blue, red and gold on a beautifully shaped porcelain body, a signed work by highly acclaimed award-win...

Elegant Japanese decorative porcelain vase, intricately hand painted on an ovoid body in iron-red and rich blue and green, a signed work by highly acclaimed master porcelain artist a...

"Emerald Whispers: Exceptional Celadon Green Japanese Cloisonne Enamel Vase" A very high quality Japanese, Meiji era, enamel vase. The vase has an amphora shaped body and a short f...

This is a very good quality Earthenware Japanese Satsuma vase, beautifully hand decorated and from the Meiji period, circa 1875. The vase has a he...

Signed Kinkozan 金光山 From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase by Kinkozan. The vase is potted in globular form with a tightly pinched neck and rolled top rim beautifully decorated with four highly detailed individual panelled scenes. The first a Geisha baring a gilt basket with her child playing with a fan infant of a gilt fence encompassing blossoming foliage and bamboo plants. The second scene depicts two birds, a Red Headed Japanese Wood Pigeon and a white dove in the foreground with a similar gilt fence with blossoming kiku flowers (chrysanthemums). The third scene is painted as a bustling village community with multiple figures going about their daily jobs, a central Palanquins can be seen with two figures carrying a seating figure. To the background a mountainous river landscape can viewed bordering the top left corner. The final scene appears similar to the opposing one with birds swooping high above a polychrome Japanese...

Japanese Kinkozan Gilt and Enameled Blue-Ground Vase, Meiji Period (circa 1900), GILT MARK WITHIN A SQUARE, of compressed baluster form with short everted neck, decorated with rectan...