Very large Neo-Renaissance Brass Ewer, 1880

Lacquered papier -maché vase ,Kashmir,19th c." A baluster vase with a flared neck, in painted and lacquered papier-mâché, decorated in polychrome and gold with a complex and varied floral design. Minor damage to the base. Modern base The papier-mâché technique was first adopted in Kashmir in the 14th century by Mir Sayyid Ali Hamadani, a Sufi mystic, who came to Kashmir during the late 14th century along with his followers, many of whom were craftsmen. These craftsmen used hand-made paper pulp from Iran. Kashmir papier-mâché has been used to manufacture boxes (small and big), bowls, trays, étagères, useful and decorative items, models, birds and animals, vases, lights, corporate gifts...

Brass incense burner with openwork decoration of interlacing, scrolls and foliage. Four registers on the body depict zoomorphic and anthropomorphic patterns. The base has been re-ass...

Hûkka, hookah base, in black steel with floral decoration in silver inlay. Persia or North India, 19th c. The top part is missing.

Large vase of Richard BURGSTHAL, French master glassmaker, of his true name Rene BILLA. From 1912, after meeting Gustave Fayet, he settled in Bièvres and developed his own furnace, u...

Signed F. Barbedienne & Cie Height : 31,5 cm (12,4 in.) ; Width : 12 cm (4,7 in.) ; Depth : 10,5 cm (4,1 in.) Charming baluster-shaped ewer in gilded bronze decorated with red and blue polychrome cloisonné enamel. Two beaded handles connect the body to the slender neck, ending in a flared pouring spout, and it rests on a circular piedouche. The whole is decorated with abundant engraved decoration of foliage interlacing. Barbedienne and the Cloisonné enamel : Ferdinand Barbedienne continuously innovated and he revived the use of enamel on art works during the second half of the 19th century. The Sèvres Manufacture enamel workshop had ever tried it in 1854-1855, but Barbedienne was the one who succeeded to join enamel to an industrial decorative objects production. From 1858 “At Mr Barbedienne’s, enamels in copper ornaments have got their former prestige back” (Les bronzes de la Maison Barbedienne, C. Simon, in L’Art du XIXe siècle, 1858, n°21, p. 252). The Barbedienne Company had now an enamel workshop where objects ornamented with oriental style or medieval style enamels were made. Four years after, Barbedienne’s cloisonné...

This very large Bronze ewer is finely cast and has many areas of after casting hand chasing and deeply sculpted details. Done in the Renaissance revival style most associated with th...

Art Nouveau solid gilt bronze and parcel brass decorative Ewer richly ornate, Spain, circa 1900-1910. Measures: Height 15.75 in (40 cm) Width 5.15...

Renaissance jug from the XIX century. Jug in patinated and gilded bronze with work in relief allegory to astronomy. Measures: 60 cm high Good condition.