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Early 19th Century Political and Patriotic Memorabilia

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Period: Early 19th Century
American Federal Period Cast Iron Eagle
Located in York County, PA
This cast iron eagle is one of the earliest sculptural forms that one will encounter in the marketplace. It is also one of the most attractive and ico...
Category

American Antique Early 19th Century Political and Patriotic Memorabilia

Materials

Iron

Antique French Flag with Fleur-de-Lis c.1800
Located in San Francisco, CA
ABOUT An original vintage fabric French flag mounted on a 19th century flag pole topped with a primitive, hand carved fleur-de-lis. Brass grommets. CREATOR Unknown. Made in Fr...
Category

French Provincial Antique Early 19th Century Political and Patriotic Memorabilia

Materials

Brass

Printed Linen Kerchief of George Washington, ca 1806, Germantown, PA
Located in York County, PA
Extraordinarily early (1806) printed linen kerchief glorifying George Washington, Germantown print works, Germantown, Pennsylvania Printed in sepia ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years. Stuart painted it in oil on canvas for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton. The kerchief is interesting because it is both American-made and documented. This is exceptionally unusual for any printed textile of the 19th century or prior and the earlier the time period the more unlikely an object is to be identified. This kerchief and a companion piece entitled “The Love of Truth Mark the Boy” (also glorifying Washington through the fabled story of the cherry tree), were made ca 1806 by Germantown Print Works in Germantown, Pennsylvania. To the left of Washington's image is a portion of his infamous farewell address to his troops at the end of the Revolutionary War. To the right is a short excerpt from his eulogy. Below these are three images. In the center is a square-rigged tall ship with “Commercial Union” above it, flanked by the American eagle on the left and the British lion...
Category

American Antique Early 19th Century Political and Patriotic Memorabilia

Materials

Linen

Large Antique Hand-Painted English Grandfather Clock Commemorating Lord Nelson
Located in Hamilton, Ontario
This very large and substantial antique grandfather clock was made in 1805 by William Whitaker of England with hand-painted artistry by Alker of Wigen to commemorate the life and dea...
Category

English George III Antique Early 19th Century Political and Patriotic Memorabilia

Materials

Metal, Brass

William IV Police Truncheon
Located in Godshill, Isle of Wight
A William IV policeman’s truncheon. A great piece of social history, the baton has a slightly shaped grip handle, the lower part is painted in Red and the upper part has a blue ba...
Category

Regency Antique Early 19th Century Political and Patriotic Memorabilia

Materials

Paint

Sensational Early 19th Century Chapeau De Gendarme Hat Box
Located in Round Top, TX
A sensational early 19th century French Chapeau De Gendarme - officer's hat box in leather. Such a nostalgic shape!! A great accent piece for any b...
Category

French Antique Early 19th Century Political and Patriotic Memorabilia

Materials

Leather

1806 Printed Linen Kerchief Glorifying George Washington, Germantown, Penn
Located in York County, PA
EXTRAORDINARILY EARLY (1806) PRINTED LINEN KERCHIEF GLORIFYING GEORGE WASHINGTON, PRINT WORKS, GERMANTOWN, PENNSYLVANIA Printed in blue ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years, most often referred to as the Landsdowne portrait. Stuart painted three versions of it in oil on canvas, one of which was completed in 1796 for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton. The kerchief is interesting because it is both American-made and documented. This is exceptionally unusual for any printed textile of the 19th century or prior and the earlier the time period the more unlikely an object is to be identified. This kerchief and a companion piece entitled “The Love of Truth Mark the Boy” (also glorifying Washington, through the fabled story of the cherry tree), were made circa 1806 by Germantown Print Works in Germantown, Pennsylvania. To the left of Washington's image is a portion of his infamous farewell address to his troops at the end of the Revolutionary War. To the right is a short excerpt from his eulogy. Below these are three images. In the center is a square-rigged tall ship with “Commercial Union” above it, flanked by the American eagle on the left and the British lion on the right. It is reasonable to assume that the textile may have been produced in demonstration of the maker's desire, and/or that of others, to advance trade with England. Commercial printers were very influential in early America, as they possessed the means by which to disseminate information. This kerchief and its companion piece are documented in Threads of History, Americana Recorded on Cloth, 1775 - the Present, by Herbert Ridgeway Collins (1979, Smithsonian Press), p. 63, items 38 & 39.* The two pieces pictured are in the collection of Cornell University, but the Collins text also cites an uncut pair to be present in the collection of the Western Reserve Historical Society, Cleveland, OH. The name "Germantown Print Works" is printed on the Western Reserve examples. Another example of the textile in question is documented in "Running for President, The Candidates and Their Images, 1789-1896" by Schlesinger, Israel, and Frendt, (1994, Simon & Schuster), p. 15. I have seen three different color variations of this textile, including sepia, mulberry red, and blue. This particular example has a hand-sewn binding along the top, lower, and left edges. Mounting: The textile was mounted and framed within our own conservation department, which is led by expert staff. We take great care in the mounting and preservation of flags and have framed thousands of examples. The gilded molding has a rippled profile and dates to the period between 1825 and 1850.The background is 100% cotton twill, black in color. The glazing is U.V. protective plexiglass. Feel free to contact us for more details. Condition: There is an all-over golden oxidation of the white fabric and there is very minor staining. There are tiny tack holes in each corner and there are minor nicks around the perimeter. * Collins relates that Germantown Printworks was operated by the Hewsons. In doing so he cites one of Worthington Chauncey Ford's books on George Washington, but it isn't clear which one (there are many) and no page numbers are given. John Hewson was an Englishman who came to America and opened his printing business on the advice of Benjamin Franklin. He was one of the first “calico printers” and is the earliest documented to have advertised printed kerchiefs. His ads for bandanas appear as early as June 20th, 1774. He is suspected of having produced the very first American kerchief that pictured an American president, which is documented in Collins as item 1 on page 48. Linda Eaton, curator at Winterthur, in 2012, is currently doing in depth research on the three printers of fabrics that were operating in Germantown in early America. She discovered that the owner and/or operator of Germantown Print Works, while not currently known, was not John Hewson. This information is not yet published. She also noted that Winterthur possessed examples of the two George Washington textiles...
Category

American Antique Early 19th Century Political and Patriotic Memorabilia

Materials

Cotton

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Previously Available Items
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James Madison Signed Collage
James Madison Signed Collage
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