A Kuosi society elephant mask

Papua New Guinea, Central Highlands, Huli people, 1st half 20th century Crafted from the wearer’s own hair and adorned with colorful bird-of-paradise feathers, flowers, scarab beetl...

Papua New Guinea, 18th-19th century L. 22.5 x W. 18 cm (approx.) Provenance: Collected by Schulze-Westrum Collection Rinck Hollnberger, Munich (purchased in the 1980s or 1990s) For a comparable skull see the collection of the Metropolitan Museum of Art in New York. The heads of humans and of animals such as crocodiles and pigs formerly played integral roles in the ceremonial life of Papuan Gulf peoples, who considered the heads to be vessels of life-giving supernatural power. Within men’s ceremonial houses, human skulls were displayed, together with sacred images such as spirit boards or gope, by the members of each clan in a specially constructed clan shrine. However, not all heads required the death of an enemy. In some areas, heads made from wood or other materials appear to have had powers equal to actual ones. In contrast to skulls, the facial features of wood heads were sometimes depicted as they appeared in life. This example comes from the Wapo Creek area, where wood heads appear to have been used interchangeably with actual skulls. When headhunting was abolished by Australian colonial...

Residing in the Democratic Republic of Congo, the Kuba people are true artisans whose craftsmanship fueled traditional rituals, performances, and storytelling. Natural materials, in this case cowrie shells, hold a long history of use in African art often associated with beauty and spirituality. The Bwoom mask...

An exceptional Bird DAN Mask from Ivory Coast, from around the 1960ies, ex-collection from Tony Berlant, Santa Monica, California, USA, great patina and wear of the mask, an exceptio...