Vintage Swiss Plate Unique Piece by "Costa Ceramiche d'Arte"

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Round Murano glass empty pockets (or tray); the design is essential but well-proportioned and elegant; pleasingly aesthetic is the effect of the two colors that artisans have managed to achieve with skill and mastery. This object was made by Murano masters using the technique of "incamiciatura," which consists of superimposing, as an initial process, on the glass mass that came out of the furnace, one or more successive layers of glass of different colors; in our object to the light blue, almost transparent glass mass, only the blue color was superimposed by immersing the white form just sketched in a crucible containing the blue molten glass. Then the Master glassmaker put the whole thing back in the furnace for a few minutes and then blew into the special barrel, helping himself with pliers and working it by hand he gave the pot emptier the desired shape shaping also the central decoration, even adding a thread of blue glass all along the edge, this operation was done flat, therefore much more difficult to make the two colors blend, the object was made entirely by hand and without the use of molds or models, thus creating a unique piece, just like a work of art. The earliest records of this technique concern Benedetto Barbaria, who in 1815 made "glass blown in two layers of enamel.". The object was created between 1970 and 1973 in Murano (Venice-Italy). As can be seen from the engraving on the rim, the pocket blank is a limited edition item; it is No. 34 of 150 pieces made, which, being all handmade, show differences from one another. Unfortunately, we cannot decipher the name of the design that created it for the Murano company Effe Due...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Large...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Iconi...

We kindly suggest that you read the whole description, as we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Massive and d...

Ceramic plate decorated with a rooster. Signed under the plate. French work, circa 1950.

Robert Picault (1919 - 2000) French ceramist in Vallauris Robert Picault has contributed to the revival of culinary ceramics by updating traditional local forms decorated with lines and geometric designs. His identity style has been a great success and continues to decorate the table today. His personal pieces are sought after by art collectors. A former student of the School of Applied Arts in Paris, Robert Picault arrived in Vallauris in 1946. He created with his school friends Roger Capron (1922-2006) and Jean Derval (1925-2010), the Callis workshop. In this village of a hundred potters, they met the neighboring ceramists André Baud...

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