Small Antique Bowl from Okinawa, Japan / Late 19th Century / "Tsuboya ware"

This is Hagi ware made in the middle of the Edo period. Hagi ware is a type of pottery that began in Hagi City, Yamaguchi Prefecture in the early Edo period...

This is a Seto ware tea bowl made in Japan from the late Edo period to the Meiji period (late 19th to early 20th century). Seto is a kiln with a long history in Aichi Prefecture, Jap...

We have a unique Japanese aesthetic sense. And only we can introduce unique items through our purchasing channels in Japan and the experience we have gained so far, in such a way that no one else can imitate. It is speculated that this pottery was fired in the Shodai kiln in Kumamoto Prefecture during the Edo period, around the 18th century to the first half of the 19th century. It is characterized by the use of iron-rich clay and the appearance of a white glaze that looks like falling snow. As a feature, using clay with a lot of iron, It is characterized by a white glaze that looks like snow. This vessel is made with two types of glaze. One is straw ash glaze and the other is rice husk ash glaze. This rice husk ash glaze changes to a white glaze. This pot is very beautiful with a petal-like rim. However, there is one spot where the crack has been repaired. The part marked with a red arrow has been broken once, but it seems to have been glued later. Therefore, it will not leak even if you put water in it. It's not very noticeable so I wouldn't worry about it. This Shodai ware was made in Kumamoto Prefecture and was used there, so there are not many items in Japan. It is a rare item. Also, a wooden box is included, but it says "Karatsu ware...

A bowl with a beautiful white glaze. Probably made in the Showa period (1926-1970). The decagonal shape gives a tighter impression than the circular shape. It is nice to use it ...

A fine and elegant Japanese Satsuma tripod incense burner, koro, with pierced metal lid, signed Eizan (?) Meiji Period, late 19th century, Japan. The koro, or censer, features a stoneware body of slightly compressed globular form, supported on three short and squat legs. The wide mouth with a recessed metal rim, and topped by an openwork metal lid topped with overlapping chrysanthemum blossoms of silver repousse. The body of the koro finely painted with fan shaped cartouches. The fans in the foreground with sprays of blossoming chrysanthemum. The fans in the background with intricate geometric brocade designs. The shoulder of the incense burner decorated with cartouches formed as stylized chrysanthemum petals, and intricately decorated with geometric and floral brocade designs. The painting finely done in raised gilt and polychrome enamels, including the highly desirable gosu blue...

A fine Japanese Satsuma stoneware incense burner, koro, Meiji Period, late 19th century, Japan. The koro of square shape with curved sides,...

A large, heavy and uniquely shaped Japanese cast iron teapot tetsubin without top. Likely late 19th-early 20th century. From a collecti...

An antique canopy bed from Shanxi province made of Elm wood. This bed has all the attention focused on the front carvings while keeping a very simpl...