Hispano-Moresque Copper-Lustre Charger, circa 1550

An exquisite Chinese late Kangxi period (1661 - 1722) blue and white porcelain charger of large size made for export to Europe, of circular form with raised convex central roundel pa...

A museum calibre circa 1610 blue and white Chinese 'Kraak' charger or shallow bowl of massive scale, the round cavetto molded body with slightly scalloped flat rim boldly and exquisitely painted in vibrant underglaze blue with flowering peach, peony, and scroll-filled basket with protruding roots on a fenced terrace within an eight pointed scalloped medallion with ruyi-heads separating panels of starburst-lattice and fish-roe diaper, the rim with Rinaldi 'Border VII.2' having eight radiating panels filled with peach-sprays and auspicious symbols alternating with narrow swastika and tassel panels, the reverse painted with large 'ogival' or round panels with fungus and dots alternating with narrow panels containing stylized lingzhi motifs. An exceptionally fine example with the added rarity of an intact period (likely trader's or merchant's) wax seal. According to Hans van Baarsen...

Late English Regency / Early Victorian period, circa 1840, upholstered slipper chair having high back tapering into shaped seat on front tapering spiral twist-turned rosewood legs an...

Charcoal and chalk portrait drawing on card by renowned Dutch painter Caspar Netscher (Heidelberg/Prague 1639-1684 The Hague) depicting a lady of means...

Large Hispano Moresque plate 46cms diameter in excellent condition

Hispano Moresque with some blue decoration and in excellent condition c1600 size 33cms diameter Year: Mid 17th century

Abstract glaze design on this large hand crafted plate.

A fantastic and rare ceramic charger by Eugenio Pattarino. Vibrant red color and Classic Italian Mid-Century style is represented very well in this piece. Eugenio Pattarino was born in 1885 and passed away in 1971. He was a master sculptor and model maker and taught in art schools in both Venice and Frankfort, Germany. In the late 1940s he opened his own studio in Florence. His factory used both “EPF” and “CAPEF” (Artistic Ceramics Professor Eugene Pattarino) to mark his pieces. His studio is best known for its large religious statutes, many of which reside in a number of churches in Italy and the U.S. In the 1950s Pattarino had more than fifty artists working for him and some among them were considered the best ceramists in Italy. At this time Eugenio was joined by his son, Ranier, and the company began concentrating on more eclectic themes. These pieces, when new, were quite expensive when they were purchased but almost never garner anywhere near their original cost at today's auctions. The factory claimed that the Vatican used Pattarino’s ceramics as gifts to famous visitors, including President John Kennedy, Andre Gide and Paul Sartre. Unfortunately there is no proof to back these claims. As a matter of fact I have discovered that the Pattarino name is almost generally unknown in Italy and even lesser known in Florence. His name is, however, recognized here in the United States and most of the factory’s output can be found in the U.S. where it was imported. In November 1966 the Arno River flooded its bank and inundated most of Florence. Work to restore damaged art...