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Pierrefonds French Crystalline Ceramic Handled Double Spouted Water Jug

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Antique French Glazed Terracotta Water Spout Jug - Authentic Southern France
Located in London, GB
Antique French Glazed Terracotta Water Spout Jug - Authentic Southern France This rare antique French glazed terracotta water spout handle jug is a unique and authentic piece from ...
Category

Antique 19th Century French French Provincial Pottery

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Clay

1930’s Belgium Ceramic Basket Casserole with Vegetable and Mushroom Lid
Located in London, GB
A wonderful Casserole bowl or dish with integral lid, produced in Belgium, circa 1930. A ‘Tellurite’ model number -1125- lidded tureen with basket weave sides in rich, deep earth ton...
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Vintage 1930s Belgian Pottery

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Ceramic, Pottery

Art Deco Gustavsberg Argenta Ceramic Plate with Silver Inlay by Wilhelm Kåge
By Wilhelm Kage, Gustavberg
Located in London, GB
This wonderful Art Deco plate or shallow bowl made in Sweden 1930s at Gustavsberg factory, was designed by the painter and ceramicist Wilhelm Kåge. The name Argenta comes from the La...
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Vintage 1930s Swedish Art Deco Pottery

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Silver

Pair of Large English Ceramic Cavalier King Charles Spaniels Staffordshire Style
By Staffordshire
Located in London, GB
A large pair of English Staffordshire style ceramic figures of orange and white seated spaniel dogs with gold chain leashes. Their two front legs are separated, a more delicate, ther...
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20th Century British Victorian Animal Sculptures

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19th Century Oversized Twin-Handled Dairy Jug – English Heritage Craftsmanship
Located in London, GB
19th Century Oversized Twin-Handled Dairy Jug – English Heritage Craftsmanship --- This wonderful oversized twin-handled 19th-century dairy jug embodies th...
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Antique 1890s English Country Garniture

Materials

Clay, Terracotta

Scandinavian Modern Swedish Bowl by Carl Harry Stalhane and Maker Rorstrand
By Rörstrand, Carl-Harry Stålhane
Located in London, GB
Swedish ceramic artist Carl-Harry Stålhane (1920- 1990) played a major role in popularizing Swedish pottery during the 20th century, working for more than three decades at Rörstrand, one of the oldest ceramics manufacturers in Europe. During his long tenure at Rörstrand, Stålhane was responsible for small-batch studio pieces, mass-produced tableware , and all manner of decorative accessories . Born in 1920 in Mariestad, Sweden, Stålhane began working at Rörstrand in 1939 as a decorative painter, assisting Danish-Finnish ceramic artist, designer, and sculptor Gunnar Nylund (1904-1997). During this time, Stålhane decorated various ceramic pieces, most notably Nylund’s Flambé range (1939s), quickly establishing himself as a talented ceramic artist. Inspired by the desire for new products during the postwar economic boom, Stålhane went from being a talented decorator to an exceptional ceramic artist. In 1943, Stålhane caught the eye of Swedish artist Isaac Grünewald (1889-1946), who was visiting Rörstrand. Grünewald was so impressed with Stålhane’s work that he took him on as a student, and from 1943 to 1946, Stålhane studied art at Grünewald's Art School in Stockholm. Subsequently from 1947 until 1948, he studied sculpture at Académie Colarossi in Paris. During the 1950s, Stålhane’s work appeared in several solo exhibitions in Sweden, the United Kingdom, and the United States. His Blanca Tableware range (c. 1955) won numerous international prizes and was in high-demand. In 1958, Stålhane succeeded Nylund as Artistic Director and Chief Designer at Rörstrand. In 1960, Stålhane unveiled a new collection at Stockholm’s Galerie Blanche. Featuring dark stoneware pieces made from local clays, this collection represented a bold departure from the soft, restrained shapes of the 1950s. It has since been praised for its precient aesthetic that would influence the look of ceramics for more than a decade. From 1963 until 1971, Stålhane taught ceramics at the Art Industrial School in Gothenburg. For a short time, he also was the Design Director at the Swedish factory Upsala Ekeby, which in addition to porcelain, produced tile, brick, and glass. Stålhane eventually left Rörstrand in 1973 in order to establish his own ceramic company, Designhuset, in Lidköping, where he further experimented with local clays and minerals. Stålhane continued to work until his death in 1990. Today, Designhuset is a school for ceramists and model-makers. Over the course of his career, Stålhane created several public works for The Commerce Trust Company in Kansas City, Missouri, and for Volvo in Gothenburg, Sweden. His work is represented at several international museums, including Stockholm’s Nationalmuseum and New York’s MoMA. Rörstrand is the second oldest brand of ceramics in Europe and can be found in homes all across Sweden and Europe. Rörstrand’s long legacy includes some of Europe’s most iconic ceramics collections including Swedish Grace, Mon Amie, Ostindia, Filippa...
Category

Vintage 1950s Swedish Scandinavian Modern Ceramics

Materials

Ceramic, Stoneware, Pottery

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