Large Pair of Antique Japanese Satsuma Vases, Circa 1870 – Symbols of Eternity

A charming pair of Paris porcelain vases with elegant flower moulded handles, the body hand-painted with lake views of Lac Léman, the cartouches framed by ga...

A large pair of Berlin porcelain urn-shaped vases and lids circa 1880, on a royal blue background, with hand-painted cartouches of pastoral scenes after Watteau.

A pair of antique French Sèvres vases dating from the Napoleon III era. Decorated in the eighteenth century style with its blue enamel body and highlighted in gold leaf with hand e...

A Regency style pair of Paris porcelain vases with delightful hand-painted panels of pastoral children's scenes, surrounded by encrusted flowers on a gilded base. The latice worked n...

A gorgeous pair of Japanese earthenware Satsuma vases, hand-painted, Meiji period, circa early-20th century, Japan. Vases' beautiful decoration is high-quality, hand-painted, and ext...

Quality large antique Japanese Satsuma vase, having a quality antique Japanese Satsuma vase decorated with figures bordered by patterns in wonderful brown, white, red and gold colour...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

Large pair of antique Japanese imperial vases from the 19th century