Woven Chalice, a Unique clear Glass Centrepiece / Sculpture by Cathryn Shilling

'Concordance I' is a unique sculpture by the British artist, Cathryn Shilling, created from kiln-formed fused glass with Nickel Chromium. Appearing as if woven from canes of shimmer...

Odysseus, is a unique black glass sculpture by the British artist Cathryn Shilling. A handblown and free-form shaped glass sculpture with 'glass fabric' decoration worked onto the glass body while hot. A spectacular fusion of blown and kiln formed glass techniques incorporating Cathryn Shilling's signature woven glass. With her Cloaked Collection, Shilling takes mythical tragic figures as her inspiration. This piece is based on Odysseus. Cathryn Shilling began her arts career as a graphic designer but went on to study glass after moving to Connecticut with her family. On returning to the UK she studied kiln-formed glass at Kensington and Chelsea College and blown glass with Peter Layton at the London Glassblowing Workshop. She set up studio in London in 2007 from where she has gone on to create a huge body and variety of work. Shilling experiments with colour and technique to produce beautiful one off sculptures. Her innovative pieces push the glass beyond our usual comfort zones. With some sculptures, glass rods are woven together like fabric, mimicking the flexibility and movement of cloth. The apparent frailty of the glass is balanced by the strong dynamic forms, differing levels of light picking out layers of colour. With other works, bubbles are trapped in swathes of watery hues. Her colour palette and choice of forms are very much informed by the various natural states in which water is found: icebergs, waterfalls and whirlpools for example. Shilling’s work has been collected and widely exhibited internationally including: Ireland Glass Biennale 2019 at Dublin Castle The 3rd Session of China·Hejian Craft Glass Design & Creation Exhibition and Competition, Ming Shangde Glass Museum, Cangzhou City, Hebei Province, China 2019 TACTILE at Glazenhuis, Lommel, Belgium New Aquisitions 2017 at Glasmuseum Lette, Coesfield, Germany Peter Bremers...

'Concordance II' is a unique sculpture by the British artist, Cathryn Shilling, created from kiln-formed fused glass with Nickel Chromium. Appearing as if woven from canes of shimme...

Common Ray Honey Caramel is a unique handblown and crafted vase & artwork / bowl / centrepiece by the German artist, Sabine Lintzen. The initial inner form is free-blown and adorned ...

Shizé S “The centerpiece draw its inspiration from Nature. The irregular shape of Shizè comes from the stones found in rivers.” Like a big rock sitting on furnishings in the home, this container has a soft, organic form. And it plays with the contrast between the ample size of the woven wicker part and the leather-clad plate that rests on the rim of the vessel. Complex in the making due to the asymmetrical form, and for the so called “passatemorte”, passages where the strand does not complete its circuit. Use and maintenance All the items are made with raw materials and are guaranteed for interiors. If it is necessary, they can also be installed outdoors as long as they are sufficiently protected from atmospheric agents and not directly exposed to the sunlight or water, in spaces like verandas, gazebos, arcades or protected spaces. The raw materials used for weavings could be not extremely homogeneous due to different physical properties and the items could have dimensions a bit different from descriptions listed in this document. The colors could change for the same reasons. Those features are the demonstration of authenticity of each product that is unique and handcrafted in Italy by Mogliano’s masters. Woven wicker is extremely resistant over the years, if it is stored in a dry place and without excessive temperature changes, and it could also change color or nuances due to its sunlight exposure based-on nature. The weaving by the craftsman is performed with soft and wet material, and the material dries naturally with the passage of time losing its elasticity. For this reason, avoid excessive pressures, overloads of heavy weights or impacts. The bases or wooden parts are entirely in solid wood: with the aging they could change in size and present natural micro-cracks. Avoid direct and long exposure to the sun, completely avoid wetting. About the lamp usage, in normal condition the items don’t require special maintenance. Technicals About item technical details and bulbs specifications, please refer to the technical data sheets. Cleaning Use a soft cloth for cleaning. Don’t use any chemicals, acids, scourers or steel brushes. The base in natural wood must be cleaned and dusted using a soft cloth, even slightly damp. Immediately wipe again with a soft, dry cloth. For lamps cleaning, unplug the appliance from electric power...

Unique centrepiece in green handblown glass, Belgium 1970s A unique translucent centrepiece made in Belgium in the 1970s This large scale hand blown glass bowl is of a beautiful gre...

21st century clear crystal with flower hand-cut centrepiece and base in silver patinated bronze. Each object is handcrafted and the care for every detail makes each item unique in it...

19th century gilt centrepiece with cut-glass insert. This piece has a makers stamp on the bottom but we can't make out who the maker is. It is most like Austrian or German.