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Large Round Silver Gilded Guilloche-Enamel Box by David Anderson, Norway

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Money Box Piggy Bank Silver 830 Art Deco Jacob Grimminger Germany made 1930
By Jacob Grimminger
Located in Vienna, AT
German silver money box or piggy bank  manufactured during first quarter of 20th century / made circa 1930 Excellently made Art Deco money box (pi...
Category

Vintage 1930s German Art Deco Sterling Silver

Materials

Silver

Art Nouveau Silver Sugar Box, by Joaef B. Gedlitzka's Sons, Vienna Circa 1900
By Viennese Manufactory
Located in Vienna, AT
Art Nouveau sugar bowl of oval, rounded form, standing on four rocaille feet, rocaille decoration in relief on the wall and hinged lid, sculpted...
Category

Antique Early 1900s Austrian Art Nouveau Sterling Silver

Materials

Silver

Large Art Nouveau Silver Centerpiece on Columns, by Bruckmann & Sons, Germany
By Bruckmann & Söhne
Located in Vienna, AT
Representative elegant silver jardinière on oval, fluted stepped base, bordered by palmette bands, on top arranged in a lozenge four slender, fluted columns with Corinthian-like fanc...
Category

Antique Early 1900s German Art Nouveau Sterling Silver

Materials

Silver

Large Silver Tankard With Lion Figures, by Johannes Siggaard, Denmark, 1940
Located in Vienna, AT
A large silver tankard of basic cylindrical form, standing on three feet in the shape of seated crowned lions with their forelegs resting on spheres, floral relief decoration to the ...
Category

Vintage 1940s Danish Art Nouveau Sterling Silver

Materials

Silver

Magnificent Large Art Nouveau Silver Centerpiece, by J.C. Klinkosch Vienna, 1884
By Josef Carl Klinkosch
Located in Vienna, AT
Large magnificent silver centrepiece on a round stepped stand with a wide shallow bowl around a baluster-shaped central column, the walls richly decorated with boss decoration and ro...
Category

Antique 1880s Austrian Art Nouveau Sterling Silver

Materials

Silver

Large Viennese Austria Silver Art Nouveau Tray by Würbel & Czokally, Around 1900
By Wurbel & Szokally
Located in Vienna, AT
Octagonal shaped silver tray in a smooth, simple design with raised, flared edge with circumferential palmette band, extension of the edge piece on the broad sides by incised handles...
Category

Antique Early 1900s Austrian Art Nouveau Sterling Silver

Materials

Silver

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Stunning French Silver & Guilloche Enamel Pill Box
Located in Bath, GB
An absolutely stunning enamel box, French in origin with the boars head mark for solid silver (minimum 800/1000). The goldsmith's makers mark is also present, I think GB but a little...
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Vintage 1920s French Art Deco Decorative Boxes

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Table Box Fired Enamel Guillochè and Hand Engravings Sterling Silver Salimbeni
By Salimbeni, Franco Salimbeni
Located in Firenze, FI
Rectangular table box in sterling silver 925/1000 gold plated with very fine hand-engraving Baroque style on the lid, fire-enamelled in 2 colours. In the center an ancient oval plate...
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Vintage 1970s Italian Baroque Decorative Boxes

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Table Box Enamel on Guilloche Hand Painted Miniature Sterling Silver Salimbeni
By Salimbeni, Franco Salimbeni
Located in Firenze, FI
Square box in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè also on the sides. In the center, a beautiful hand painted tempera miniature on a vegetable ivory plate depicting the portrait of a 19th century lady, signed by the painter Anna Maria Manfriani. Dimensions cm. 12 x 12 x 2.5. Weight gr. 618. Designed by Franco Salimbeni in 1976 and manufactured in Florence in some specimens with various subjects and different colors, in the headquarters of the Salimbeni Company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...
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Vintage 1970s Italian Modern Decorative Boxes

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Antique Austrian Sterling Silver and Guilloche Enamel Pill Box, circa 1900
Located in Bath, GB
An absolutely stunning large antique Viennese sterling silver pill box made from a hefty gauge of Austrian silver. All sides are decorated with a white guilloche enamel showcasing...
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Antique 1890s Austrian Late Victorian Decorative Boxes

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Silver Box with Guilloche, Industria Argentina
Located in Delft, NL
A silver box with Guilloche, Industria Argentina A silver box with wooden interior. The box is decorated with guilloche pattern. Silver 925 (purity 925/1000) and marked with Indus...
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Early 20th Century Argentine Decorative Boxes

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Table Box Enamel on Guilloche and Hand Painted Miniature Sterling Silver Salimb
By Salimbeni, Franco Salimbeni
Located in Firenze, FI
Rectangular box with inward corners in sterling silver 925/1000 gold plated with beautiful miniature fire enameled and hand painted by the painter Beatrice Mellana depicting the painting "The Turkish slave" by Francesco Mazzola known as "il Parmigianino" (National Gallery of Parma). Dimensions cm. 8.5 x 11.5 x 3. Weight gr. 345. Designed by Franco Salimbeni in 1965 and manufactured in Florence in numerous specimens with various different subjects, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enameled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...
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