Royal Worcester Turquoise 9 Piece Part Dessert Service

This eye-popping complete dessert service was especially made for Asprey's, London in 1937. Imagine who might have owned this custom-ordered set! It consists of 17 pieces which inclu...

A Worcester (Barr, Flight & Barr) Porcelain Floral Painted and Gilt Vermicule Ground Part Dessert Service, Painted by William Billingsley. Impressed and printed marks. Comprising: Two tureens and covers, each decorated on both sides. Two oval dishes, 28 cm. wide. Twenty-four plates each finely painted with a different floral panel, 21 cm. diameter. Impressed and printed marks, England, Circa 1810. Provenance: J. Rochelle Thomas, London. Abby Aldrich Rockefeller. Laurance S. Rockefeller. Alberto Pinto. Literature: Sandon John, Ewers-Tyne Collection of Worcester Porcelain at the Cheekwood Collection, Nashville, Tennessee, 2007, Item number 77 - a plate from this unique service identified as being the work of Billingsley. Only employed at Barr, Flight & Barr for a short period, initially as a painter and subsequently perfecting their porcelain bodies, Billingsley left in 1813 to set up the Nantgarw China...

A part dessert service by Worcester, hand-painted on a white background with gilded coral designs surrounding hand-painted cartouches of famous British castles...

This is a beautiful part dessert service made by Royal Crown Derby in 1916. The service consists of one serving dish and ten plates, and is decorated with beautiful scalloped rims in turquoise and gilt, delicate flower garlands and a very find flower spray on each item. The Derby Porcelain factory has its roots in the late 1740s, when André Planché, a Walloon Huguenot refugee, started making simple porcelain toys shaped like animals. Local entrepreneur William Duysbury took an interest in his skills and worked with him to improve the quality of his wonderfully shaped items. Together they laid the foundations of what would become a very refined tradition of figure making at Derby. In 1769 Duysbury bought up the bankrupted Chelsea factory, incorporating their reputation for high quality figures, vases and tableware; this combination of traditions, porcelain making skills, sophisticated clients and available work people created one of the best porcelain factories of the 18th and 19th Centuries. The factory went through many ups and downs in the 19th Century and was completely re-constituted in the late 19th Century; today it is one of the very few factories still operative. This plate is a fine example of the Edwardian style with its grace, fine painting and delicate gilt. The pattern has similarities to the famous "Royal Antoinette...

Comprising footed compote, pair of covered sauce tureens, one gallery (partially restored), pair of lozenge-shaped dishes, pair of kidney-shaped dishes, four shell dishes, four squar...

Comprising 12 dessert plates, four low tazzas and two high tazzas, painted with mythological armorous scenes by Kreyser, with a richly gilt cobalt blue border, with beehive mark. Me...