Yupik Yup'ik Native American Alaska Polychrome Wood Anthropomorphic Spirit Mask

A fantastic, somewhat sinister appearing mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the I...

A fantastic and somewhat grotesquely strange mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to t...

A fantastic and somewhat playful mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood, hand painted and decorated with pigment, and held together with natural fiber. The mask seems to represent some sort of smiling, benevolent spirit or character with its four eyes, bird beak, and cat-like ears. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...

A truly beautiful, wonderfully aged, alluring mask made for Japanese Noh theater. The naturally faded beauty and unique character drew us to this mask immediately. The mask is handcrafted and hand-carved from natural wood, clearly by a master of his trade. We believe this mask is of the Noh theatre character Otobide. This mask dates back to the Edo Period (1603-1868). It comes with a wooden storage box (which may have been added at a later date). A rare, unique, and exquisite mask. Finely carved and executed. Would be a great addition to any Japanese or Asian art/artifacts collection or an eye-catching stand-alone accent piece in about any setting. Mask dimensions: 7.7" high, 5.7" wide, 2.1" deep...

An older small scale mask carved and painted white (now worn) with painted blue and black features and a black top knot. Marked on interior tape, “Yoruba”. The Mask with good age, fa...

This very flat mask originates from the Atoni people of Timor. For the Timorese people masks portray both male and female ancestors, worn by warriors to scare off enemies or during c...

This is a vintage display mask. An African, carved ironwood ceremonial tribal mask, dating to the late 20th century. Fascinating ridged carvings accentuate this distinctive mask Di...

Late 19th-early 20th century Tribal mask, West Nepal A mask from West Nepal with a rather heart shaped facial plane. There are three large iron staples, two of which may have secure...