Portuguese Ceramics

Create a sculptural arrangement of organic shapes, combining style statement and functionality with these Italian vintage earthenware Art pieces: a group of 5 Mid-Century Modern different ceramics is available, 4 vases and a bowl/catch-all, by Bertoncello and designer Roberto Rigon, showing inspiration from Barbara Hepworth and Henry Moore work. This particular postmodern abstract sculpture vase, quite innovative for the period and particularly in the mid 20th-century ceramic sector, has a sleek slanted slice quite unexpectedly decorated with a hole in the Silhouette, leaving the admirer the feeling of looking at the moon in the night sky. Glazed in a beige terracotta...

This intriguing head fragment was once attached to a pre-Columbian bust or full effigy figurine. Earthenware figurines like this were made in great abundance throughout Mesoamerican history, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events across Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, or coiffure, and ear spools...

This late 20th-century Acoma Pueblo pottery bowl is a striking example of the artistry and craftsmanship synonymous with Acoma pottery. Hand-painted with a meticulous black-and-white...

Rounded pink Portugal marble cheese plate. Each piece is in a way unique (every marble block is different in veins and shades) and handmade by Ital...

This fine hand made decorated stone ware pottery pitcher is made by Cowden & Wilcox in Harrisburg,Pennsylvania.These mis 19thc potters were very well known for decorated stoneware.Th...

Elegant white and blue plate made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...

This intriguing head fragment was once attached to a bust or full effigy figurine crafted in 400 A.D. Mesoamerica. Earthenware figurines were made in great abundance throughout Teotihuacan's history. After 250 A.D. objects made from clay increased dramatically in Teotihuacan, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events within the city of Teotihuacan and other parts of Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, a thick beaded necklace...

Elegant white and blue vase made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...

Large Majolica Palissy Portuguese Crab Wall Platter, circa 1940. Signed Gaeiras Obidos.

Esnaf collection is inspired by the ever-curios carts and tools of street vendors of Istanbul. The collection takes its cues from the colorful and quirky geometric compositions of th...

Palissy Ware Majolica Ewer, Portuguese, circa 1880 by Manuel Mafra, Caldas da Rainha. For over 28 years we have been among the Nation’s preeminent specialists in Fine antique Majolica. Book Reference: Marshall P. Katz, Portuguese Palissy Ware...

Beautiful large African urn in terracotta made by the Lobi people of Burkina Faso. This urn is very decorative with a small figure sitting on the lid. The urn is 81 cm high and 45 c...