Dino Martens par Aureliano Toso Murano glass circa 1950

Incredible multicolor vase with applied glass attributed to Dino Martens 1950 fazzoleto model.

Incredible Murano vase by Dino Martens to Aureliano Toso 1950.

Incredible pichet/vase by Dino Martens for Aureliano Toso 1950. Original and fantastic.

Incredible Murano multiopalined vase with hole in the center.

This piece is a testament to the artistry and innovation that define "Sommerso Murano Glass". The renowned Flavio Poli, showcasing his mastery of the technique for the Seguso Vetri ...

Dino Martens vase Murano glass Murrine 1950 Italy.

Oriente vase designed by Dino Martens for Aureliano Toso circa 1970s-80s Cased glass with bold and colorful interior patchwork Sprinkled copper aventurina...

Murano. With silver applications. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...