Rupert Deese California Art Pottery 1960 Bowl

A rare 1960s Italian turquoise blue and white enamel, bronze vase by Studio Del Campo. Signed.

A large enamel center bowl by famed Mid Century Italian design firm, Studio Del Campo. Signed . More of kiln fire mark to one side but doesn’t distract from its beauty.

A extra large unique and rare design by the famed Italian artist of Studio Del Campo. The 1980s geometric abstract design is done is shades of blue, purple,gray, and yellow. Signed. Biography: Studio Del Campo in Turin, Italy (1957-1998), was a collaborative name shared by craftsmen-artists Virgilio Bari...

A French 1970s Gold and bronze clam shell center peice sculpture with three large quartz and amethyst crystal clusters. Signed Biography: Claude Boeltz was born in Paris in 1937. The fourth generation in a line of artists, from his early childhood Boeltz was interested in disciplines as far ranging as sculpture, painting, ceramics, architecture, and blacksmithing. From the very start he was fascinated by what would become life long inspirations—anatomy and geology. His first apprenticeship was with the sculptor Henri Molins, which was followed by apprenticeships at the prominent Susse and Houdot foundries. His last was with Soudoun, under whose tutelage he was honored with the national “Best Worker in France” award. During these apprenticeships Boeltz took night classes at the Boule School, the Gambetta School, and at the Academy of Art in Paris. He would eventually take degrees from all three. On Sundays he went to museums, particularly the Louvre, where he sought out work in the Louis XIII - Louis XVI styles. He also spent long hours in study of the many artists he admired, such as Bersus, Meunier, Giacometti, Ponpon, Chipparus, Dali, Dajou, and Ruhlman. After these apprenticeships he tried to establish himself in the Riviera, where he befriended, and briefly collaborated with Picasso. Boeltz’s time in this vibrant community was, however, cut short—in the early 1960s he was called into the French military. While on tour in the Sahara he carved miniatures, and would carry them in his baggage from base to base. One that survived—a replica of the Arc d’triumph—was later offered to President Eisenhower on behalf of the French Army. Upon leaving the service Boeltz established a foundry in the Loire, and by the late 1960s his work, now enormously popular, was shown all over Europe. In the early 1970s he met the sculptor Cesar. The famous sculptor’s “compression” pieces inspired Boeltz to create the work for which he would soon become best known. Boeltz’s “exploded” bronze works were pieces plated with 24 karat gold made to look like liquid gold crystalized an instant after explosion. Boeltz augmented this unique medium with vibrant details, often with African emeralds, but with other stones or unusual materials as well. In his famous Cleopatra, dedicated to Elizabeth Taylor and installed in Georve V hotel in Paris, the artist employed metacrylite as a base and for its veil. The immediate success of these “exploded” works allowed Boeltz to build two foundries devoted largely to their creation, one in the Faubourg St. Honore’ in Paris, and the other in Fontenay Sous Bois. “Exploded” works from the foundries were presented and sold at Fred’s Jewelers...

Handcrafted beautifully glazed Mid-Century Modern curved bowl, Ashtray or catchall by California master ceramist Rupert J Deese. Signed with Deese's cipher stamp and sticker on the b...

Very interesting, rare Bohemian glass bowl. Colourful glass bowl with bubbles. The bowl is approximately 16,5 cm (6.5 inch) high (at the highest poin...

This large and striking bowl by Masuo Ojima (b 1949) has a beautiful deep emerald green glaze on the exterior and gunmetal on the interior. The wonderful physical presence makes it a...

A chic round off-white/antique white 'woven' 'wicker' pottery centerpiece bowl with soft edge, circa late-20th century to the early aughts. Beautiful as a standalone piece or fill wi...